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    Kehlani & Hayley Kiyoko Attack Rita Ora For 'Girls'

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    Rita Ora recently released the third single for her long awaited second album 'Girls', and not everyone is happy about it.

    'Girls', which is a collaboration with Cardi B, Bebe Rexha and Charli XCX, is an ode to girls kissing girls, with a chorus that reads, "Sometimes I just wanna kiss girls/Red wine, I just wanna kiss girls". The song, which Ora has described as an "empowering anthem", seems to be as much a celebration of femininity in general as it is about actually falling in love with girls. "These past few years I've been so inspired by all the strong women I've seen who aren't afraid to be themselves. For those who aren’t afraid to rule the world, this is our anthem," she said. "And of course, thank you to all the fellow boss women who so kindly graced this song with me — each representing who they are and where they are from."

    Despite Ora's words, however, it seems that not everyone has taken the song in the vein in which it was intended. Kehlani (aka the girl famous for attempting suicide) and Hayley Kiyoko (aka the girl from The Stunners who isn't Tinashe) both took to Twitter today to express their dissatisfaction with the song, with both artists appearing to think that the song set the LGBTQ community back by years.

    In typical SJW fashion, Kehlani made a series of Tweets that were not only vague and incomprehensible but also pretentious and holier than thou.

    "every artist on the song is fantastic, and very much loved and supported by me… by all of us. but this isn’t about talent. it’s about choice," she stated. When a follower pointed out that she'd written a similarly themed song called 'Distraction', she seemed to state that she was above criticism. "let’s get into it my love. i didn’t write distraction about needing a woman to be a distraction because i wouldn’t take a woman seriously because i am not queer. i wrote about wanting a distraction from my career, but not having enough time for a relationship. and don’t make this personal."

    In a lengthy Twitter tirade, Kiyoko echoed Kehlani's statements in a similarly obnoxious tone.

    Quote

    It’s important for us artists to use our platforms to move the cultural needle forward, not backwards. There is a new song that came out today featuring a handful of well-known pop artists that has me overwhelmed with thoughts. I literally have a knot in my stomach right now. To be clear, I fully support other artists who freely express themselves and applaud male and female artists who are opening up more and more about their sexual identities.

    But ever so often there come certain song with messaging that is just downright tone-deaf, which does more harm than good for the LGBTQ+ community. A song like this just fuels the male gaze while marginalizing the idea of women loving women.

    I know this wasn’t the intention of the artists on the song, but its the lack of consideration behind these lyrics that really get me. I don’t need to drink wine to kiss girls; I’ve loved women my entire life. This type of message is dangerous because it completely belittles and invalidates the very pure feelings of an entire community. I feel I have a responsibility to protect that whenever possible.

    We can and should do better.

    As someone who was pretty against Katy Perry's 'I Kissed A Girl', I have to say that for me the only offensive thing about 'Girls' is the quality of the lyrics. But what do you think? Check out the song and sound off below!

     



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    I don't do Twitter, so I am taking your word that they actually said all that.  But if true?

    I have 4 things to say to "Kehlani & Hayley Kiyoko"........And that is:

    S.T.F.U.

    It's just a freaking song.  Get over yourselves.  I like the song, and I will listen to it as often as I want to. 

    People get triggered over some crazy A$$ $hit.

    I love this part:

    " I fully support other artists who freely express themselves..."  She should have added..."unless I do not agree with what they say". "At that point, my support ends". 

    If Rita wants to kiss girls.  I say....go for it girl.  And if it takes a little wine to get up the courage..Maybe she's just shy -LOL- (by the way I don't think that is what is meant by that line).  But that is just my opinion, as I really have no idea what she was thinking when those lyrics were written.  And neither does "Kehlani & Hayley Kiyoko".

    So Again.  I say to "Kehlani & Hayley Kiyoko":

    S.T.F.U. 

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    This is so unnecessary. If Rita wants to drink red wine and kiss girls, then she should go for it :vacuum: I don't see how bisexual women singing about their own experiences enforces stereotypes.. SJW's will do anything to find a way to victimize themselves. I'm bisexual myself and I don't see a problem. They need to get a grip :morning:

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    🙍‍♂️🐚

    SJW's.  LMFAO.  I love it.  I was going to use that in my comments.  But I was being nice, as I did not want offend the SJW's.  If I was not sitting on the toilet right now, I would be rolling on the floor.

     

    P.S.  ignore the amoji's up top.  Hit them by mistake.  And I could not delete them.

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    I knew that some mess like this would happen :cackle: I see their point and i think it's all bullshit. Like @Eclipse said perfectly, if the girls want to sing about an experience with another women because of a drink i don't see what's the problem tbh... I don't understand why they feel attacked by it, the fact that anyone would sleep with someone of the same sex because of a wine won't make Hayley or Kehlani less lesbian/bissexual. I agree that bisexuality is not well represented even in the LGBTQ+ circle but i don't see how this song would be harmful. Those bitches are just thirsty for retweets. I can't stand this Hayley girl, she acts like she invented lesbianism.

