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Over the course of her sixteen year career, Rihanna certainly hasn't had any trouble making hits. Named by Spotify and Apple as the most streamed female artist of all time, Rih's also earned herself 31 top ten singles on the Billboard Hot 100. Furthermore, five of her songs - 'Umbrella', 'We Found Love', 'Stay', 'Work' and Eminem collaboration 'Love The Way You Lie' - rank among the world's best selling songs of all time. Her distinct vocals, trend-setting sounds and high-profile romances also make her a songwriter's dream, with many artists imagining her voice layered over the top of their latest works. Sadly, as is true for most artists who rely on others for their songwriting, Rih is unable to record each and every track she's sent, and there's a large selection of songs she's turned down which have gone on to be hits at the hands of other artists. Some of these songs were given to newer artists inspired by her, such as Selena Gomez; while yet others reverted back to their original owners, such as Sia. Regardless, it's fascinating to imagine what these songs would sound like if they'd been sung by Rih, and just how many more millions of dollars she could be raking in if she'd accepted them. 1. Selena Gomez - Come & Get It Ester Dean and Stargate are the dream team of musicians behind a number of Rihanna's dancehall-tinged hits, from 'What's My Name' to 'Rude Boy' - and if they'd had their way, they could have given her another one. Selena Gomez's 'Come & Get It' was submitted for Rih's 2011 album Talk That Talk, but was left off the album possibly due to an over-abundance of up-tempo songs that were already present. While Rihanna's islander vibe would have worked perfectly on 'Come & Get It', we're glad this one went to Selena - after all, without this track she may have been stuck permanently in Disney purgatory, and never have started recording the more adult music we all know and love today. 2. Selena Gomez - Same Old Love Charli XCX was working overtime for Rihanna in 2015, when she was writing songs for both ANTI and the Rihanna-helmed Dreamworks film Home. While none of their collaborations ended up on either project (although Charli did land one of her own songs, 'Red Balloon', a spot on the Home soundtrack), Rihanna did record at least one Charli co-write - 'Same Old Love'. Rih first teased the song in June of 2014 on Twitter, over a year before the public even know it existed. It wasn't until Selena released her version as a single in September of 2015 that fans put the pieces together and deduced that Rihanna had recorded her own version of the song, a theory confirmed in 2018 when a snippet of her version leaked online. While Rih would have done a good job on the track, we understand why she scrapped her version - the song's catchy hook and poppy vibe would have sounded completely out of place on 2016's ANTI. 3. Miley Cyrus - We Can't Stop Selena isn't the only ex-Disney star to swoop in one of Rihanna's rejects. Production duo Rock City had originally written their song 'We Can't Stop' with Rihanna in mind, but they decided against offering it to her after hearing her change in musical direction that began with 'Diamonds'. Feeling that "this could be somebody's first single", the group instead offered the song to record producer Mike Will Made It, who passed it onto Cyrus. While Miley's version of the song is a certified bop and exactly what she needed to release at that point in her career, we can't imagine the song fitting into Rihanna's more introspective Unapologetic album, and we're actually glad she never released this one. 4. The Chainsmokers - Don't Let Me Down (Feat. Daya) Everyone's least favourite production duo The Chainsmokers have barely been heard from since their chart-topper 'Closer', but they did have a minor hit with 2016's 'Don't Let Me Down'. The final version of the song ended up featuring then 17 year old singer Daya, but before they called her the group had already reached out to Rihanna for some vocals. Her rejection of the song clearly left the duo feeling a little bitter: in an interview, the group's Alex Pall took the chance to throw some shade when he said that he was happy to have Daya on the song "because young unknown artists have this hunger – they're willing to work really hard". We get the feeling Rihanna was already busy work, work, work, work, work, working on a real hit. 5. Usher - DJ Got Us Fallin' In Love (Feat. Pitbull) Despite multiple collaborations with his off-siders such as Dr. Luke and Cirkut, Rihanna has never actually worked with pop music's GOAT producer Max Martin. Surprisingly, she turned down the chance back in 2010 when Martin sent 'DJ Got Us Fallin' in Love' in her direction as one of the over 200 songs which didn't make the cut for Loud. With some help from Pitbull, the song would later go on to become one of Usher's most successful singles, hitting the top ten in over fifteen countries while it competed with Rih's own collab with Eminem, 'Love The Way You Lie'. Although the song would have worked great in Rihanna's hands, we see why she rejected it; it serves essentially the same purpose as 'Only Girl (In The World)', which was the first song recorded for Loud and which was always intended to be the first single. 