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Found 19 results

  1. Moonchild

    Moonchild's Artworks

    Hey guys! I decided to share with you some of my covers, and I hope you like them. I'll be posting them in here, and if you have a request, I may try my best to do something with the little I know. I hope you like my artworks! (I've shared some before in other threads, but I may place them here too!) The first I'm sharing with you is for the unreleased debut album by British singer Florrie, presumably entitled Trouble In the Making: I can give you a link for it in HQ, as the forum won't let me upload +1MB files for some reason. This is the version I use for the files tags, so they won't be very heavy.
  2. Skinny Legend

    18 Hits Rihanna Turned Down

    Over the course of her sixteen year career, Rihanna certainly hasn't had any trouble making hits. Named by Spotify and Apple as the most streamed female artist of all time, Rih's also earned herself 31 top ten singles on the Billboard Hot 100. Furthermore, five of her songs - 'Umbrella', 'We Found Love', 'Stay', 'Work' and her Eminem collaboration 'Love The Way You Lie' - rank among the world's best selling songs of all time. Her distinct vocals, trend-setting sounds and high-profile romances also make her a songwriter's dream, with many artists imagining her voice layered over the top of their latest works. Sadly, as is true for most artists who rely on others for their songwriting, Rih is unable to record each and every track she's sent, and there's a large selection of songs she's turned down which have gone on to be hits at the hands of other artists. Some of these songs were given to newer artists inspired by her, such as Selena Gomez; while yet others reverted back to their original owners, such as Sia. Regardless, it's fascinating to imagine what these songs would sound like if they'd been sung by Rih, and just how many more millions of dollars she could be raking in if she'd accepted them. 1. Selena Gomez - Come & Get It Ester Dean and Stargate are the dream team of musicians behind a number of Rihanna's dancehall-tinged hits, from 'What's My Name' to 'Rude Boy' - and if they'd had their way, they could have given her another one. Selena Gomez's 'Come & Get It' was submitted for Rih's 2011 album Talk That Talk, but was left off the album possibly due to an over-abundance of up-tempo songs that were already present. While Rihanna's islander vibe would have worked perfectly on 'Come & Get It', we're glad this one went to Selena - after all, without this track she may have been stuck permanently in Disney purgatory, and never have started recording the more adult music we all know and love today. 2. Selena Gomez - Same Old Love Charli XCX was working overtime for Rihanna in 2015, when she was writing songs for both ANTI and the Rihanna-helmed Dreamworks film Home. While none of their collaborations ended up on either project (although Charli did land one of her own songs, 'Red Balloon', a spot on the Home soundtrack), Rihanna did record at least one Charli co-write - 'Same Old Love'. Rih first teased the song in June of 2014 on Twitter, over a year before the public even know it existed. It wasn't until Selena released her version as a single in September of 2015 that fans put the pieces together and deduced that Rihanna had recorded her own version of the song, a theory confirmed in 2018 when a snippet of her version leaked online. While Rih would have done a good job on the track, we understand why she scrapped her version - the song's catchy hook and poppy vibe would have sounded completely out of place on 2016's ANTI. 3. Miley Cyrus - We Can't Stop Selena isn't the only ex-Disney star to swoop in one of Rihanna's rejects. Production duo Rock City had originally written their song 'We Can't Stop' with Rihanna in mind, but they decided against offering it to her after hearing her change in musical direction that began with 'Diamonds'. Feeling that "this could be somebody's first single", the group instead offered the song to record producer Mike Will Made It, who passed it onto Cyrus. While Miley's version of the song is a certified bop and exactly what she needed to release at that point in her career, we can't imagine the song fitting into Rihanna's more introspective Unapologetic album, and we're actually glad she never released this one. 4. The Chainsmokers - Don't Let Me Down (Feat. Daya) Everyone's least favourite production duo The Chainsmokers have barely been heard from since their chart-topper 'Closer', but they did have a minor hit with 2016's 'Don't Let Me Down'. The final version of the song ended up featuring then 17 year old singer Daya, but before they called her the group had already reached out to Rihanna for some vocals. Her rejection of the song clearly left the duo feeling a little bitter: in an interview, the group's Alex Pall took the chance to throw some shade when he said that he was happy to have Daya on the song "because young unknown artists have this hunger – they're willing to work really hard". We get the feeling Rihanna was already busy work, work, work, work, work, working on a real hit. 5. Usher - DJ Got Us Fallin' In Love (Feat. Pitbull) Despite multiple collaborations with his off-siders such as Dr. Luke and Cirkut, Rihanna has never actually worked with pop music's GOAT producer Max Martin. Surprisingly, she turned down the chance back in 2010 when Martin sent 'DJ Got Us Fallin' in Love' in her direction as one of the over 200 songs which didn't make the cut for Loud. With some help from Pitbull, the song would later go on to become one of Usher's most successful singles, hitting the top ten in over fifteen countries while it competed with Rih's own collab with Eminem, 'Love The Way You Lie'. Although the song would have worked great in Rihanna's hands, we see why she rejected it; it serves essentially the same purpose as 'Only Girl (In The World)', which was the first song recorded for Loud and which was always intended to be the first single. 6. Drake - Find Your Love Rihanna and Drake have had major success with the majority of their collaborations, from 'What's My Name' to 'Take Care' to 'Work' - but long before any of these tracks were released, a relatively unknown Drake was already pitching some of his first hits to Rihanna. 'Find Your Love', the second single from Drake's debut album, was originally pitched to Rihanna due to Drake's belief that the song was "extremely vulnerable". "It's actually a huge risk," he would later state. "It almost feels like the song should be performed by a woman. I'm just hoping that men really hear the song and they're honest with themselves. I know a lot of men feel that way." Ultimately, the risk paid off for Drake who had a hit with the song, and whose own vulnerability and sensitivity would later go on to become a point of distinction and mockery in later years. 7. Rita Ora - R.I.P. Rita Ora has been compared to Rihanna again and again over the course of her career, and it's not hard to see why. With her ethnic beauty, emotive vocals, and career trajectory from Roc Nation-approved R&B to Calvin Harris produced pop, it would be easy to think of Ora as Europe's own answer to the Bajan beauty. It's a comparison made even stronger by the fact that Rita's breakthrough single, 'R.I.P.', was initially written for Rihanna. 'R.I.P.' was another Drake-penned track that originally appeared on his The Gift Without a Curse mixtape with the name 'I'm Ready For You'. Ora's version retained the Nneka and Chase & Status sample of Drake's original song while adding a fresh coat of production paint courtesy of frequent Rihanna collaborators Stargate. Although we're sure that Rih could slay this track, it's a testament to Rita's talent that we can't imagine anyone performing it as well as she does, and we're glad that she got the chance to shine with such a bop for her first release. 8. Justin Bieber - Love Yourself 'Love Yourself' was a hit for Justin Bieber in 2015, but the track had a long journey to the #1 spot on the Billboard Hot 100. It was originally written by Ed Sheeran for his album ÷, and back then it had a very different, R-rated chorus of "If you like the way you look that much/Baby, you should go and fuck yourself". Realising that he didn't have the "swag" to pull off such a line, Sheeran initially considered pitching the song to Rih. "Rihanna could get away with saying 'you should go and f--k yourself,' in my mind anyway," he would later state. Ed never got around to sending the song Rihanna's way, but when talking to Bieber near the end of his recording for Purpose he realised that Justin would be able to pull off a more G-rated version. "It kind of came at a zeitgeist time for his career, where he had fallen out of grace with the public, and he had this comeback song that was quite grown up," he would later say. Although there's no guarantee Rih would have recorded the song, it would definitely be interesting to see what she could do with the track. Some of her more interesting songs have experimented with acoustic instruments, such as 'FourFiveSeconds' and 'Stay', and 'Love Yourself' (or 'Fuck Yourself') would definitely have been a nice addition to that series. 