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    It’s important for us #PHFaggots to use our platforms to move the cultural needle forward, not backwards. There are some new comments that came out today featuring a handful of well-known posters named @Whoknowsmehere, @Eclipse and @victorxcx that have me overwhelmed with thoughts. I literally have a knot in my stomach right now. To be clear, I fully support other #PHFaggots who freely express themselves and applaud male and female posters who are opening up more and more about their opinions.

    But every so often there come certain comments with messaging that is just downright tone-deaf, which does more harm than good for the PHF community. Posts like this claim that it is okay to drink wine, when in reality the normalisation of alcohol in today's society is a growing issue.

    I know this wasn’t the intention of the posters, but its the lack of consideration behind these posts that really get me. As an alcoholic, I avoid alcohol; and because that's a lifestyle I choose, I think that everyone else in the world has to choose it too. This type of message is dangerous because it completely belittles and invalidates the very pure feelings of the entire Alcoholics Anonymous community. I feel I have a responsibility to protect that whenever possible.

    We can and should do better.

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    21 minutes ago, Countess said:

    It’s important for us #PHFaggots to use our platforms to move the cultural needle forward, not backwards. There are some new comments that came out today featuring a handful of well-known posters named @Whoknowsmehere, @Eclipse and @victorxcx that have me overwhelmed with thoughts. I literally have a knot in my stomach right now. To be clear, I fully support other #PHFaggots who freely express themselves and applaud male and female posters who are opening up more and more about their opinions.

    But every so often there come certain comments with messaging that is just downright tone-deaf, which does more harm than good for the PHF community. Posts like this claim that it is okay to drink wine, when in reality the normalisation of alcohol in today's society is a growing issue.

    I know this wasn’t the intention of the posters, but its the lack of consideration behind these posts that really get me. As an alcoholic, I avoid alcohol; and because that's a lifestyle I choose, I think that everyone else in the world has to choose it too. This type of message is dangerous because it completely belittles and invalidates the very pure feelings of the entire Alcoholics Anonymous community. I feel I have a responsibility to protect that whenever possible.

    We can and should do better.

    Countess my friend.  I totally respect your opinions and I completely understand your feelings and reasons for feeling how you feel.  I know first hand the effects that alcoholism can and does have on the individual and the people around them.  I have been effected in numerous ways from the effects of this addiction.  As I am sure that many others here on PHF have. 

     

    However.  I do not see anywhere in my comments where I made reference to or in any way made derogatory remarks towards anyone who may or may not be addicted or have been affected by alcoholism.  And I am sorry you may have interpreted it that way.  And believe my when I say I am sorry you have gone through what you have gone through with alcohol. 

     

    If I read the original post correctly what it pertained to was Rita Ora using this particular song to talk about her bisexuality.  And the fact that she said or implied that she drank wine has nothing to do with alcoholism.  At least the way I interpret it.  I could be wrong.  In full disclosure I personally do not drink alcohol in any capacity.  Have I before?  Yes.  However I chose at an early age, perhaps due to how this particular addiction has affected certain members of my immediate family.  Or it could be that I just cannot stand the taste.  I won't go into specifics, but there have been many in my family who have or have had issues with not only alcohol but also drugs.  Which I choose to not partake of as well.   And they have not always ended well. 

     

    This is one of the reasons up to this point here on PHF I have not made any comments on social issues.  Hot button issues such as this can and often do cause people who truly like and respect each other. And my friend, I truly do respect you, like you, and respect your opinions very much.  And as someone who in real life is a very opinionated person, I do tend to rile others up. 

     

    Having said that:

     

    I am sincerely sorry if what I said affected you negatively.  The fact that you felt the need to say what you said.  Whether what I said was wrong or not, I will leave up to each person to decide that for themselves.  What does matters is that someone I like and respect was troubled enough to feel the need to speak up. 

     

    Keep up the great work you are doing here on PHF and I hope that this does not effect us in the future. 

     

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    3 hours ago, Countess said:

    It’s important for us #PHFaggots to use our platforms to move the cultural needle forward, not backwards. There are some new comments that came out today featuring a handful of well-known posters named @Whoknowsmehere, @Eclipse and @victorxcx that have me overwhelmed with thoughts. I literally have a knot in my stomach right now. To be clear, I fully support other #PHFaggots who freely express themselves and applaud male and female posters who are opening up more and more about their opinions.

    But every so often there come certain comments with messaging that is just downright tone-deaf, which does more harm than good for the PHF community. Posts like this claim that it is okay to drink wine, when in reality the normalisation of alcohol in today's society is a growing issue.