6. Drake - Find Your Love Rihanna and Drake have had major success with the majority of their collaborations, from 'What's My Name' to 'Take Care' to 'Work' - but long before any of these tracks were released, a relatively unknown Drake was already pitching some of his first hits to Rihanna. 'Find Your Love', the second single from Drake's debut album, was originally pitched to Rihanna due to Drake's belief that the song was "extremely vulnerable". "It's actually a huge risk," he would later state. "It almost feels like the song should be performed by a woman. I'm just hoping that men really hear the song and they're honest with themselves. I know a lot of men feel that way." Ultimately, the risk paid off for Drake who had a hit with the song, and whose own vulnerability and sensitivity would later go on to become a point of distinction and mockery in later years. 7. Rita Ora - R.I.P. Rita Ora has been compared to Rihanna again and again over the course of her career, and it's not hard to see why. With her ethnic beauty, emotive vocals, and career trajectory from Roc Nation-approved R&B to Calvin Harris produced pop, it would be easy to think of Ora as Europe's own answer to the Bajan beauty. It's a comparison made even stronger by the fact that Rita's breakthrough single, 'R.I.P.', was initially written for Rihanna. 'R.I.P.' was another Drake-penned track that originally appeared on his The Gift Without a Curse mixtape with the name 'I'm Ready For You'. Ora's version retained the Nneka and Chase & Status sample of Drake's original song while adding a fresh coat of production paint courtesy of frequent Rihanna collaborators Stargate. Although we're sure that Rih could slay this track, it's a testament to Rita's talent that we can't imagine anyone performing it as well as she does, and we're glad that she got the chance to shine with such a bop for her first release. 8. Justin Bieber - Love Yourself 'Love Yourself' was a hit for Justin Bieber in 2015, but the track had a long journey to the #1 spot on the Billboard Hot 100. It was originally written by Ed Sheeran for his album ÷, and back then it had a very different, R-rated chorus of "If you like the way you look that much/Baby, you should go and fuck yourself". Realising that he didn't have the "swag" to pull off such a line, Sheeran initially considered pitching the song to Rih. "Rihanna could get away with saying 'you should go and f--k yourself,' in my mind anyway," he would later state. Ed never got around to sending the song Rihanna's way, but when talking to Bieber near the end of his recording for Purpose he realised that Justin would be able to pull off a more G-rated version. "It kind of came at a zeitgeist time for his career, where he had fallen out of grace with the public, and he had this comeback song that was quite grown up," he would later say. Although there's no guarantee Rih would have recorded the song, it would definitely be interesting to see what she could do with the track. Some of her more interesting songs have experimented with acoustic instruments, such as 'FourFiveSeconds' and 'Stay', and 'Love Yourself' (or 'Fuck Yourself') would definitely have been a nice addition to that series. 9. Ed Sheeran - Shape of You Rihanna must be running through Ed Sheeran's mind a lot, because 'Love Yourself' wasn't the only song he wrote with her in mind. Ed's own hit 'Shape of You' was initially conceived as a duet between Rih and the UK band Rudimental, but a combination of his record label head persuading him to keep the song for himself and his own personalised lyrics made him rethink the decision. "We were writing this song and I was like 'this would really work for Rihanna,'" he would explain later. "And then I started singing lyrics like 'putting Van the Man on the jukebox' and I was like 'well she's not really going to sing that, is she?' And then we sort of decided halfway through that we were just going to make it for me." Although the song's tropical flair would have suited Rihanna well, there's something distinctly masculine about the lyrics of loving someone's body which we just can't imagine her singing. Then again, who is Rihanna to let something like gender stop her? 10. Sia - Cheap Thrills Upon it's release, 'Shape of You' was compared unfavourably to another tropically-minded song