9. Ed Sheeran - Shape of You Rihanna must be running through Ed Sheeran's mind a lot, because 'Love Yourself' wasn't the only song he wrote with her in mind. Ed's own hit 'Shape of You' was initially conceived as a duet between Rih and the UK band Rudimental, but a combination of his record label head persuading him to keep the song for himself and his own personalised lyrics made him rethink the decision. "We were writing this song and I was like 'this would really work for Rihanna,'" he would explain later. "And then I started singing lyrics like 'putting Van the Man on the jukebox' and I was like 'well she's not really going to sing that, is she?' And then we sort of decided halfway through that we were just going to make it for me." Although the song's tropical flair would have suited Rihanna well, there's something distinctly masculine about the lyrics of loving someone's body which we just can't imagine her singing. Then again, who is Rihanna to let something like gender stop her? 10. Sia - Cheap Thrills Upon it's release, 'Shape of You' was compared unfavourably to another tropically-minded song which had been released months earlier: Sia's 'Cheap Thrills'. Like all of the other songs on her This Is Acting album, 'Cheap Thrills' was a song that Sia had originally written for another artist before reclaiming it for herself, and in this case it was once again Rihanna who had turned down the track. Ultimately, this ended up being for the better: the super-poppy 'Cheap Thrills' wouldn't have worked at all on ANTI, but it did go on to become Sia's first #1 in the US and probably paid for her fifth vacation home. 11. Sia - Alive 'Alive' was another This Is Acting cut that had been intended for multiple artists before it's release. Sia co-wrote the song with Adele "in Adele's perspective" for her album 25, but the song was rejected from the album at the last minute. "I said to [Adele], 'Do you mind if I pitch it to, let's say, Rihanna?'", Sia would later recount. "She said, 'Yeah, but can you take my vocal off it because I don't want my vocal floating around out there on a demo?'" Sia ultimately recorded her own take on the song to pitch to Rihanna, where it was rejected for a second time. Despite this, Sia's collaborators encouraged her to keep the song for herself. "Everybody in my life was like, 'You can't give this away to anybody'," she explained, which inspired her to release the song as the first single from her own album. As far as 'Alive' goes, we can take it or leave it: Rihanna would probably have done as good a job as Adele or Sia did on the song, but there's nothing particularly special about the generic self-empowerment lyrics of the song, which is probably the reason why it stalled so low on the charts. 12. Sia - Reaper 'Reaper' was another This Is Acting album track, and the third song on the album that had originally been hand-crafted with Rihanna in mind. 'Reaper' was written by Sia and her frequent collaborator Jesse Shatkin alongside Kanye West and his team of 88-Keys and Dom $olo for ANTI - however, the track was scrapped when the album underwent a last-minute change in direction. 'Reaper' was for the version of ANTI pre-'Work' which also featured 'FourFiveSeconds', 'Bitch Better Have My Money' and 'American Oxygen', which existed back when Kanye was executive producing the album. After a falling out between him and Rih, she retooled the album without their collaborations, making it the hit record we know today. As for our thoughts on the song, Sia summed them up pretty nicely herself when she said, "I don't care about the song. I know in print that will look bad, but what I mean is I'm not emotionally attached to it. I thought it was a fun song. I think it's a good, fun song, but I didn't anticipate it being on the record." 'Reaper' is fun and catchy, but it seems like a throwaway track for Sia and more like something we'd expect from Rihanna's fifth album than her eighth. 13. Beyoncé - Pretty Hurts 'Pretty Hurts' is often regarded as the standout from Beyoncé's self-titled 2013 album, and even it's lead songwriter Sia considers it to be her "best song". As such, it makes some sense that the track was in demand by multiple musicians before Bey finally snagged it for herself. The track was originally written by Sia alongside producer Ammo on the same day as she recorded 'Titanium' for David Guetta in 2011, and as with 'Titanium' first dibs for the song went to Katy Perry. Somehow, Katy ended up missing the e-mail that 'Pretty Hurts' was attached to, and the track was instead passed onto Rihanna's team. Rihanna, who was at the time recording for Talk That Talk, showed interest in the song and placed it on hold; but after she failed to pay the track's fee for a whopping eight months, Sia continued to shop it around once more. While 'Pretty Hurts' remained in limbo, Beyoncé heard it and labelled it as "my song". She would later go on to state, "The second I heard the song, I'm like, 'I have to sing this song, I don't care how hard I have to fight for this song!'". Ultimately, she paid the fee to make the song hers and stole the track right out from under Rihanna's nose. Given that 'Pretty Hurts' originally had a very different composition from the version that Bey released, it's hard to say how Rihanna's vocals would have worked on the track; although given that the song is a statement on the beauty industrial complex, we can't imagine that her Fenty Beauty company would have gone on to great success after she recorded it. 14. Jordin Sparks - Battlefield 2009 was the year of Ryan Tedder, with the English-born songwriter penning hits for balladeers ranging from Beyoncé to Kelly Clarkson: and if things had played out differently, he may just have added Rihanna to that list. 'Battlefield', which was ultimately released by Jordin Sparks as the first single from her album of the same name, was initially written with the intention of pitching it to Christina Aguilera. After a demo was recorded it was then considered as a duet for Rihanna and Chris Brown, but after news of Brown's physical assault broke these plans were scrapped. Instead, Sparks went on to nab the song and turn it into a moderate success, with the song hitting #10 on the US charts. 15. Jessie J - Do It Like A Dude Jessie J had success with writing on Miley Cyrus's 'Party In The U.S.A.', and it didn't take long before she tried to replicate the hit when she wrote 'Do It Like A Dude' for Rihanna. Jessie had Rihanna on the mind at the time due to the prominence of 'Rude Boy' on the radio, and she thought that the "tongue-in-cheek" and "empowering" nature of 'Dude' would be perfect for Rih to embody. After her completion of the song, Jessie sent it to both Rih's management and her own record label Island Records; and while she received no response from the former, an enthusiastic review from the latter encouraged her to release the song as her first single. Although Rih would have undoubtedly improved the song just by her very presence, we're kind of glad she didn't lend her vocals to this one; I'm pretty sure even Rihanna couldn't have saved this tryhard mess of a song. 16. Ariana Grande - Dangerous Woman 'Dangerous Woman' is a favourite among not only Ariana Grande fans, but also the popstar herself, who liked the track so much that she ended up scrapping her original lead single 'Focus' in it's favour and reworking her entire album to fit it's theme. Despite this, writers Johan Carlsson and Ross Golan had a very different artist in mind when they penned the song. Initially, the song was written with the intention of sending it to Carrie Underwood, who passed; and following this, it was also sent to Alicia Keys. Rihanna was third on the list of artists who were sent the song, and it was only after she rejected it that Grande got sloppy...fourths? While it would have been cool to hear Rih do her thing on this thumping mid-tempo, we're honestly more interested to hear what Carrie Underwood could have done with the song. She's never headed in such an R&B direction before, and it could definitely be an interesting change of pace for the country singer. 17. Major Lazer & DJ Snake - Lean On (Feat. MØ) 'Lean On' was one of the biggest songs of 2015, and one of the largest hits of the streaming era. Despite only peaking at #4 on the Billboard Hot 100, the song reached #1 in nine other countries, and went on to become the most streamed song of all time, as well as selling over 13 million copies worldwide. Surprisingly though, the track was offered to multiple artists who turned it down before it became the smash we know it as today. Major Lazer and MØ wrote the track together as a slower reggae song, pitching it to Nicki Minaj who turned it down. Later, they reworked the track into a more upbeat version with the help of DJ Snake, and went on to pitch this version to Rihanna. "I played her 'Lean On,'" Diplo would later recount. "She was like, 'I don't do house music.' I face-palmed so hard on that one." Weirdly enough though, despite the song's tropical influences, we think MØ is way more suited for the track than Rihanna would ever be. Ultimately, this track went to just the singer who needed it most. 18. Pitbull - Timber (Feat. Ke$ha) Out of all of the songs that Rihanna turned down, this has to be the one we're most happy to see her let go of. Although Pitbull was always (unfortunately) intended to rap over the 'Timber' beat, he had initially wanted Rihanna to sing the chorus later made famous by Kesha. Fortunately, due to Rihanna's focus on her Shakira duet 'Can't Remember To Forget You', she was unable to find time to record vocals for the song. This was a positive thing for two reasons: one, because Rih didn't have to besmirch her good name by working with a rent-a-rapper like Pitbull; and two, because Kesha's southern roots and party girl image were perfect for the chorus of 'Timber', which gave her a greatly-needed hit at the perfect moment in time. We just wish she'd been given the chance to rap the verses herself. Which of these songs would you most like to hear Rihanna's vocals on? Let us know in the comments down below!
  3. Skinny Legend

