Although her star has faded a little in recent years, Katy Perry remains one of the biggest and most bankable popstars of all time, having sold more than 40 million albums and 100 million records over her ten year career. With hits ranging from debut single 'I Kissed A Girl' to 'Teenage Dream' and 'Chained to the Rhythm', Perry has, until recently, been a fixture of the charts, with every single she releases becoming not just a hit but an entire cultural happening.
But with so many hits, it seems impossible to avoid comparison with other artists, and Katy has had a handful of songs which have been noted for their striking similarities to other hits. Some of these tracks have just a passing resemblance, but others - #3, particularly - are almost note for note identical copies of other songs, and the public has definitely noticed. In this list, we'll be looking at five of the most obvious comparisons, as well as the original artists reactions - and not all of them are pretty. Read on to find out more!
Katy Perry - California Gurls (Feat. Snoop Dogg)
Sounds Exactly Like...
Ke$ha - TiK ToK
'California Gurls' has to be the most famous of all of Katy's "familiar" songs, and it's resemblance to the artist formerly known as Ke$ha's song 'TiK ToK' was remarked upon almost as soon as it was released. In this case, though, there's a pretty clear reason for the similarities: namely, the fact that both songs have exactly the same producers. 'TiK ToK', written by Kesha but produced by Dr. Luke and Benny Blanco, was the biggest hit of 2009 and went on to be the fifth best selling single of all time, so it makes total sense that Luke and Blanco would attempt to recreate it's success in 2010 with Perry as the chosen artist and Snoop Dogg stepping into Diddy's shoes. While most of the songs on the list have just one or two similar elements to other tracks, 'California Gurls' is notable for being quite literally identical to 'Tik Tok', excluding the lyrics and the bridge. Not that that stopped it from being a hit: 'California Gurls' had no trouble at all hitting #1, a year after 'TiK ToK' did the same.
Katy Perry - Bigger Than Me
Sounds Exactly Like...
Ania Wyszkoni - Lampa i sofa
If you're just a casual fan of Katy's, you probably won't have heard 'Bigger Than Me', an album cut from last year's Witness; and similarly, if you live outside of Poland, chances are you won't have heard Ania Wyszkoni's 'Lampa i sofa', which literally translates to 'Lamp and Sofa'. Thankfully, it seems as though there's at least one Katy Cat who's also a Polish resident, because it wasn't long after 'Bigger Than Me' was heard for the first time that people pointed out it's essentially a note for note recreation of Wyzkoni's song with English lyrics added. To be fair to Katy, it's slightly far-fetched that this song really is plagiarised - even though 'Lampa i sofa' was a pretty big hit in Poland, hitting #2 on the charts there, it's unlikely that either Perry or her co-writers Sarah Hudson and the members of Purity Ring would have ever heard the track before. But those similarities in the chorus are just undeniable...
Katy Perry - Roar
Sounds Exactly Like...
Sara Bareilles - Brave
It took about two seconds after 'Roar' was released in 2013 for people to start comparing it to Sara Bareilles's 'Brave', which had been released four months prior as the lead single off her fourth album The Blessed Unrest. This time there was no getting around the similarities in melody and self-empowerment lyrics: Katy definitely knew about 'Brave', given that she'd Tweeted about it shortly after it was released to express her admiration. While their fans were duelling it out online though, Perry and Bareilles were apparently all good behind the scenes. Bareilles stated in an interview with that she and Perry had been friends for a "long time", and that she had given her blessing to 'Roar' before it's release. "If I'm not mad I don't know why anybody else is upset," she mused. The two even performed 'Roar' together at a showcase, alongisde Tegan and Sara and Ellie Goulding. And in the long run, the controversy was actually great publicity for Bareilles's theretofore unknown song: it prompted her record label to release 'Brave' to contemporary radio, giving it a much needed boost in promotion.
Katy Perry - Dark Horse (Feat. Juicy J)
Sounds Exactly Like...