which had been released months earlier: Sia's 'Cheap Thrills'. Like all of the other songs on her This Is Acting album, 'Cheap Thrills' was a song that Sia had originally written for another artist before reclaiming it for herself, and in this case it was once again Rihanna who had turned down the track. Ultimately, this ended up being for the better: the super-poppy 'Cheap Thrills' wouldn't have worked at all on ANTI, but it did go on to become Sia's first #1 in the US and probably paid for her fifth vacation home. 11. Sia - Alive 'Alive' was another This Is Acting cut that had been intended for multiple artists before it's release. Sia co-wrote the song with Adele "in Adele's perspective" for her album 25, but the song was rejected from the album at the last minute. "I said to [Adele], 'Do you mind if I pitch it to, let's say, Rihanna?'", Sia would later recount. "She said, 'Yeah, but can you take my vocal off it because I don't want my vocal floating around out there on a demo?'" Sia ultimately recorded her own take on the song to pitch to Rihanna, where it was rejected for a second time. Despite this, Sia's collaborators encouraged her to keep the song for herself. "Everybody in my life was like, 'You can't give this away to anybody'," she explained, which inspired her to release the song as the first single from her own album. As far as 'Alive' goes, we can take it or leave it: Rihanna would probably have done as good a job as Adele or Sia did on the song, but there's nothing particularly special about the generic self-empowerment lyrics of the song, which is probably the reason why it stalled so low on the charts. 12. Sia - Reaper 'Reaper' was another This Is Acting album track, and the third song on the album that had originally been hand-crafted with Rihanna in mind. 'Reaper' was written by Sia and her frequent collaborator Jesse Shatkin alongside Kanye West and his team of 88-Keys and Dom $olo for ANTI - however, the track was scrapped when the album underwent a last-minute change in direction. 'Reaper' was for the version of ANTI pre-'Work' which also featured 'FourFiveSeconds', 'Bitch Better Have My Money' and 'American Oxygen', which existed back when Kanye was executive producing the album. After a falling out between him and Rih, she retooled the album without their collaborations, making it the hit record we know today. As for our thoughts on the song, Sia summed them up pretty nicely herself when she said, "I don't care about the song. I know in print that will look bad, but what I mean is I'm not emotionally attached to it. I thought it was a fun song. I think it's a good, fun song, but I didn't anticipate it being on the record." 'Reaper' is fun and catchy, but it seems like a throwaway track for Sia and more like something we'd expect from Rihanna's fifth album than her eighth. 13. Beyoncé - Pretty Hurts 'Pretty Hurts' is often regarded as the standout from Beyoncé's self-titled 2013 album, and even it's lead songwriter Sia considers it to be her "best song". As such, it makes some sense that the track was in demand by multiple musicians before Bey finally snagged it for herself. The track was originally written by Sia alongside producer Ammo on the same day as she recorded 'Titanium' for David Guetta in 2011, and as with 'Titanium' first dibs for the song went to Katy Perry. Somehow, Katy ended up missing the e-mail that 'Pretty Hurts' was attached to, and the track was instead passed onto Rihanna's team. Rihanna, who was at the time recording for Talk That Talk, showed interest in the song and placed it on hold; but after she failed to pay the track's fee for a whopping eight months, Sia continued to shop it around once more. While 'Pretty Hurts' remained in limbo, Beyoncé heard it and labelled it as "my song". She would later go on to state, "The second I heard the song, I'm like, 'I have to sing this song, I don't care how hard I have to fight for this song!'". Ultimately, she paid the fee to make the song hers and stole the track right out from under Rihanna's nose. Given that 'Pretty Hurts' originally had a very different composition from the version that Bey released, it's hard to say how Rihanna's vocals would have worked on the track; although given that the song is a statement on the beauty industrial complex, we can't imagine that her Fenty Beauty company would have gone on to great success after she recorded it. 14. Jordin Sparks - Battlefield 2009 was the year of Ryan Tedder, with the English-born songwriter penning hits for balladeers ranging from Beyoncé to Kelly Clarkson: and if things had played out differently, he may just have added Rihanna to that list. 