    Sia Readies New Supergroup With Diplo and Labrinth

    Sia's been pretty quiet on the music front lately (at least by her standards), having only released a few collaborations since her Christmas album last year. But things are set to change soon with the announcement of a new super group in which she has one third ownership. According to social media posts, Sia is set to team up with frequent collaborators Diplo (who she worked with on 'Elastic Heart') and Labrinth (who she duetted with on 'To Be Human') for a new project entitled LSD. Do you see what they did there? Following Sia's first post about the group releasing a song this Thursday, fans initially thought the pairing may be a one time thing. But Colombia Records CEO Ron Perry has since hinted that the collaboration may be ongoing, referring to the upcoming song only as a "first single". While we don't yet have details of the song's title or the vibe they'll be going for, the visuals we've seen so far hint towards a psychadelic North Indian vibe, possibly in a manner similiar to Diplo's Major Lazer collaboration with MØ, 'Lean On'. What do you think of the unlikely trio? Are they set to be a dream team, or will grouping up make it harder for each to find success as solo artists? Let us know in the comments down below!
  4. When it comes to pop music, most of us have set ideas of what we want to hear. Pop music in 2017 is constantly changing, and that necessitates a song which will either hit right in the middle of whatever trend is whirlwinding through the genre at any given moment, or one that will set the zeitgeist for what we can expect for the next few months in terms of production. Pop music is designed to give the illusion of edginess and freshness, even while it not-so-secretly borrows all of it's creativity from genres long-established. When it comes to Christmas songs, however, the rules are different. The festive season is really the one time of year when people are happy to embrace "cheese" in all it's glory - and we ain't talking about gouda. Our favourite Christmas songs are rife with references to tradition, family, an incredibly pure definition of love and overused holiday symbolism. The production, too, generally plays much safer, often choosing to throw back to retro Motown sounds, with brass sections, choirs and sleigh bells all coming out to play. Pop may play the role of the leather jacket in music's wardrobe all year round, evoking a stylish and rebellious spirit; but Christmas is that one cosy sweater you've had for years that always brings back memories of sitting by the fire and drinking hot cocoa. In this list, we'll be compiling the ten best "hot cocoa" Christmas songs which have yet to slide into the monotony of carol status. Whether you're sitting alone watching Love, Actually on Christmas day or trying to get your boss tipsy at the work Christmas party, just one listen of these songs is bound to get you in the festive spirit and ready for the big day. Check out our choices below! 10. Sia - Candy Cane Lane Sia may not be the immediate choice for a Christmas album, but the more you think about it the more well-suited she seems to spreading holiday goodness. Sia in 2017 seems to churn out pop hits like butter, often to the expense of meaningful lyrics or unique production; but that kind of breezy, generic pop tune is exactly what's needed at Christmastime, where people are loathe to think about anything more serious than what kind of wreath they should get. 'Candy Cane Lane' is the most vapid, silly and childish song on the whole album - but we can't even be mad when the chorus is this catchy and fun. 9. Gwen Stefani - Under The Christmas Lights Thanks to some pretty poor promotion (we still don't have a music video for the lead single which was released in September), and a bad choice of single in the form of the Blake Shelton assisted 'You Make It Feel Like Christmas', Gwen Stefani's Christmas album has pretty much flown under the radar this year. And while I can't say I'm sad about that fact (the album is overall pretty meh), it does mean that a lot of people are missing out on 'Under The Christmas Lights', which is, as the kids would say, "a bop". Evoking the doo-wop tones of The Ronettes, Stefani puts in her purest performance in years as she sings an ode to holiday love. You can almost forget for a minute that she's singing about Shelton. 8. Leona Lewis - One More Sleep Leona Lewis left her longtime record label Syco last year over differences of opinion in where her career should go; but if 'One More Sleep' is any indication, Lewis should definitely have stuck around if only to keep belting out Christmas hits. Not only was the track Lewis's most successful in years, charting in the UK every holiday season since it's been released; but it's also one of the most well constructed Christmas song ever, thanks to a smart little "12 Days of Christmas" countdown during the chorus. Lewis's voice is perfectly suited to this kind of song, and we can see why Simon Cowell wanted her to go Motown so badly. 7. Eartha Kitt - Santa Baby 'Santa Baby' has become a go to for any female singer releasing a Christmas album (Madonna, Kylie Minogue and The Pussycat Dolls have all contributed versions), but few can match the seductive elegance of Eartha Kitt's original version. Kitt's black sexuality was pretty radical back in it's day, but looking at it now her version is much more seductive than it is slutty, and her quiet, deliberate intonation makes the song a surprisingly easy listen considering that the whole thing is about Kitt asking her sugar daddy for a car. Moreover, it's just nice to have a Christmas song which isn't directed towards young kids and which isn't afraid to land someone on the naughty list. 6. Mariah Carey - Oh Santa! It's definitely not the best known of Mariah's Christmas output, but 'Oh Santa!' is pretty much everything you'd ever want in a Christmas song. Released on her second album, the aptly titled Merry Christmas II You, the song was clearly meant to mimic the success of 'All I Want For Christmas Is You'; and even though it didn't quite get there, the chorus is just as catchy as that iconic track's ever was. If you haven't heard of it yet, think of the song as the festive version of 'Hey Ya' - it has the same call and response pre-chorus, as well as some doo-wopy background vocals and of course a gorgeous whistle tone straight from 80s Mariah. Just prepare to have it in your head a week later. 5. Kylie Minogue - Every Day's Like Christmas Most of our favourite Christmas songs evoke the 60s "Wall of Sound" production made famous by Phil Spector in the 60s; but for a more modern, quasi-90s attempt, look no further than Kylie Minogue's 'Every Day's Like Christmas'. A cool electro-pop ballad, the song is more "ice queen" than "roaring fire", but it's tender enough to pull some heartstrings regardless. The song was originally worked on by the powerhouse of Coldplay's Chris Martin and Stargate; but for a more 80s take on the song, check out the Stock Aitken Waterman remix, which marks the first time Kylie has worked with the production trio in 25 years. 4. Judy Garland - Have Yourself A Merry Little Christmas Many have covered 'Have Yourself A Merry Little Christmas', the song first written for Judy Garland's character in the charming Meet Me In St. Louis. But none can quite match the emotional strains that Garland manages to pull off in her performance of the song, which comes at a vital point in the film as her character tries to sooth her sister after news that the whole family will be moving towns in the new year. In the world of boppy, poppy Christmas music which aims to improve people's moods over the festive period, 'Have Yourself A Merry Little Christmas' still stands out as a song for those of us who are lonely on the big day, whether because of heartbreak, death or distance - and no one knows more about that than Garland. 3. Kelly Clarkson - Underneath The Tree I'm ready to call it: Kelly Clarkson's 'Underneath The Tree' is the most underrated Christmas song ever. The lead single from her Christmas album Wrapped in Red (which, incidentally, is probably the most underrated Christmas album ever), the song was at one point predicted to become just as legendary as a certain Mariah Carey classic; but it languished around the bottom of the charts before dropping out, never to be heard of again. It's a shame, because producer Jesse Shatkin nailed the Wall of Sound vibe, and Clarkson herself nailed those girl group vocals. Moreover, we have to give major kudos to any song which brings the much-missed saxophone solo back to pop music. 2. Darlene Love - Christmas (Baby Please Come Home) We've brought up the Wall of Sound numerous times during this article, but at the risk of sounding repetitive, I'll bring it up just once more - this time in reference to Darlene Love's 'Christmas (Baby Please Come Home)', which is one of the original songs to utilise it and one of the best. 'Christmas' is ostensibly about a forelorn lover wishing for their partner to come home, but Love sings it with such passion that it's hard to feel anything but joyful listening to it. Love's version is still one of the best, but for a more modern take on the classic check out Mariah Carey's R&B-infused take or Gossip Girl star Leighton Meester's surprisingly good rock-tinged version. 1. Mariah Carey - All I Want For Christmas Is You And here we are at the #1 spot! Is anyone really surprised? Given how overplayed and well-loved it is, Mariah Carey's 'All I Want For Christmas Is You' is basically a running joke at this point - but in our opinion, the hype around the song is well deserved. From the iconic opening strains of the music box to Mariah's shameless rhyme about reindeers "clicking" to that final, glorious whistle note, the song is chock full of legendary moments that are bound to bring a smile to even the Grinch's face. It's one of the few Christmas songs that can truly be listened to year round, as well as the only one which I never get sick of hearing in every department store ever. Let's just try and forget that the Justin Bieber remix ever existed, okay? What iconic Christmas songs are we missing from our list? Let us know in the comments down below!
  5. Skinny Legend

    Sia Leaks Her Own Nude

    Sia has clapped back at an unnamed photographer who is threatening to sell her nude pictures to fans. Allegedly, the photographer made contact with several members of Sia's fanbase they found online recently, offering fifteen pictures of the popstar naked in exchange for money. After fans made contact with Sia about the proposition with screenshots of the photograph, she took to Twitter to post the nude picture herself, preventing the photographer from making money off the shot. Sadly, the story isn't yet over. The photo Sia got her hands on is just one of fifteen, and it is also the only one blurred. It's possible that further images could be sold for profit and leaked online. A notoriously private celebrity, Sia is known for the extravagant wigs she wears to hide her face in public appearances and even while singing on stage. It's likely that this would cause the photos to sell for more than usual. However, Sia is also an oddity of a celebrity who has an interesting relationship with the press, and it's totally in character for her to subvert the paparazzi system by taking away their ability to make money off her image. Your thoughts?
  6. Tweener

    Sia Returns With A New Single

    Ladies and gentlemen...Sia is back! Back in August 2016, Sia teased a project called We Are Your Children, which many people assumed would be a new album. According to rumours, Sia's smash hit 'The Greatest' was supposed to be the first single from the album. However, the song ended up on the deluxe version of Sia's 2016 album This Is Acting instead. A billion soundtrack songs later, it seems like Sia is cooking up a treat for her fans. The singer posted a photo of Kate Hudson on Twitter with the caption, "My girl @katehudson being a delight on set." Kate went to extremes to get the role, even shaving her hair off for the secret project with Sia. Earlier this month, she shared a photo from a dance rehearsal with the singer’s dancing muse Maddie Ziegler. From the looks of things, Sia's brand new single is already finished and the music video is already being shot. Is the buzzcut Sia's new trend after her signature wigs? We hope to hear new music from Sia soon (ugh... how I hate this word)!
  7. MusicLover18