Flame - Joyful Noise
Let's be honest: if you're anyone outside of the very exclusive "Christian hip hop" community, you won't have heard of Flame, the rapper who's released such monumental works as Our World: Fallen and Our World: Redeemed. That's why we find it a little hard to believe that Katy Perry and producer Dr. Luke stole the beat from his 2009 song 'Joyful Noise', as was alleged in a lawsuit he brought against her back in 2014. Flame's accusations were based on the idea that if you slow down 'Joyful Noise' by ten beats per minute and change the pitch an octave, the beats in each song are almost identical - although in our view, that's a lot of work to do to make the songs appear similar. He further alleged that the song's reputation was “irreparably tarnished by its association with the witchcraft, paganism, black magic and Illuminati imagery evoked by the same music in 'Dark Horse'" - a pretty big claim given the song's lack of reputation in the first place. Thankfully, the lawsuit was thrown out in 2015, but we're sure Flame will get his royalties when Jesus returns to walk the earth.
Katy Perry - E.T. (Feat. Kanye West)
Sounds Exactly Like...
t.A.T.u. - All The Things She Said
We're sure that the similarities between these songs are entirely coincidental, but it's fun to listen back to them for a little nostalgia flash anyway. Katy's 'E.T.' was released back in 2011, with the single version featuring a few verses by Kanye West, and it's weirdly familiar to anyone who turned on the radio back in 2002. Listen back to fake lesbians t.A.T.u's biggest hit 'All The Things She Said' and you'll notice that the choruses of each song have the exact same chord progression and beat. No wonder anyone born in the 90s likes 'E.T.' so much.
Which song are you most surprised to hear is "inspired" by another artist? Are there any obvious rip offs we're totally missing? Let us know your thoughts in the comments section down below!
It's hard to believe it, but 2017 is already coming to an end - and what a year it's been. Between endless headlines of political incompetencies, tragic natural disasters and groundbreaking exposés of sexual abuse, one thing has, like always, remained our constant comfort and saviour - music.
Pop in 2017 has been a pretty varied affair, although the running theme has been the odd fusion we predicted last year of country music, tropical beats and EDM drops. It's those undercurrents that birthed some of the most annoying, repetitious songs of the year - 'Despacito', 'Shape Of You' and 'Meant To Be', we're calling you all out - but it's the same sounds that created some of the catchiest, most powerful and most groundbreaking tracks of the year too.
In previous years we've run this list as a dictatorship, with the editors telling you our opinions on the best tracks of the year with no external advice sought. This year, we decided to branch out into a democracy by inviting some of our favourite members to submit their songs of the year, limiting our input to just the ordering of each song in a (semi-)ranked list. We hope you enjoy our collection of songs, and that you ring in the New Year's with joy, love, safety and most importantly, lots of music.
17. Lana Del Rey - Tomorrow Never Came (Feat. Sean Ono Lennon)
Submitted by @Countess
Lana Del Rey's Lust For Life was a marked departure from her debut album Born To Die not just in name, but also in intent; the album was less about Del Rey's own personal demons and more about the demons facing our society in 2017. But that's not to say that the album is impersonal, and 'Tomorrow Never Came' is a stunning example of that. The lyrics are typical Lana, lamenting a lost love through a simple metaphor - "I waited for you in the spot you said to wait/In the city on the park bench in the middle of the pouring rain/You said to meet me out there tomorrow, but tomorrow never came" - but the production is more gentle, hopeful and soft than Lana has explored in her albums before. The song is made all the more heartbreaking due to the song's feature of Sean Ono Lennon, who - as you might have guessed - is the son of Yoko Ono, who famously frequents the memorial to her late husband John Lennon in Central Park as much as she can. The Beatles may never be able to get back together, but if this song proves anything it's that their spirit lives on.