'Battlefield', which was ultimately released by Jordin Sparks as the first single from her album of the same name, was initially written with the intention of pitching it to Christina Aguilera. After a demo was recorded it was then considered as a duet for Rihanna and Chris Brown, but after news of Brown's physical assault broke these plans were scrapped. Instead, Sparks went on to nab the song and turn it into a moderate success, with the song hitting #10 on the US charts. 15. Jessie J - Do It Like A Dude Jessie J had success with writing on Miley Cyrus's 'Party In The U.S.A.', and it didn't take long before she tried to replicate the hit when she wrote 'Do It Like A Dude' for Rihanna. Jessie had Rihanna on the mind at the time due to the prominence of 'Rude Boy' on the radio, and she thought that the "tongue-in-cheek" and "empowering" nature of 'Dude' would be perfect for Rih to embody. After her completion of the song, Jessie sent it to both Rih's management and her own record label Island Records; and while she received no response from the former, an enthusiastic review from the latter encouraged her to release the song as her first single. Although Rih would have undoubtedly improved the song just by her very presence, we're kind of glad she didn't lend her vocals to this one; I'm pretty sure even Rihanna couldn't have saved this tryhard mess of a song. 16. Ariana Grande - Dangerous Woman 'Dangerous Woman' is a favourite among not only Ariana Grande fans, but also the popstar herself, who liked the track so much that she ended up scrapping her original lead single 'Focus' in it's favour and reworking her entire album to fit it's theme. Despite this, writers Johan Carlsson and Ross Golan had a very different artist in mind when they penned the song. Initially, the song was written with the intention of sending it to Carrie Underwood, who passed; and following this, it was also sent to Alicia Keys. Rihanna was third on the list of artists who were sent the song, and it was only after she rejected it that Grande got sloppy...fourths? While it would have been cool to hear Rih do her thing on this thumping mid-tempo, we're honestly more interested to hear what Carrie Underwood could have done with the song. She's never headed in such an R&B direction before, and it could definitely be an interesting change of pace for the country singer. 17. Major Lazer & DJ Snake - Lean On (Feat. MØ) 'Lean On' was one of the biggest songs of 2015, and one of the largest hits of the streaming era. Despite only peaking at #4 on the Billboard Hot 100, the song reached #1 in nine other countries, and went on to become the most streamed song of all time, as well as selling over 13 million copies worldwide. Surprisingly though, the track was offered to multiple artists who turned it down before it became the smash we know it as today. Major Lazer and MØ wrote the track together as a slower reggae song, pitching it to Nicki Minaj who turned it down. Later, they reworked the track into a more upbeat version with the help of DJ Snake, and went on to pitch this version to Rihanna. "I played her 'Lean On,'" Diplo would later recount. "She was like, 'I don't do house music.' I face-palmed so hard on that one." Weirdly enough though, despite the song's tropical influences, we think MØ is way more suited for the track than Rihanna would ever be. Ultimately, this track went to just the singer who needed it most. 18. Pitbull - Timber (Feat. Ke$ha) Out of all of the songs that Rihanna turned down, this has to be the one we're most happy to see her let go of. Although Pitbull was always (unfortunately) intended to rap over the 'Timber' beat, he had initially wanted Rihanna to sing the chorus later made famous by Kesha. Fortunately, due to Rihanna's focus on her Shakira duet 'Can't Remember To Forget You', she was unable to find time to record vocals for the song. This was a positive thing for two reasons: one, because Rih didn't have to besmirch her good name by working with a rent-a-rapper like Pitbull; and two, because Kesha's southern roots and party girl image were perfect for the chorus of 'Timber', which gave her a greatly-needed hit at the perfect moment in time. We just wish she'd been given the chance to rap the verses herself. Which of these songs would you most like to hear Rihanna's vocals on? Let us know in the comments down below!