    I know this wasn’t the intention of the posters, but its the lack of consideration behind these posts that really get me. As an alcoholic, I avoid alcohol; and because that's a lifestyle I choose, I think that everyone else in the world has to choose it too. This type of message is dangerous because it completely belittles and invalidates the very pure feelings of the entire Alcoholics Anonymous community. I feel I have a responsibility to protect that whenever possible.

    We can and should do better.

    I like how this went from people writing their opinions to making fun of that statement :cackle:

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    I just have to say that, if Kehlani was known for attempting suicide... she didn't actually give a good impression either, am I wRoNg? (pun intended, Zayn). And Hayley. I just can't even (I don't get why people like her music, it seems too common to my taste, but anyways, not the point here). Honestly, I don't see a bad thing on it. I guess everybody should just take the song as it is, a song. If it deals with alcohol, damn, everybody should know the consequences and decide whether if drinking or not. I don't drink, don't deal with drugs, don't smoke... guys, if I love Lana, I wouldn't "get high on hydroponic weed" just because she sings it. Therefore, if Rita Ora sings she wishes to drink red wine... she does it. It doesn't mean every listener must do what she sings. Songs, in their purest meaning, are poems, aka, figurative. I understand that Rita sings about getting out at parties and have fun, not specifically to become an alcoholic. But well... everybody has their opinions, and that was mine. Just chill. And enjoy the music, since I don't think Rita is releasing anything else before Q4.

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    On 5/13/2018 at 6:48 PM, Whoknowsmehere said:

    Countess my friend.  I totally respect your opinions and I completely understand your feelings and reasons for feeling how you feel.  I know first hand the effects that alcoholism can and does have on the individual and the people around them.  I have been effected in numerous ways from the effects of this addiction.  As I am sure that many others here on PHF have. 

     

    However.  I do not see anywhere in my comments where I made reference to or in any way made derogatory remarks towards anyone who may or may not be addicted or have been affected by alcoholism.  And I am sorry you may have interpreted it that way.  And believe my when I say I am sorry you have gone through what you have gone through with alcohol. 

     

    If I read the original post correctly what it pertained to was Rita Ora using this particular song to talk about her bisexuality.  And the fact that she said or implied that she drank wine has nothing to do with alcoholism.  At least the way I interpret it.  I could be wrong.  In full disclosure I personally do not drink alcohol in any capacity.  Have I before?  Yes.  However I chose at an early age, perhaps due to how this particular addiction has affected certain members of my immediate family.  Or it could be that I just cannot stand the taste.  I won't go into specifics, but there have been many in my family who have or have had issues with not only alcohol but also drugs.  Which I choose to not partake of as well.   And they have not always ended well. 

     

    This is one of the reasons up to this point here on PHF I have not made any comments on social issues.  Hot button issues such as this can and often do cause people who truly like and respect each other. And my friend, I truly do respect you, like you, and respect your opinions very much.  And as someone who in real life is a very opinionated person, I do tend to rile others up. 

     

    Having said that:

     

    I am sincerely sorry if what I said affected you negatively.  The fact that you felt the need to say what you said.  Whether what I said was wrong or not, I will leave up to each person to decide that for themselves.  What does matters is that someone I like and respect was troubled enough to feel the need to speak up. 

     

    Keep up the great work you are doing here on PHF and I hope that this does not effect us in the future. 

     

    Oh honey, please don't take me seriously! :fishie: I feel bad for making you write all those paragraphs and for you thinking I'm legitimately mad at you! All I was doing was copying Hayley's overly dramatic statement from the original post and parodying it in my own way. :yeah: No harm intended at all!

    On another note, kudos to you for staying sober for so long! ;) A lot of my family members struggle with drug and alcohol addiction as well so it's something I've tried my best to manage and not let get out of control. Congrats to you for staying strong and sticking to your guns. <3 

    On 5/14/2018 at 1:28 AM, Moonchild said:

    I just have to say that, if Kehlani was known for attempting suicide... she didn't actually give a good impression either, am I wRoNg? (pun intended, Zayn). And Hayley. I just can't even (I don't get why people like her music, it seems too common to my taste, but anyways, not the point here). Honestly, I don't see a bad thing on it. I guess everybody should just take the song as it is, a song. If it deals with alcohol, damn, everybody should know the consequences and decide whether if drinking or not. I don't drink, don't deal with drugs, don't smoke... guys, if I love Lana, I wouldn't "get high on hydroponic weed" just because she sings it. Therefore, if Rita Ora sings she wishes to drink red wine... she does it. It doesn't mean every listener must do what she sings. Songs, in their purest meaning, are poems, aka, figurative. I understand that Rita sings about getting out at parties and have fun, not specifically to become an alcoholic. But well... everybody has their opinions, and that was mine. Just chill. And enjoy the music, since I don't think Rita is releasing anything else before Q4.