16. Steps - Scared of the Dark
Submitted by @coolaideonfire
UK pop superstars Steps returned in 2017 to celebrate their 20th anniversary and kicked things off with comeback single 'Scared Of The Dark', their first released since 2012's poorly received holiday album Light Up The World. The single commands the listener's attention immediately with a dramatic string introduction before Faye and Claire, arguably the groups strongest singers, take on its brooding first verse. You'd be forgiven for mistaking the single as a middling ballad at first, but the chorus signals a change in direction as the song explodes into the unashamed brand of pop the band were popular for the first time they entered the charts back in the late 90s. "Scared Of The Dark" should serve as a masterclass for any nostalgic act aiming to stage a comeback so many years after their initial success. The song is clearly cut from the same cloth as the band's biggest hits, and should please any Steps fan (or any fan of 90s pop for that matter), but it doesn't sound dated at all. This is a slice of pop heaven from an equally well produced and pop-heavy album, Tears On The Dancefloor.
15. K.I.D - Elevator
Submitted by @Caolicolor
'Elevator' transcended every normcore stan Twitter gay who slept on K.I.D for the past three years into an instant stan. With it's heavy paced, dark, and atmospheric sound, it's a great getting ready to fuck song worth listening to.
14. Kelly Clarkson - Love So Soft
Submitted by @Ruthless Love
Since September 4, 2002, Kelly Clarkson has been a staple in the music industry. She became the winner of the inaugural season of the now-defunct Fox reality competition series, American Idol (which returns March 2018 on ABC), and has since become one of the most forceful performers in today's generation. Since winning, she signed an immediate deal between 19 Recordings, RCA and S Records and released her debut album, Thankful (2003). Following her debut release and still under her Idol contract (which later became solely associated with RCA), she gave us six additional albums: Breakaway (2004); My December (2007); All I Ever Wanted (2009); Stronger (2011); Wrapped in Red (2013) and Piece by Piece (2015), as well as a greatest hits compilation in 2012. In 2016, Clarkson announced the end of her partnership with RCA, citing the relationship as an "arranged marriage," and signed a deal with Warner Music's Atlantic Records. Under this deal, Clarkson promised us a "soul-influenced" album. And, in 2017, she gave us just that. Meaning of Life marks the first release from Clarkson free from her Idol deal and showcases the singer at her strongest and most secure. The album's first single, 'Love So Soft' proved a departure for Clarkson. Known for giving us angst-driven pop rock songs, 'Love So Soft' is drenched as a soulful R&B track, matched with superior vocals and a confidence that only Clarkson could maintain. It's safe to say that fifteen years after being named our American Idol that Clarkson is still the Idol of our hearts and of the music industry. She is proving to us that she is no longer accepting the idea of conforming to what society and the industry believes a modern day pop star should look, sound and maintain herself as, and is instead doing what she feels is right: being Kelly Clarkson.
13. Katy Perry - Tsunami
Submitted by @BlackoutZone
Katy's latest record may or may not be a musical masterpiece consisting of "woke" (as she likes to describe them) pop songs and original, groundbreaking, multi-genre efforts, but either way there is one significant track that stands out not only from the rest of the album, but the whole musical scene of 2017. 'Tsunami' is about Katy's magnificent sexual experience with her lover. She compares their love to swimming in open waters and his sexual power hitting her like a tsunami. The track is really well written and Katy totally nails the ocean theme with her beautiful lyrical references, such as: "Anchor in me, and get lost at sea/The world's your oyster/I am the pearl/Open waters/Sink into me slowly." The production is simply marvellous! Mike Will Made It channels typical Tame Impala synths mixed with his usual style and it works perfectly. The dreamy instrumental is building, progressing and flowing like an ocean wave which makes the track delicate yet very haunting. When Lady Gaga announced her collaboration with Kevin Parker, the leader of Tame Impala, which later gave birth to her lead single 'Perfect Illusion', this track is exactly what I expected it to be. Mike recently shared the demo instrumental to the song, and it's interesting to see how the track changed in its production states and hear all the sounds lost under Katy's voice in the final product. 'Tsunami' is undoubtedly my song of the year and Katy's best effort to date, sadly it will probably remain unnoticed by the general public and Grammy committee as I can't see it being released as a single or getting any real success...