It's a new year in pop music, and already artists are gearing up for their 2017 releases. While we can never be 100% sure what's around the corner nowadays (we can thank Beyoncé and her surprise release strategy for that), we do already have some idea of how the next twelve months in music will play out if all goes according to plan - and from what we can tell, this year will be an even bigger year than the last when it comes to amazing new releases. Check out all you have to look forward to down below! Allie X - CollXtion II The release of Allie X's second EP, CollXtion II, has been a long and convoluted one thanks largely to an ill-advised plan to get fans involved in the creative process. Taking to Spotify, Allie announced her ɄNSOLVED initiative, in which she would post early demos and acoustic versions of her songs so that her fans to vote on which would make the ultimate album cut: we got singles 'Too Much To Dream', 'All The Rage', 'Casanova', 'Old Habits Die Hard' and 'That's So Us' that way. But fans preferred to be involved in other capacities, leaking dozens of songs that potentially have a place on the album in the radio silence that followed each single release. There's definitely enough material out there to make this EP an LP, but it remains to be seen if the project will ever be completed at all. Charli XCX - TBA Charli XCX had ambitious plans for 2016, hoping to release an EP, an album and a mixtape all in the same calendar year; although at the end of the day we only got the EP, the genre-defying Vroom Vroom project. The EP debuted a new sound XCX had masterminded with Tumblr It Girl and PC Music producer SOPHIE, a clash of 90s pop, J-Pop and trip-hop beats which was further showcased in her live performances for tracks like 'Girls Night Out', 'No Angel' and 'Bounce'. So far, though, the only sound we have of the album is the lead single 'After the Afterparty', which stepped away from the alternative sound she had been exploring for a pure bubblegum pop fantasy. Hopefully XCX will manage to tread the line between label desire and personal creativity successfully. Dua Lipa - Dua Lipa Since the release of her debut single ‘New Love’ back in August of last year and the blow up of her breakthrough track 'Be The One', Dua Lipa has captured the hearts of pop fans who prefer a little more substance from their tunes. Although she’s released six more singles and several collaborations since then, Dua’s album has been pushed back majorly from September of last year to February of this year as she focuses on breaking into the US market, so we’re still not sure if she has the chops to pull off a full-length album. Time will tell if she has what it takes! Fergie - Double Dutchess Fergie's second album has been a long time coming since the release of her first solo album, The Dutchess, back in 2006. We've had several false starts so far - from 2014's moderate R&B hit 'L.A. Love (La La)' to last year's hard-hitting hip-hop hit 'M.I.L.F. $' to the recently released reggae-inspired 'Life Goes On' - but from what we can tell Fergie has more than enough tracks for the album and photoshoots and music videos already handled, so a release seems imminent. Her first album was marked by it's variety, and we can expect more of the same here, with a range of collaborators from will.i.am to Mike Will Made It to Dr. Luke to Nicki Minaj all expected to contribute. Iggy Azalea - Digital Distortion Iggy Azalea may not be the most popular girl on the Internet these days, but if nothing else the girl knows how to write a fun tune. Her second album, the interestingly named Digital Distortion, was due for release last year but has been retuned since the commercial failure of the lead single ‘Team’, which only managed a position of #42 on the Billboard Hot 100. Despite that, other tracks (including the promo single 'Azillion' and leaked tracks 'Sexy' and 'Savior') have been confirmed for the album, along with registered titles such as 'Middle Man' and 'I Got That Boom Boom'. Since then, she's headed back into the studio to work with the likes of Zedd and Verse Simmonds on new tracks which are apparently inspired by her newfound sense of freedom and fun as a single woman. Hopefully she'll be able to recapture the magic of 'Fancy'. Katy Perry - TBA Katy Perry’s fourth studio album has been teased mercilessly, with multiple leaks of snippets, the stellar leaked song ‘Witness’ and stand-alone single ‘Rise’ all hinting at possible directions the project might take. If ‘Rise’ and her new nose ring are anything to go by, Katy might be aiming for a more dark-pop sound this time around; although with Max Martin, Savan Kotecha and Shellback all still in the mix for her recording sessions you can expect some more radio-friendly hits like ‘California Girls’ on the way as well. Kesha - TBA Kesha’s long-awaited third studio album was also on last years list of the most anticipated albums of the year, which should be some indication of how long fans have longed for this album. Back then, there was a single called 'Lover' released with Spookey Ruben, along with rumours of a lead single called 'Child of the Moon' which had a "Stevie Nicks-witchy vibe"; although lately Kesha's been working with a country music band called Yeast Infection. Thanks to the lawsuit between her and her accused rapist Dr. Luke which has been dominating most of her life in recent years, the album has