    I honestly don't even think Kehlani is bisexual so I have no idea what she's doing judging other bisexual women and sticking up for a "community" she doesn't even belong in... :cackle: You're so right about how literally people take songs. It's funny that movies never really get that criticism - people can go to war, murder people, rape people, and blow up entire cities in movies and it's fine but if someone sings about something like that in songs people drag them. People need to get over themselves, sip some red wine, kiss a girl and chill the fuck out. :wink: 

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      10. f(x) - Chocolate Love/Girls' Generation - Chocolate Love
      Another K-Pop convert, 'Chocolate Love' was first heard back in 2009 as a dual release for K-Pop supergroups f(x) and Girls' Generation. The song was used to promote the LG Cyon Chcolate phone in commercials, with f(x) jumping on the 'Electronic Pop Version' and Girls' Generation singing the 'Retro Pop Version'. Also worth noting is that f(x) alone recorded an English version of the song entitled 'Topbillin' Love', which was performed live during their international tour in 2010.
      What's interesting is that this version of 'Topbillin' Love' was actually a throwaway track that had been written years before by Karen Poole as a demo for Britney which got rejected. Poole tried her hand at writing to the instrumental after Cathy Dennis's attempt, called at that point 'Phony Lullaby', was also rejected due to it's inclusion of lyrics Britney apparently found objectionable. Britney even tried her hand at writing to this instrumental alongside Michelle Bell, which resulted in the unreleased track 'Take Off', a song which discussed Brit's anti-war and anti-discrimination views. Cathy Dennis would later reclaim the song and morph it's instrumental into 'Sweet Dreams My LA EX', the Rachel Stevens hit mentioned above; but that didn't stop the K-Pop groups from reusing it's demo years later. 
      9. BoA - Look Who's Talkin'
      'Look Who's Talkin'' is a song originally written by Britney alongside Bloodshy & Avant, Henrik Jonback and Michelle Bell in 2003 during the same sessions that produced songs like 'Chaotic' and 'I've Just Begun (Having My Fun)'. Later, it resurfaced on Korean superstar BoA's debut English album, also titled BoA, as the second single from the R&B-pop project. The Britney demo leaked just a little later on as 'Look Who's Talking Now', and features almost exactly the same lyrics and production; although the words are a little more meaningful coming from a popstar who spent a lot of her early life silenced by her record label or management. Britney's version of the song was probably never strong enough to be a single, but it could have worked well as an an additional track for the Chaotic EP.
      8. Pitbull & J Balvin - Hey Ma (Feat. Camila Cabello)
      'Hey Ma' was released last year for the The Fate of The Furious soundtrack album as a collaboration between Pitbull, J Balvin and Camila Cabello; but if things had gone differently, the song could have had a twist from the Holy Spearit. When it was originally recorded, 'Hey Ma' featured Romeo Santos and Britney in the Balvin and Cabello parts, with Britney cooing "If you touch me right, I might stay the night" over a Latin-inspired beat.
      But when the song was pitched for The Fate of The Furious, the producers requested that they be replaced, presumably to appeal to a younger audience and capitalise on the Latin American vibe of the film. While we'd generally cringe at the idea of Pitbull releasing a song with with Britney (or Pitbull releasing any song full stop), we have to admit that 'Hey Ma' featuring Britney is an absolute bop, thanks to the fact that her version was leaked as a Christmas present to the fans. We can only imagine how great this song would have sounded in a mash-up with 'Change Your Mind (No Seas Cortés)' on the Piece of Me shows.
      7. Orchestral Manoeuvres in the Dark - Pulse
      'Pulse' was published on the ASCAP registry back during the In The Zone era as a potential candidate for Britney's album, but it didn't end up making the cut there. Instead, it was released in 2010 on the Orchestral Manoeuvres in the Dark album History of Modern. While we're unsure if anything was changed over that seven year period, we can definitely imagine Britney's vocals on the current version of the track, which has the same breakbeat R&B kind of style she explored on ITZ tracks such as '(I Got That) Boom Boom' and 'Me Against the Music'.
      5. Kylie Minogue - Nu-Di-Ty/6. Kylie Minogue - Speakerphone
      Britney and Kylie have a long history of working with the same producers and thus swapping tracks, with Kylie even turning down the demo that would go on to be a hit for Britney with 'Toxic'. "I wasn't at all angry when it worked for her," she said of the track. "It's like the fish that got away. You just have to accept it." Let's hope the feeling is mutual, because Kylie took two tracks that Britney worked on for Blackout for her own album X, both of which were produced by longtime collaborators Bloodshy & Avant.
      'Nu-Di-Ty' is a quirky, fragmented pop song with a hint of R&B and tropicana which plays out like a more light-hearted version of Britney's own 'Freakshow'. While we don't have a Britney version of the track, she definitely did record one as some of her background vocals can be heard in the final version, and are even clearer when filtered out from the other vocals. Then there's 'Speakerphone', a precursor to 'Telephone' with a dreamy Euro-pop production which was definitely an album highlight. We've never heard anything of the Britney version of this one but it's safe to say she would slay it.