    My Souncloud Covers :)

    Hello everyone: I am a singer/songwriter. Here is my soundcloud: I uploaded a new cover 'Sweet Creature' by Harry Styles!! Please share and like! A LOT more coming soon....
  8. Hello all. I joined PHF about a month ago but haven't been that active and therefore, haven't introduced myself. But there's a time for everything, and here we are. I know i tagged a lot of different musicians/artists, but i figured i might as well lay it all out. These are the main music that I listen to, though there's a lot more. This is just a quick top however many of artists I listen to the most, in no particular order other than alphabetical through most, since i looked through my phone for names (that'll come later.) I joined this site in hopes of finding and sharing music by the artists I love. Music is sort of a drug for me, a life or death one tbh. I'd have been sent to the funny farm a long time ago without my music, whether it's the stuff i listen to, make or write. Yes, I make music. No I don't technically play any instruments in any official manner. And no, I'll probably never share any of it with anyone. It's a therapy honestly. And also extremely strange. Really. Anywho, I want to make a top 10 of my favorite artists atm so people know the crux of who I'm looking for/into: 1. Allie X 2. Marina and the Diamonds 3. Melanie Martinez 4. Neon Trees 5. Marianas Trench 6. Lana Del Rey 7. Demi Lovato 8. Adam Lambert 9. Bat For Lashes 10. Charli XCX 11. Lady Gaga Okay so I did 11. All of them are really close to each other in terms of order...this is just want I feel is most honest in the moment. So, I may not be super active on this site though I hope to be at least decently. My computer is super crap so I rarely come on it. But I completely formatted and reset it recently so I'm hoping that'll help some of the issues. Anyway, yeah. I know I didn't give too much info about myself, but if you want to know feel free to ask. I'm a pretty open and honest person. I hope we can all be friends, or at least that no one ever wants to kill me. HA. Cheers.
  9. Skinny Legend