been continuously delayed; but Kesha has apparently submitted over twenty two songs to her label for consideration and Sony itself has issued a statement saying that they “hope to share exciting new music with Kesha’s fans soon”. Take that with a grain of salt. Major Lazer - Music Is the Weapon Aside from a few bops that were released in the form of singles, Major Lazer's last album Peace Is the Mission was a bit disappointing in terms of tracklisting, featuring only eight tracks of which about four of them were listenable. Thankfully, the supergroup seems to be taking their time for their sophomore release, and they've already lined up a veritable whos who of pop music for collaborators. The album is set to feature vocals from Justin Bieber, MØ, Ariana Grande, Sia, Nicki Minaj, PARTYNEXTDOOR, Gwen Stefani, Iggy Azalea, Konshens, Benny Blanco, Tinashe, The Weeknd, Travis $cott, Bonnie McKee and Camila Cabello, just to name the works that have already been announced. Do we sense the album of the year coming soon? Rihanna - TBA (#R9) Rihanna’s #R9, the unofficial title fans have already given her upcoming album, seems to have been in the works since at least when the Bajan popstar dashed fans hopes for an ANTI re-relase by confirming she was instead working on something new. Despite this, Rih’s gone uncharacteristically quiet about the release and her planned collaborators, which suggests it might be further away than we originally thought. With upcoming roles in Bates Motel and Valerian and the City of a Thousand Planets, however, we know Rihanna will still manage to keep herself busy in 2017. Tove Lo - TBA (Lady Wood Part 2) Tove Lo’s latest album, the inventively titled Lady Wood, was released this year to positive reception - its lead single ‘Cool Girl’ made it to our list of the top ten best songs of 2016, and the album itself made the cut as well - so it’s no surprise that she’ll be moving forward with plans to release a sequel to the album, which according to her has already been finished. Lady Wood was split into two parts - ‘Fairy Dust’ and ‘Fire Fade’ - and we can expect more of the same with this one, which will apparently be split into 'Light Beams' and 'Pitch Black'. Our only concern is one of variety - Tove’s already covered the highs and lows of love and drug addiction with her last album, and we’re not really sure where she’s going to go with this one. Still, given how talented of a songwriter she is (Tove has written songs for stars like Hilary Duff, Ellie Goulding and Girls Aloud), we’re pretty positive she’ll make it work somehow. Nelly Furtado - The Ride Nelly Furtado's been almost completely absent from the popular charts since the release of 2007's groundbreaking Loose, the album which spawned singles such as 'Maneater' and 'Promiscuous' and which made her a household name. Despite that, she's still been quietly releasing songs which range from the Spanish-language 'Manos Al Aire' to the hip-hop inspired 'Big Hoops' to last years collaboration with Blood Orange, 'Hadron Collider'. She's set to make a comeback this March with her album The Ride, which seems to harness a new experimental sound thanks to a partnership with producer John Congleton. The lead single 'Pipe Dreams' is already out: check it out here for a sample of the project. Zara Larsson - TBA When she's not talking about how much she hates men, Zara Larsson can occasionally release some pretty good pop songs: and hard as it is to believe given her age, she's released plenty of them, with a debut album and several EPs already under her belt. She's set to make her international debut this year with her new album, which already has the hits 'Lush Life', 'Never Forget You' 'Ain't My Fault' and 'I Would Like' to back it up. Apparently there's only one more single to go before the albums released, so you can expect this one to pop up on our radars pretty soon. And there's more... Also coming this year are albums from Bonnie McKee (the project may or may not be connected to her recent 'Stars In Your Heart' single, which was recorded several years ago), Kanye West (Turbo Grafx 16, which was announced as soon as work on his last album wrapped up but which has been put on pause as he recovers from his well publicised mental breakdown last year), Kiiara (her first full length album, led by single 'Dopamine'), Melanie Martinez (her yet to be titled second album which has already been completed), Rita Ora (her long-awaited second album) and Terror Jr (their first, which may feature songs 'Trippin' and 'heartbreaks'. Plus, they may not have been officially confirmed yet, but we've been dropped hints by artists like Aly & AJ, Kylie Minogue, Lana Del Rey and Nicki Minaj that new music from them is imminent. Which album are you most looking forward to in 2017? Let us know your thoughts down below?