      4. Kylie Minogue - Get Outta My Way
      'Get Outta My Way' is not just one of Kylie Minogue's best songs: it's one of the best pop songs of this decade full-stop. The perfect slice of dance-pop for the summer season, 'Get Outta My Way' was originally shopped around to several artists including Britney, Alexandra Burke and Pixie Lott, and Wynter Gordon also wrote a song to the Cutfather-produced instrumental. But ultimately it was Kylie who nabbed the song, apparently due to the fact that the other potential candidates were too slow to respond. This is one of the few times where we're happy the song went to it's original artist: Britney's version of the track would probably have worked well on Femme Fatale, but Kylie needed the hit desperately and she put way more energy into the choreography than Brit could have at that point.
      3. Nelly - Tilt Ya Head Back (Feat. Christina Aguilera)
      The rivalry between Britney and Christina is basically a tale as old as time at this point, so it's no surprise that they'd both be put up for the same part on Nelly's 'Tilt Ya Head Back', which was a moderate hit when it was released back in 2004. Britney actually recorded vocals for this song, some of which were leaked in 2016; but according to producer Dorian Moore, her label nixed the idea of Britney collaborating with Nelly, finding the song "too urban". Janet Jackson was also considered before XTina took the final spot. It's not entirely surprising given that in 2004 Brit was still fighting for creative control with her record label, leading to the Original Doll saga that would begin her downwards spiral in 2007.
      2. Selena Gomez - Whiplash
      'Whiplash' is definitely not one of Selena's better known songs, and at the end of the day it is just album filler; but for a non-single track, it's surprisingly fun. Alternating between a silly metaphor-ridden chorus and a bouncy rap part spoken with an English accent, 'Whiplash' was highlighted as a standout track from When The Sun Goes Down and was performed on tour alongside a medley of Britney's own hits.
      But if things had gone differently, the song may actually have ended up on Brit's comeback vehicle Circus. Britney wrote and recorded the song alongside Coco Morier and Greg Kurstin at the same time as she worked on 'Mmm Papi' and 'Rock Me In', but it failed to make the cut for unknown reasons. So far we haven't heard the demo of the song, which is a shame because I'm dying to know if the English accent was a Selena addition or if it was present in the original version as well. Judging by Englishney's raps in 'Scream & Shout', I wouldn't be surprised if that was something Brit came up with all on her own.
      1.  Rihanna - Umbrella
      What more needs to be said about 'Umbrella', the monster hit which launched Rihanna's career properly and transitioned her from Bajan Princess to Bad Girl? Tricky Stewart, who had previously worked on 'Me Against The Music', wrote the track alongside The-Dream intending for it to be a comeback single for the troubled Spears; but when they sent the track to her label, it was rejected without Britney even hearing the track. After Mary J. Blige passed on it too, the song ended up in Rihanna's lap, at which time she utilised her accent to create that signature "ella ella eh eh eh" chorus which made the song such a hit. It's a credit to Rih that her stamp on the song is so huge that we can't even imagine Britney singing this one.
      Which of these songs would you most like to hear Britney's vocals on? Let us know in the comments down below!
      Editor's Note: This is an updated version of an article that was originally posted on 04/01/2018.
    • By Skinny Legend
      Over the course of her sixteen year career, Rihanna certainly hasn't had any trouble making hits. Named by Spotify and Apple as the most streamed female artist of all time, Rih's also earned herself 31 top ten singles on the Billboard Hot 100. Furthermore, five of her songs - 'Umbrella', 'We Found Love', 'Stay', 'Work' and Eminem collaboration 'Love The Way You Lie' - rank among the world's best selling songs of all time.
      Her distinct vocals, trend-setting sounds and high-profile romances also make her a songwriter's dream, with many artists imagining her voice layered over the top of their latest works. Sadly, as is true for most artists who rely on others for their songwriting, Rih is unable to record each and every track she's sent, and there's a large selection of songs she's turned down which have gone on to be hits at the hands of other artists. Some of these songs were given to newer artists inspired by her, such as Selena Gomez; while yet others reverted back to their original owners, such as Sia. Regardless, it's fascinating to imagine what these songs would sound like if they'd been sung by Rih, and just how many more millions of dollars she could be raking in if she'd accepted them.
      1. Selena Gomez - Come & Get It
      Ester Dean and Stargate are the dream team of musicians behind a number of Rihanna's dancehall-tinged hits, from 'What's My Name' to 'Rude Boy' - and if they'd had their way, they could have given her another one. Selena Gomez's 'Come & Get It' was submitted for Rih's 2011 album Talk That Talk, but was left off the album possibly due to an over-abundance of up-tempo songs that were already present. While Rihanna's islander vibe would have worked perfectly on 'Come & Get It', we're glad this one went to Selena - after all, without this track she may have been stuck permanently in Disney purgatory, and never have started recording the more adult music we all know and love today.