    The Top Ten Albums of 2016

    2016 has been a great year for pop music, featuring defining releases from several bonafide legends (think Britney Spears, Beyoncé and Lady Gaga), a couple of albums from our more stable hitmakers (such as Tove Lo, Sia and Ariana Grande) and some groundbreaking debuts from total newcomers to the game (like Zayn, Aurora and Petite Meller). The sheer volume of impressive albums from our faves and flops this year has made deciding how to rank each one a difficult task; but after several weeks of consideration we've managed to whittle down our list from several dozen amazing LPs to just the absolute best of the best. Our list below features our top ten favourite albums of the year 2016, ranked from least favourite to most favourite. Check it out below and let us know who we've neglected and who we've misranked in the comments section! When Sia announced last year that she would be releasing an album comprised entirely of demos that she had failed to sell to other artists, fan reactions were a mixture of intrigue, excitement, and disappointment. They had long wanted for Sia's versions of her co-writes on tracks such as Rihanna's 'Diamonds', Britney Spears' 'Perfume' and Beyoncé's 'Pretty Hurts'; but there was concern from some that Sia including songs she'd written for others would create a sense of disassociation and detachment from her own music. The Australian-born singer has for a long time had a certain self-loathing towards the pop songs she writes for others, and when you compare the tracks she now writes such as the Jamaican dancefloor ready 'Cheap Thrills' or the Shakira reject 'Move Your Body' to the masterpieces of her early career such as 'Breathe Me' or 'I'm In Here', you can't help but feel as though she's simply going through the motions without putting any real effort into her latest subjects. Nevertheless, This Is Acting still provides a handful of club ready hooks, some spectacularly catchy choruses and, of course, her trademark husky vocal runs. It may not quite hit the level of amazement that we know Sia's capable of, but This Is Acting still makes for a solid pop album. Zayn Malik's departure from One Direction last year may have shocked fans, but the true shock came this year when he became the first of the boyband's members to release a solo single, the metaphor-drenched ode to sex that was 'Pillowtalk'. Lighting the charts ablaze internationally, the song was a total turning point for Zayn, who had previously complained about his inability to write his own songs, explore new sounds, talk about sex and, weirdly grow facial hair during his time in 1D. And 'Pillowtalk' was only the beginning, with Zayn going all in to release his debut album Mind of Mine several months later. Backed by a consistent slew of heavy R&B beats, a more accessible version of the trippy hazy production popularised by The Weeknd in recent years and some velvety vocals, the album manages to nail the halfway point between pop and personal, allowing an intimate look at the enigmatic singer through a collection of slinky R&B slow jams. The album does tire some during it's second half - after all, eighteen tracks is a lot to get through - but when it's at it's best, as it is with the aforementioned lead single, 'Befour', 'Like I Would' and a handful of others - Mind of Mine is the most promising debut we've had from a popstar in the past few years and a bold step forward for any former boyband member to take. Since blowing into the pop stratosphere back in 2013 with the Hippie Sabotage remix of her debut single 'Habits' (redubbed as 'Stay High' for the single release) Tove Lo has been a pop anomaly: she rarely makes headlines for her personal life, makes pseudo-experimental music and doesn't have any social media presence to speak of but her songs still do surprisingly well and she thus has a healthy relationship with her label. Like Gaga before her, Tove restrains herself from making songs which are too edgy in content by softening the blow with a catchy hook or two and some intricate production work, this time around handled largely by The Struts and Oscar Holter. The end product of her labours is Lady Wood, a loose concept album split into two parts which centre around the highs and lows of a drug hit (and a relationship) respectively. It's not a particularly complicated concept, but it's unique enough to intrigue; and the same can be said for the songs, with the closest we come to real vulnerability coming in the form of 'Flashes', a song which details the conflict between fame and relationships. Nevertheless, there's an honesty which pervades each drug-related confession Tove makes and a lack of repetition in the songs which makes Lady Wood a transformative and enjoyable listen; and it definitely helps that 'Cool Girl' can turn any nightclub into a dancefloor with just one verse. After a somewhat disappointing showing with Don't Look Down, Skylar Grey's 2013 debut release full of angst, trailer trash imagery, rent-a-rappers and white girl hip hop beats, expectations weren't particularly high for Natural Causes, her latest project released in September. But Grey surprised everyone with an understated, tender and vulnerable album which trades in the harsh genre changes and lyrical inconsistencies of her first for an atmospheric concept album loosely (but not strictly) based around the wonders of the natural world. From the vibey introduction track, 'Wilderness', to the cold and sombre 'Come Up For Air' (which may surpass 'Coming Home' as the most beautiful song she's ever written), to the acoustic musings of the Radiohead-esque 'Moving Mountains', Grey continues to find new and unique ways to express herself without ever sounding scattered or confused as she did on her debut. More impressively, she's been able to carve out a new lane for herself and develop a new sound far distanced from the piano ballads she wrote for others, like Rihanna ('Love the Way You Lie') and Christina Aguilera ('Castle Walls'). With Natural Causes, Grey has finally found her unique voice and sound that work for her; now all she needs is for the public to find it as well. Kanye West's latest album went through a plethora of changes since its inception three years ago in 2013, when it still went under the working title So Help Me God. Back then, the album was intended to feature productions by Rick Rubin and Q-Tip and had a new soulful, acoustic sound showcased by the stand-alone singles 'Only One' and 'FourFiveSeconds', both of which featured Paul McCartney; but it wasn't long before SWISH was teased as a title and then WAVES, with each new project title bringing a harder, more classically hip-hop sound than the last. Even after the album was released on February 11th, updates continued to arrive in the form of altered tracklistings, updated productions and even entirely new tracks up until the albums final form in June. Listening to the final product of The Life of Pablo, it's easy to hear the multiple changes in direction that took place throughout the recording process; but rather than detracting from the project as a whole, these inconsistencies instead serve as our only doorway into one of the most creative and genius minds of our time. Whether he's spitting mean bars over the new wave instrumental on 'Feedback', harboring the combined talents of Sia, Frank Ocean and Vic Mensa on 'Wolves' or courting controversy with the Nina Simone sampling 'Famous', West makes sure to keep all the attention squarely on himself - a talent he's since extended to his personal life as well. The Life of Pablo hasn't had any new tracklist changes recently; but even without the monthly updates, the albums spirit of experimentation, recklessness and courage is bound to live on in West's future releases. Gwen Stefani's long-awaited third LP might have had a few false starts - even though 'Baby Don't Lie' goes off, we're still recovering from the misstep that was the Pharrell-assisted 'Spark The Fire' - but when she finally came through for her fans, Gwen gave them everything they'd been waiting for and more. Inspired by her breakup with longtime husband Gavin Rossdale, Gwen threw aside the co-penned tracks that had been written for her by the likes of Charli XCX and Ryn Weaver and instead headed back into the studio to record an entire albums worth of songs over several weeks - this time with each one written by herself and the current pop dream team of Justin Tranter and Julia Michaels. Ultimately, the