With the end of another year imminent and New Year's Eve fast approaching, it wouldn't be surprising if now's the time you start to stress about your NYE party plans. While technology hasn't yet progressed far enough for us to send Chris Hemsworth through your screen as a midnight kiss, we are happy to help with what we can do best: and that's countdowns! This year, we've selected the top ten best singles of 2015 for you to add to your NYE playlist (one for every hour of partying, of course!) - and from 'Call Me Maybe' sugar cube Carly Rae Jepsen to Canadian alternative rock band Glass Face, we've designed it to keep everyone happy. For bonus points, finish off your party with the annual Pop Danthology mashup, where tracks like 'Hello', 'Trap Queen' and 'Bad Blood' do battle against each other! 10. Allie X - Prime You may not have heard of Allie X, who follows in the footsteps of acts like Marina & The Diamonds and Charli XCX as pop's latest indie darling. But rest assured that once you've heard your first taste of her breakout single 'Prime', you won't want to stop. Treading the precarious line between feel good party lyrics and social commentary, X reflexively hides a message on her generations need for instant gratification both sexually and socially through a killer chorus. Just be warned: you will have this song in your head all week. 9. Florence + The Machine - Ship To Wreck Flo's latest offerings from How Big, How Blue, How Beautiful never reached the commercial heights of more radio friendly tracks like 'You've Got The Love' or 'Sweet Nothing', which is a shame given that 'Ship To Wreck' is one of her most powerful and ambitious songs to date. The English songstress has always excelled at painting some of the strongest images in pop, and this track is no exception, with Florence calling on nautical imagery to discuss the self-destructive addiction she faced at the tail-end of her Lungs release. Get ready to dance with this one. 8. Adam Lambert - Ghost Town At the beginning of this year, the most we really knew about Adam Lambert was that his killer set of pipes had gotten him far in American Idol, and that he had a penchant for penis. But with the release of 'Ghost Town' in April, we became privy to a new layer of Lambert's personality, and experienced a level of pop knowledge and talent that was almost scary. Edgier and more experimental than anything the singer had worked on before, the (literally) haunting lyrics are improved only by the expertise of the supreme Max Martin, whose heavy beats and whistles propelled the song right onto the dance floor. Have glowsticks on hand for maximum effect. 7. Mark Ronson - UpTown Funk (Feat. Bruno Mars) While it may also qualify for most overplayed song of the year, there's a reason that 'UpTown Funk' was blasted from every radio station, barber shop and boombox for the majority of 2015. Mars has always been known as a prophet in pop, predicting the newest trends years before they happen, and Mark Ronson (best known as Amy WInehouse's most frequent collaborator) was the perfect choice for his new funk and soul inspired project. If you're looking to switch it up a little, try Fleur East's 'Sax': it's a formulaic rewrite but the melody's unique enough to get you dancing all over again. 6. Glass Face - Hotline Bling Probably more appropriate for the morning after than the big night itself, Glass Face's alternative rock cover of Drake's 'Hotline Bling' is admittedly more of a "slit your wrists in the bathtub" kind of song than it is a club banger. Nevertheless, their ambient blend of vocal harmonies, heavy percussion and stunning synths draws a sad vulnerability out from the original song that make the lyrics much more effective than they were in the awkward dancing original. 5. Skrillex & Diplo - Where Are Ü Now (Feat. Justin Bieber) J. Bieb's first major foray into EDM (after the admittedly catchy 'Beauty and a Beat' which was produced by Zedd) also marked a comeback for the one-time teen star, whose overblown antics made more waves than his music for the majority of 2015. With 'Where Are Ü Now', a collaboration with dance music heavyweights Skrillex and Diplo, Bieber strikes a delicate balance between danceable hit song and surprisingly vulnerable lyrics, a formula he'd later replicate somewhat less successfully with follow up singles 'What Do You Mean' and 'Sorry'. Even those who aren't fans of the Ruby Rose lookalike have to admit this track is a jam. 4. Major Lazer & DJ Snake - Lean On (Feat. MØ) Gone are the days when MØ was simply known for being the awkward girl dancing behind Iggy Azalea on SNL. Now, she awkwardly dances behind Diplo in India! In November, 'Lean On' was named by Spotify as the most streamed song of all time, and it's easy to see why with it's global lyrics, powerful