      2. Selena Gomez - Same Old Love
      Charli XCX was working overtime for Rihanna in 2015, when she was writing songs for both ANTI and the Rihanna-helmed Dreamworks film Home. While none of their collaborations ended up on either project (although Charli did land one of her own songs, 'Red Balloon', a spot on the Home soundtrack), Rihanna did record at least one Charli co-write - 'Same Old Love'. Rih first teased the song in June of 2014 on Twitter, over a year before the public even know it existed.
      It wasn't until Selena released her version as a single in September of 2015 that fans put the pieces together and deduced that Rihanna had recorded her own version of the song, a theory confirmed in 2018 when a snippet of her version leaked online. While Rih would have done a good job on the track, we understand why she scrapped her version - the song's catchy hook and poppy vibe would have sounded completely out of place on 2016's ANTI.
      3. Miley Cyrus - We Can't Stop
      Selena isn't the only ex-Disney star to swoop in one of Rihanna's rejects. Production duo Rock City had originally written their song 'We Can't Stop' with Rihanna in mind, but they decided against offering it to her after hearing her change in musical direction that began with 'Diamonds'. Feeling that "this could be somebody's first single", the group instead offered the song to record producer Mike Will Made It, who passed it onto Cyrus. While Miley's version of the song is a certified bop and exactly what she needed to release at that point in her career, we can't imagine the song fitting into Rihanna's more introspective Unapologetic album, and we're actually glad she never released this one.
      4. The Chainsmokers - Don't Let Me Down (Feat. Daya)
      Everyone's least favourite production duo The Chainsmokers have barely been heard from since their chart-topper 'Closer', but they did have a minor hit with 2016's 'Don't Let Me Down'. The final version of the song ended up featuring then 17 year old singer Daya, but before they called her the group had already reached out to Rihanna for some vocals. Her rejection of the song clearly left the duo feeling a little bitter: in an interview, the group's Alex Pall took the chance to throw some shade when he said that he was happy to have Daya on the song "because young unknown artists have this hunger – they're willing to work really hard". We get the feeling Rihanna was already busy work, work, work, work, work, working on a real hit.
      5. Usher - DJ Got Us Fallin' In Love (Feat. Pitbull)
      Despite multiple collaborations with his off-siders such as Dr. Luke and Cirkut, Rihanna has never actually worked with pop music's GOAT producer Max Martin. Surprisingly, she turned down the chance back in 2010 when Martin sent 'DJ Got Us Fallin' in Love' in her direction as one of the over 200 songs which didn't make the cut for Loud. With some help from Pitbull, the song would later go on to become one of Usher's most successful singles, hitting the top ten in over fifteen countries while it competed with Rih's own collab with Eminem, 'Love The Way You Lie'. Although the song would have worked great in Rihanna's hands, we see why she rejected it; it serves essentially the same purpose as 'Only Girl (In The World)', which was the first song recorded for Loud and which was always intended to be the first single.
      6. Drake - Find Your Love
      Rihanna and Drake have had major success with the majority of their collaborations, from 'What's My Name' to 'Take Care' to 'Work' - but long before any of these tracks were released, a relatively unknown Drake was already pitching some of his first hits to Rihanna. 'Find Your Love', the second single from Drake's debut album, was originally pitched to Rihanna due to Drake's belief that the song was "extremely vulnerable". "It's actually a huge risk," he would later state. "It almost feels like the song should be performed by a woman. I'm just hoping that men really hear the song and they're honest with themselves. I know a lot of men feel that way." Ultimately, the risk paid off for Drake who had a hit with the song, and whose own vulnerability and sensitivity would later go on to become a point of distinction and mockery in later years.
      7. Rita Ora - R.I.P.
      Rita Ora has been compared to Rihanna again and again over the course of her career, and it's not hard to see why. With her ethnic beauty, emotive vocals, and career trajectory from Roc Nation-approved R&B to Calvin Harris produced pop, it would be easy to think of Ora as Europe's own answer to the Bajan beauty. It's a comparison made even stronger by the fact that Rita's breakthrough single, 'R.I.P.', was initially written for Rihanna. 'R.I.P.' was another Drake-penned track that originally appeared on his The Gift Without a Curse mixtape with the name 'I'm Ready For You'. Ora's version retained the Nneka and Chase & Status sample of Drake's original song while adding a fresh coat of production paint courtesy of frequent Rihanna collaborators Stargate. Although we're sure that Rih could slay this track, it's a testament to Rita's talent that we can't imagine anyone performing it as well as she does, and we're glad that she got the chance to shine with such a bop for her first release.
      8. Justin Bieber - Love Yourself
      'Love Yourself' was a hit for Justin Bieber in 2015, but the track had a long journey to the #1 spot on the Billboard Hot 100. It was originally written by Ed Sheeran for his album ÷, and back then it had a very different, R-rated chorus of "If you like the way you look that much/Baby, you should go and fuck yourself". Realising that he didn't have the "swag" to pull off such a line, Sheeran initially considered pitching the song to Rih. "Rihanna could get away with saying 'you should go and f--k yourself,' in my mind anyway," he would later state.