albums designation as a "breakup album" turned out to be a little inaccurate - Stefani spends much of the time buoying from songs about dirty text messages ('Send Me A Picture') to singing about new love ('Make Me Like You'), and even when she allows a moment to mope, it's often backed by a strong beat and some classically Gwen vocal delivery ('Used To Love You'). But the sound is consistent, effortless and fresh, and most importantly it sounds like a true Gwen album that she, not her label, has helmed. Let's just hope we don't have to wait so long for the popstar to find her voice again for the next one. JoJo's third studio album may have taken over ten years to finally be released (although we did get several albums worth of unreleased songs to hold us over in between), but if Mad Love proved anything it was that she was definitely worth the wait. After a somewhat lukewarm reception to the three singles she released through her C-side Tringle project, JoJo retooled the album from the house-leaning project The Aftermath to the version we ended up with, a fusion of futuristic R&B, house beats and piano ballads; and while she might have originally been known for her cheesy 2000s R&B tracks and vocal-led ballads, JoJo proves here that she can hold her own with the up-tempo girls, bringing some dancefloor ready hooks on tracks like 'Vibe.' and the MNEK-produced fan favourite 'Good Thing.'. She asserts herself further with the sexy, sassy ode to independence 'High Heels.' as well as the drug-induced haze of 'Clovers.': although in truth the album's best moment is when she returns to her roots both musically and lyrically on the stunningly autobiographical opener 'Music.' Fingers crossed that the next album won't be another decade away; but even if JoJo never releases another album again, it's satisfying to know that she's released the album of her dreams, and probably the album of her career, with Mad Love. Following the release of 2014's collaborative album with jazz legend Tony Bennett Cheek To Cheek, and a collection of well-received tributes to Carole King, Stevie Wonder, Frank Sinatra, David Bowie and The Sound of Music, Lady Gaga was primed for success with LG5, her mysterious album which was billed as a comeback from 2013's perceived critical failure ARTPOP. Promises were made of collaborations with the likes of Giorgio Moroder and Nile Rodgers, as well as an Elton John feature; the third the duo has recorded that would ultimately go unreleased. But when 'Perfect Illusion', the adrenaline-pumping disco-rock anthem first single was released to little fanfare, all hopes for a dance record were thrown out the window and fans were forced to reevaluate their hopes for the long-awaited record. Ever the shock artist, Gaga threw off Little Monsters even further with the release of promo singles 'Million Reasons' and 'A-Yo', both of which explored a new country vibe, and which would go on to reflect the albums folky atmosphere more accurately. Joanne is not without fault - the short track times and lazy (and frankly nonsensical) songwriting on lines such as "It's like that I've stopped breathing but completely aware" is a turn off, and Gaga's new acting role as a southern belle isn't always completely convincing ('Sinners Prayer''s opening line of "I came down the mountain" is slightly cringeworthy if we're being honest). But at it's greatest moments, such as the heartbreaking chords of 'Angel Down' or during the female empowerment anthem 'Hey Girl' with Florence Welch, it provides us with some of Gaga's best and most unique moments to date. Joanne successfully continues Gaga's tradition as one of music's greatest shapeshifters; now all that remains to be seen is what form she'll take for the next album. A year in music wouldn't be complete without an album from the Princess of Pop herself, and Britney Spears came through in 2016 with one of the best albums of her career. Long gone are the days of the lifeless Autotuneney we heard in 2011's Femme Fatale and the Confuseney (or Confuseyah Marie) we had to sit through in 2013's mess of genres and sounds Britney Jean. For the first time since Blackout, Britney's vocals are at the forefront: she giggles, gasps, moans, screams and shouts all over each track, making for an album which features some of the most interesting vocal performances of the year. She evokes the cold, detached robot persona of Femme Fatale in tracks like the "artsy fartsy" 'Coupure Electrique' (which, in Brit's most experimental move to date, is sung entirely in French): the repressed sex kitten of 'I'm A Slave 4 U' in 'Do You Wanna Come Over?'; the 90s teeny bopper of '...Baby One More Time' in 'Hard To Forget Ya'; and the high-pitched trumpetting of Alvin and the Chipmunks 2: The Squeakquel in 'Private Show', a new sound for the reigning queen of Vegas. But the most impressive thing about Glory is Britney's own presence on the album. It's clear to fans that 2016 was the year that she came out of her shell - from swearing off relationships publicly to talking openly about her conservatorship and making more TV and festival appearances than she did for her last two albums combined - and her newfound independence is reflected all over this album. Glory might not be an album without missteps, but it's propelled forward through it's dullest moments by a quintessentially Britney energy: a tangible spark in the popstars eye which hasn't been harnessed since at least 2009's Circus. It might not have ignited the charts, but in the eyes of her fans, Glory has proved that Britney is officially back. We always knew that behind the sugar-coated R&B-pop veneer of perfection she displays in every strand of her ponytail, there was a rebel hiding inside Ariana Grande - and 2016 was the year she proved it. When she wasn't out licking donuts with her boyfriend or calling out Ryan Seacrest live on radio, Grande was promoting her latest effort, the aptly titled Dangerous Woman - and with three singles, six music videos and a plethora of live performances to consume, it's clear that this is the album that she, and her label, are most dedicated to. From the soulful and powerful belting in the title track to the chilled out hip-hop vibes of the Lil Wayne assisted 'Let Me Love You' to the reggae-styled beats of 'Side To Side', a song which is literally about being fucked so hard you can't walk straight, Ariana diversifies her sound here like never before, stepping away from the saccharine tones of her previous singles to explore a darker, more edgy sound. And even on the album's filler tracks, Ariana keeps the transformative tone consistent, making the inspired choice to work with R&B legend Macy Gray on 'Leave Me Lonely' before jumping into the realm of dark-pop with fan favourite 'Touch It'. The vocals and production may still be a little too pitch perfect to suggest any real rebellion, and the fake lashes may prevent us from seeing too deep into her eyes, but the tracks on Dangerous Woman mark a sorely needed step forward for Grande; and mark a solid, cohesive body of work from the most effortless popstar we've seen in years.
  10. This was posted on Azealia Banks' Snapchat story earlier today, and was described by her as a video of her sacrificing chickens. "The amount of cunt that is about to come off my floor right now guys, oh my God," she says in a prelude to the main video, which has since been deleted. "Three years worth of brujeria [witchcraft]. Yes, you know I got to scrape all this shit up. I got my sandblaster and my goggles." In response, Queen of Animal Rights Sia tweeted: If there are no objections, PHF will now be an Azealia Banks free zone. I'm sick of her disgusting comments about minority groups and this was really the icing on the cake. Let me know in the comments below if you're happy for us to ban all discussion of this mentally ill demon from our website.
  11. After a full year of anticipating, we finally have the list of nominees for the 2017 Grammy Awards! This year, it has been announced that the awards will be hosted by popular TV host James Corden, mostly known for his Carpool Karaoke series. It comes as a surprise to no one that the person with the largest number of nominations is Beyoncé (clocking in with nine nominations) and that following her, Drake and Rihanna have the largest amount each (both with eight nominations). The show is to take place on Sunday, February 12, so be sure to tune in! Check out the full list of nominations below.
  12. deleteduser