vocals and total earworm of a post-chorus. Not only did this track bring both Major Lazer and MØ to the forefront of pop music for 2015, it also sparked a sonical revolution that reverberated through the rest of the scene for the next six months and undoubtedly made Rihanna roll in her grave. Am I the only one who can still jam out to this song? 3. Demi Lovato - Cool for the Summer Before the release of 'Cool for the Summer', no one could have called Demi Lovato a risktaker. But with the first single from her otherwise disappointing album, Confident, Demi reinvented herself as sex kitten supreme, following in the footsteps of former Disney stars like Britney and Christina with a genre breaking hybrid that combines experimental pop, 90s power ballad and heavy metal. Matched with a new image I like to call "Tumblr meets sex shop", the track successfully pushed Demi out of her Disney Channel haze and into the adult world. It becomes even better when you realise the whole thing is basically about lesbianism. 2. Pia Mia - Touch It's crazy that at age nineteen, the ridiculously good looking Pia Mia already has more stellar pop songs under her low strung belt than most of her contemporaries double her age. It's equally silly that the almost amazingly mediocre 'Do It Again' blew up worldwide while the Stargate and Blood Diamonds produced banger 'Touch' went pretty much unnoticed by anyone who wasn't following Kylie Jenner on Instagram. Riding the same tropical house wave that made 'Where Are Ü Now' and 'Lean On' hits, characterised by some steel drum synths, a distorted vocal sample and an island beat, the would be hit was only improved by the super sexy video, in which Pia grinds, emotionlessly stares, and dances (rather well) her way to pop stardom. Make this happen people. 1. Carly Rae Jepsen - Run Away With Me It would have been easy to write off 'Call Me Maybe' star Carly Rae Jepsen as yet another flash in the pan after her big comeback single, 'I Really (Really Really Really Really Really) Like You' failed to make waves, even with endorsements from Justin Bieber and, bizarrely, Tom Hanks. But the second single off this year's EMOTION is pretty much everything you could want from a pop song and more. Backed by a saxophone sample that veers the song away from the dangerous bubblegum territory it might otherwise fall into, the song does what only an 80s inspired sax-laden pop song can do: it makes you want to dance, cry, change your life and do push ups all at the same time. Forget the Syrian refugee crisis: the fact that this song didn't blow up is the biggest social issue of the year, and we should all be attending to it as quickly as possible. What are your favourite singles of the year? Are you crying that we left out 'Hello', or screaming that 'Drag Me Down' didn't make the list? Let us know in the comments down below!

We're dangerously close to the end of the year, and as most normal people start to consider Christmas presents and family vacations, pop music lovers are getting ready for another big event in their calendars: mash-up season. First triggered by DJ Earworm way back in 2009 with his hit-filled track 'United States of Pop', epic end of year mash-ups have basically become a tradition in the pop world and are now something fans can look forward to every year, with the biggest recieving millions of views and extensive radio play. First started in 2010 by Daniel Kim, 'Pop Danthology' is one such mashup which often jams in dozens of your favourite pop songs to make a cohesive, danceable track. For the first time, 2015's 'Pop Danthology' is split into two parts a decision Kim says was dictated by the fact that "it has become increasingly more challenging to satisfy my fans and fit in all of their many favourite songs in my year-end mashup". Part one is just over four minutes long and features an impressive 45 songs, ranging from tracks by pop starlets such as Demi Lovato's 'Cool For The Summer', Hilary Duff's 'Sparks', Kelly Clarkson's 'Heartbeat Song' to sleeper hits like 'Fetty Wap's 'Trap Queen', Skrillex, Diplo and Justin Bieber's 'Where Are U Now', Maroon 5's 'Sugar', and Zedd and Selena Gomez's 'I Want You To Know'. Meanwhile, part two clocks in at just over five minutes, featuring a grand total of 37 songs including Adele's 'Hello', Ariana Grande's 'Focus', Britney Spears and Iggy Azalea's 'Pretty Girls', Ellie Goulding's 'Love Me Like You Do', Major Lazer, DJ Snake, and MO's 'Lean On', Rihanna's 'Bitch Better Have My Money', Selena Gomez and A$AP Rocky's 'Good For You', Silento's 'Watch Me', Taylor Swift and Kendrick Lamar's 'Bad Blood' and The Weeknd's 'Can’t Feel My Face'. What do you guys think? Will you be playing this track at your Thanksgiving dinners, or are the originals always the best? Let us know in the comments down below!