      Ed never got around to sending the song Rihanna's way, but when talking to Bieber near the end of his recording for Purpose he realised that Justin would be able to pull off a more G-rated version. "It kind of came at a zeitgeist time for his career, where he had fallen out of grace with the public, and he had this comeback song that was quite grown up," he would later say. Although there's no guarantee Rih would have recorded the song, it would definitely be interesting to see what she could do with the track. Some of her more interesting songs have experimented with acoustic instruments, such as 'FourFiveSeconds' and 'Stay', and 'Love Yourself' (or 'Fuck Yourself') would definitely have been a nice addition to that series.
      9. Ed Sheeran - Shape of You
      Rihanna must be running through Ed Sheeran's mind a lot, because 'Love Yourself' wasn't the only song he wrote with her in mind. Ed's own hit 'Shape of You' was initially conceived as a duet between Rih and the UK band Rudimental, but a combination of his record label head persuading him to keep the song for himself and his own personalised lyrics made him rethink the decision. "We were writing this song and I was like 'this would really work for Rihanna,'" he would explain later. "And then I started singing lyrics like 'putting Van the Man on the jukebox' and I was like 'well she's not really going to sing that, is she?' And then we sort of decided halfway through that we were just going to make it for me." Although the song's tropical flair would have suited Rihanna well, there's something distinctly masculine about the lyrics of loving someone's body which we just can't imagine her singing. Then again, who is Rihanna to let something like gender stop her?
      10. Sia - Cheap Thrills
      Upon it's release, 'Shape of You' was compared unfavourably to another tropically-minded song which had been released months earlier: Sia's 'Cheap Thrills'. Like all of the other songs on her This Is Acting album, 'Cheap Thrills' was a song that Sia had originally written for another artist before reclaiming it for herself, and in this case it was once again Rihanna who had turned down the track. Ultimately, this ended up being for the better: the super-poppy 'Cheap Thrills' wouldn't have worked at all on ANTI, but it did go on to become Sia's first #1 in the US and probably paid for her fifth vacation home.
      11. Sia - Alive
      'Alive' was another This Is Acting cut that had been intended for multiple artists before it's release. Sia co-wrote the song with Adele "in Adele's perspective" for her album 25, but the song was rejected from the album at the last minute. "I said to [Adele], 'Do you mind if I pitch it to, let's say, Rihanna?'", Sia would later recount. "She said, 'Yeah, but can you take my vocal off it because I don't want my vocal floating around out there on a demo?'" Sia ultimately recorded her own take on the song to pitch to Rihanna, where it was rejected for a second time. Despite this, Sia's collaborators encouraged her to keep the song for herself. "Everybody in my life was like, 'You can't give this away to anybody'," she explained, which inspired her to release the song as the first single from her own album. As far as 'Alive' goes, we can take it or leave it: Rihanna would probably have done as good a job as Adele or Sia did on the song, but there's nothing particularly special about the generic self-empowerment lyrics of the song, which is probably the reason why it stalled so low on the charts.
      12. Sia - Reaper
      'Reaper' was another This Is Acting album track, and the third song on the album that had originally been hand-crafted with Rihanna in mind. 'Reaper' was written by Sia and her frequent collaborator Jesse Shatkin alongside Kanye West and his team of 88-Keys and Dom $olo for ANTI - however, the track was scrapped when the album underwent a last-minute change in direction. 'Reaper' was for the version of ANTI pre-'Work' which also featured 'FourFiveSeconds', 'Bitch Better Have My Money' and 'American Oxygen', which existed back when Kanye was executive producing the album. After a falling out between him and Rih, she retooled the album without their collaborations, making it the hit record we know today. As for our thoughts on the song, Sia summed them up pretty nicely herself when she said, "I don't care about the song. I know in print that will look bad, but what I mean is I'm not emotionally attached to it. I thought it was a fun song. I think it's a good, fun song, but I didn't anticipate it being on the record." 'Reaper' is fun and catchy, but it seems like a throwaway track for Sia and more like something we'd expect from Rihanna's fifth album than her eighth.
      13. Beyoncé - Pretty Hurts
      'Pretty Hurts' is often regarded as the standout from Beyoncé's self-titled 2013 album, and even it's lead songwriter Sia considers it to be her "best song". As such, it makes some sense that the track was in demand by multiple musicians before Bey finally snagged it for herself. The track was originally written by Sia alongside producer Ammo on the same day as she recorded 'Titanium' for David Guetta in 2011, and as with 'Titanium' first dibs for the song went to Katy Perry. Somehow, Katy ended up missing the e-mail that 'Pretty Hurts' was attached to, and the track was instead passed onto Rihanna's team. Rihanna, who was at the time recording for Talk That Talk, showed interest in the song and placed it on hold; but after she failed to pay the track's fee for a whopping eight months, Sia continued to shop it around once more. 