    Sia | Discography (Worded) |

    I was asked to do this, so here's my best shot, it won't be like the NK Masterpost because obviously a lot of Sia's leaked unreleased is for other people (+ I don't know who they were all intended for) so i'll add in brackets next to them if i have any idea who they were for! Written For Others: - My Arena (2 Versions) - Light Headed - Flowers - Born Yesterday - Blinded By Love - Joy I Call Life - Beautiful People Say - Hologram - Life Jacket - The Corner - We Can Hurt Together - Waterfall - Bye Bye Bye - This Shit - Red Handed Demos/Alternative Versions: - Breathe Me (Demo) - Lentil (Demo) - Little Black Sandals (Demo) - Blame It On The Radio (Alt. Version) - You Have Been Loved (Demo) - Hold Me Down (2 Alt. Versions) - Eye Of The Needle (Demo) - Space Between (Alt. Version/Demo) - Making The Most Of The Night (Demo for Carly Rae Jepsen) - Freeze You Out (Demo for Marina Kaye) - Love Me Back To Life (Demo for Celine Dion) - Blank Page (Demo for Christina Aguilera) - Passenger (Demo for Britney Spears) - Some Kind Of Love Song (Alt. Version) Albums: - Onlysee (1997) - Healing Is Difficult (2001) - Colour The Small One (2004) - Lady Croissant [Live Album] (2007) - Some People Have Real Problems (2008) - We Are Born (2010) - We Meaning You Tour [Live Album] |2 versions| (2010) - Best Of... (2012) - 1000 Forms Of Fear (2014) - This Is Acting (2016) Singles: - Taked For Granted (2000) - Little Man (2000) - Drink To Get Drunk [Different Gear Remix] (2001) - Don't Bring Me Down (2003) - Breathe Me (2004) - Where I Belong (2004) - Numb (2005) - Day Too Soon (2007) - The Girl You Lost To (2008) - Soon We'll Be Found (2008) - Buttons (2009) - You've Changed (2009) - Under The Milky Way (2010) - Clap Your Hands (2010) - Bring Night (2010) - Elastic Heart [ft. The Weekend] (2013) - Chandelier (2014) - Big Girls Cry (2014) - You're Never Fully Dressed Without A Smile (2014) - Opportunity (2014) - Elastic Heart [Solo Version] (2015) - Fire Meet Gasoline (2015) - Alive (2015) - Cheap Thrills [ft. Sean Paul/Solo Version] (2016) Features: - Destiny (Zero 7) - Somersault (Zero 7) - I'll Forget You (Loir) - I Love It (Hilltop Hoods) - Titanium (David Guetta) - Wild Ones (Flo Rida) - She Wolf [Falling To Pieces] (David Guetta) - Battle Cry (Angel Haze) - Guts Over Fear (Eminem) - Deja Vu (Giorgio Moroder) - Golden (Travis McCoy) - Bang My Head (David Guetta) Promotional Tracks: - Free Me - Eye Of The Needle (2014) - Kill & Run (The Great Gadsby Soundtrack) - Push [Feeling Good On A Wednesday] (as Lorde for South Park) - Bird Set Free (2015) - One Million Bullets (2016) - Reaper (2016) - Unstoppable (2016)
  13. Dayfid