      While 'Pretty Hurts' remained in limbo, Beyoncé heard it and labelled it as "my song". She would later go on to state, "The second I heard the song, I'm like, 'I have to sing this song, I don't care how hard I have to fight for this song!'". Ultimately, she paid the fee to make the song hers and stole the track right out from under Rihanna's nose. Given that 'Pretty Hurts' originally had a very different composition from the version that Bey released, it's hard to say how Rihanna's vocals would have worked on the track; although given that the song is a statement on the beauty industrial complex, we can't imagine that her Fenty Beauty company would have gone on to great success after she recorded it.
      14. Jordin Sparks - Battlefield
      2009 was the year of Ryan Tedder, with the English-born songwriter penning hits for balladeers ranging from Beyoncé to Kelly Clarkson: and if things had played out differently, he may just have added Rihanna to that list. 'Battlefield', which was ultimately released by Jordin Sparks as the first single from her album of the same name, was initially written with the intention of pitching it to Christina Aguilera. After a demo was recorded it was then considered as a duet for Rihanna and Chris Brown, but after news of Brown's physical assault broke these plans were scrapped. Instead, Sparks went on to nab the song and turn it into a moderate success, with the song hitting #10 on the US charts.
      15. Jessie J - Do It Like A Dude
      Jessie J had success with writing on Miley Cyrus's 'Party In The U.S.A.', and it didn't take long before she tried to replicate the hit when she wrote 'Do It Like A Dude' for Rihanna. Jessie had Rihanna on the mind at the time due to the prominence of 'Rude Boy' on the radio, and she thought that the "tongue-in-cheek" and "empowering" nature of 'Dude' would be perfect for Rih to embody. After her completion of the song, Jessie sent it to both Rih's management and her own record label Island Records; and while she received no response from the former, an enthusiastic review from the latter encouraged her to release the song as her first single. Although Rih would have undoubtedly improved the song just by her very presence, we're kind of glad she didn't lend her vocals to this one; I'm pretty sure even Rihanna couldn't have saved this tryhard mess of a song.
      16. Ariana Grande - Dangerous Woman
      'Dangerous Woman' is a favourite among not only Ariana Grande fans, but also the popstar herself, who liked the track so much that she ended up scrapping her original lead single 'Focus' in it's favour and reworking her entire album to fit it's theme. Despite this, writers Johan Carlsson and Ross Golan had a very different artist in mind when they penned the song. Initially, the song was written with the intention of sending it to Carrie Underwood, who passed; and following this, it was also sent to Alicia Keys. Rihanna was third on the list of artists who were sent the song, and it was only after she rejected it that Grande got sloppy...fourths? While it would have been cool to hear Rih do her thing on this thumping mid-tempo, we're honestly more interested to hear what Carrie Underwood could have done with the song. She's never headed in such an R&B direction before, and it could definitely be an interesting change of pace for the country singer.
      17. Major Lazer & DJ Snake - Lean On (Feat. MØ)
      'Lean On' was one of the biggest songs of 2015, and one of the largest hits of the streaming era. Despite only peaking at #4 on the Billboard Hot 100, the song reached #1 in nine other countries, and went on to become the most streamed song of all time, as well as selling over 13 million copies worldwide. Surprisingly though, the track was offered to multiple artists who turned it down before it became the smash we know it as today. Major Lazer and MØ wrote the track together as a slower reggae song, pitching it to Nicki Minaj who turned it down. Later, they reworked the track into a more upbeat version with the help of DJ Snake, and went on to pitch this version to Rihanna. "I played her 'Lean On,'" Diplo would later recount. "She was like, 'I don't do house music.' I face-palmed so hard on that one." Weirdly enough though, despite the song's tropical influences, we think MØ is way more suited for the track than Rihanna would ever be. Ultimately, this track went to just the singer who needed it most.
      18. Pitbull - Timber (Feat. Ke$ha)
      Out of all of the songs that Rihanna turned down, this has to be the one we're most happy to see her let go of. Although Pitbull was always (unfortunately) intended to rap over the 'Timber' beat, he had initially wanted Rihanna to sing the chorus later made famous by Kesha. Fortunately, due to Rihanna's focus on her Shakira duet 'Can't Remember To Forget You', she was unable to find time to record vocals for the song. This was a positive thing for two reasons: one, because Rih didn't have to besmirch her good name by working with a rent-a-rapper like Pitbull; and two, because Kesha's southern roots and party girl image were perfect for the chorus of 'Timber', which gave her a greatly-needed hit at the perfect moment in time. We just wish she'd been given the chance to rap the verses herself.
      Which of these songs would you most like to hear Rihanna's vocals on? Let us know in the comments down below!
    • By KYLEXCXCX
      someone is selling 100 for 90 dollars im-

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