    Sia - "This Is Acting" Deluxe Release

  14. Skinny Legend

    2016 VMA's Nominations Announced

    The nominations for this year's MTV Video Music Awards have finally been announced. There's few surprises in the list, with Beyoncé leading the pack and set to sweep the board with a grand total of five nominations in the main categories. However, we are shocked by the low quality of some of the videos nominated. Justin Bieber's 'Sorry', a green screen dance video which doesn't even feature the singer and plays out like a fan-made compilation, is one of the nominations; while Rihanna's 'Work', the no-choreography, no-creativity, no-looks, no-aesthetic, no-talent video that was so boring they had to film two, is also nominated twice; and Sia's music video that isn't a music video but is actually a lyric video for 'Cheap Thrills' is also nominated. Meanwhile, more worthy music videos like Fergie's 'MILF$', Gwen Stefani's 'Make Me Like You', Lana Del Rey's 'High By The Beach', Bonnie McKee's 'I Want It All' and Cupcakke's 'Pedophile' were all paid dust. There's no word yet on hosts or performances we can expect on the night, but given whose currently promoting new music we can expect performances from the likes of Katy, Rihanna, Britney, Beyonce and Adele. What do you think of the nominations? Are they well deserved or are there some glaring omissions? Let us know your thoughts in the comments below! Video of the Year Beyoncé - "Formation" Adele - "Hello" Drake - "Hotline Bling" Justin Bieber - "Sorry" Kanye West - "Famous" Best Female Video Ariana Grande - "Into You" Beyoncé - "Hold Up" Adele - "Hello" Rihanna f/ Drake - "Work" Sia f/ Sean Paul - "Cheap Thrills" Best Collab Beyoncé f/ Kendrick Lamar - "Freedom" Ariana Grande f/ Lil Wayne - "Let Me Love You" Calvin Harris f/ Rihanna - "This Is What You Came For" Rihanna f/ Drake - "Work" Fifth Harmony f/ Ty Dolla $ign - "Work from Home" Best New Artist Desiigner Bryson Tiller DNCE Zara Larsson Lukas Graham Best Pop Video Alessia Cara - "Wild Things" Ariana Grande - "Into You" Adele - "Hello" Justin Bieber - "Sorry" Beyoncé - "Formation" Best Male Video Bryson Tiller - "Don't" Calvin Harris f/ Rihanna - "This Is What You Came For" Drake - "Hotline Bling" Kanye West - "Famous" The Weeknd - "Can't Feel My Face" Best Rock Video All Time Low - "Missing You" Panic! At the Disco - "Victorious" Coldplay - "Adventure of a Lifetime" Fall Out Boy f/ Demi Lovato - "Irresistible" twenty one pilots - "Heathens" Best Hip-Hop Video 2 Chainz - "Watch Out" Bryson Tiller - "Don't" Chance The Rapper f/ Saba - "Angels" Desiigner - "Panda" Drake - "Hotline Bling" Best Electronic Video 99 Souls f/ Destiny's Child & Brandy - "The Girl Is Mine" Afrojack - "Summerthing" Calvin Harris & Disciples - "How Deep Is Your Love" Mike Posner - "I Took A Pill In Ibiza (SeeB Remix)" The Chainsmokers f/ Daya - "Don't Let Me Down" Breakthrough Long Form Video Beyoncé - "Lemonade" Chris Brown - "Royalty" Florence + The Machine - "The Odyssey" Justin Bieber - "Purpose: The Movement" Troye Sivan - "Blue Neighbourhood Trilogy" Professional Categories
  15. So, recently (i can't believe i'm saying this either) Elmo tweeted a picture of him and another dumb puppet pal in sia wigs... Turn's out, Sia is starring in an an episode of popular Muppet style kids tv show "Sesame Street", but plot twist, cast and crew, as well as Sia herself have been tweeting picture's on set, all of them SHOWING SIA'S FACE!! Could it be that Sia's plan to reveal her face... is on Sesame Street?
  16. Due to high request by fans, and James Corden himself, Sia will appear on "The Late Late Show with James Corden" on the Carpool Karaoke segment of the show! Airs via CBS on Monday 15th February (Will be uploaded on Youtube soon after)
  17. With 2016 upon us, it's time to finally start thinking about the new year in music. There's bound to be a lot of great albums coming in the New Year, so lets take a look at some of the ones I'm most excited for! Allie X - CollXtion II Just a little over a year after CollXtion I was released, Allie has plans to release another EP. Except, she doesn't really call them EPs, she calls them CollXtions, duh. She recently revealed the theme for the upcoming record is "longing and being lost". Some titles confirmed by her are 'Alexandra' and 'Weak Jaw'. In November, she dropped a new single 'Never Enough', taken off the re-release of the Catch single to hold fans over until she drops her next compilation. There's no official date, but she promised it will be coming out in 2016, so patiently we'll wait. Lady Gaga - LG5 The hype started right after ARTPOP was released and hasn't stopped since! Gaga began working on the album in spring, and so far no release date or even title has been announced. However, it has been confirmed she worked with writer and producer Nile Rodgers, RedOne and Mark Ronson, who she had a 12 hour recording session with; and the album will most likely include other long-time collaborators like DJ White Shadow and Zedd. This is for sure one of the albums I'm most excited to hear in 2016. I'm just worried because she's staying really quiet this time around. Surprise release or an ANTi situation? Tove Lo - TBA After Habits found its way on to the charts last year and she released her debut album, Tove Lo fans were waiting for any word on a new release. But vocal chord surgery left her scared she wouldn't be able to sing again. Thankfully after healing, she got back into the studio and surprised fans with a Christmas present - a demo from her upcoming album, titled titled 'Influence', getting everyone hyped for her next release. Tove said the album is "still going to be personal and emotional", and that she is experimenting with deep house beats. It's been over a year since she dropped her debut album, so fans are for sure ready! Sia - This Is Acting I'm personally a very casual Sia fan, but the singles she has put out for this album so far have been phenomenal. The concept of the whole record being rejected songs she wrote for other artists is really cool to me, and I can't wait to hear the whole album. I have a feeling it's gonna put me into full stan mode. Kesha - TBA Well, sadly there's actually no word on an an album release this year since the battle with her ex-producer is still going, but I could totally see her pulling a Miley Cyrus & Her Dead Petz. What albums are you excited to see drop this year? Tell us in the comments!
  18. deleteduser

    Sia (Being traded)

    Just to inform people, these are the Sia song's presently circulating/being hoarded: ------------ Purple means "Circulating" Red Means "Being Hoarded" ------------ - Space Between (Demo) - Little Black Sandals (Demo) - Blame It On The Radio (Demo) - We Can Hurt Together (Unreleased) - Passenger (Demo) - Fuck, Marry, Kill (Demo) - Hologram (Unreleased) - Academia (Demo) - I Go To Sleep (Demo) - My Arena (Second Version) - Lentil (Demo) - You Will Be Loved (Demo) - Waterfall (Unreleased) - Life Jacket (Unreleased) - Pretty Hurts (Demo)

About #PopHatesFlops:

Since our start as a blog called #PopHatesFags in 2012, PHF has consistently provided you with the latest pop culture news and hottest new releases. Join us as we analyse everything pop culture, build new friendships, and discuss the latest news and tracks exclusive to #PopHatesFlops!

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Congratulations to coolaideonfire, our Member of the Month for the month of March! coolaideonfire is one of our longest running active members and has been with us for over five years, making almost 400 posts since they joined us in January of 2014. We've loved every second of having them around and we look forward to another five years together!

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