12. Aly & AJ - I Know
Submitted by @Kim Craig
Going into 2017, who'd have known it would finally be the year best friends and sister duo, Aly & AJ, would get their shit together and release an appetiser sized EP, Ten Years, marking the rebirth of their long lost musical career since 2007's Insomniatic. The sister duo returned with a viciously infectious 80's synth pop sound which left heads around the globe bald. My song of the year, I Know, included on this EP release, talks about friendship and the commitment everyone is capable of giving to those in need. With distorted echoes and a fluttering backbeat, I Know offers the best and most valuable piece of music the duo has released since, well, ever. With a full LP due out by Summer 2018, Aly & AJ should be on everybody's radar because they're back to slay.
11. Kesha - Rainbow
Submitted by @Ari
The past three years have seen a very public and serious legal battle between Kesha Rose and her former producer and manager Dr. Luke over years of alleged sexual assault. After losing her case last year and being denied a retrial, Kesha forged onwards by releasing the massively critically acclaimed album Rainbow on the 11th of August. My favourite song of 2017 has to be the title track off that album. The song begins with a key description of tough times and feelings which are clearly straight from Kesha's heart (she wrote this song all by herself). The song then swiftly moves into an upbeat movement about the good times and how life can and will get better. The live orchestra in the studio along with the background vocals that harmonise with the chorus give it a massively joyful and warm feeling which by the end of it is sure to leave you with a strong buzzing sense inside. In a year where a lot of truths have come out in the industry thanks to the powerful #MeToo movement, I think Kesha gives us a much needed reminder in 'Rainbow' that "in every tunnel, there's always a light at the other end".
10. Miley Cyrus - Malibu
Submitted by @Whoknowsmehere
After much consideration and re-listening to many songs over the last couple of days, I have come to the conclusion that the one song that just seems to stick with me is be 'Malibu' by Miley Cyrus. It was a tough choice for me between 'Malibu', Shania Twain's 'Life's About To Get Good', Camila Cabello's 'Havana' and Rita Ora's 'Anywhere'. When I first heard 'Malibu' I was not all that thrilled about it to be honest. However, after listening to it numerous times it really grew on me. I think what did it for me was the simplicity of the song and yet how catchy it was. I do not know exactly what message she was trying to get through with the song - we each get different things from it - but what I took away from it is how much she has grown as a person and an artist, and that she may have finally figured out who or what she wants to be. I have to be honest though: if this is the new Miley, a part of me will miss the old Miley. She sure had the entertainment factor down to a science.
9. Odd Eye Circle - LOONATIC
Submitted by @nanapop99
While the majority of people don't listen to K-Pop, I've been a fan of this genre for a few years now and I don't think I've been this hooked on a girl group debut since 2NE1. LOONA has a really unique concept which consists of debuting a new member every month with a solo song: for now the label has revealed ten members out of the full twelve (for those who want to hear more, here's a solo song which I really love). The full group has yet to debut but Odd Eye Circle is the second sub-unit of LOONA and it consists of three members. 'LOONATIC' is technically not a single off their EP but it's definitely the song that got me into this group. The moment I listened to it for the first time, I knew that it would be my favourite! It has a very unique sound that I've personally never heard in any other songs and it's also very catchy. The lyrics are kinda difficult to hear and understand but the instrumental is really what's best: it has a really dreamy feel to it that I love. The track was originally released in Korean but they later released an English version as a gift for international fans which you can listen to above.
8. Rita Ora - Your Song
Submitted by @Dayfid
'Your Song' is the lead single from Rita Ora's second album which may actually get released and promoted! It's written by Ed Sheeran who provides background vocals and Steve Mac who also produced the track. The best part is that driving intro synth or whatever that thing is with those background snaps that loop throughout the song without getting boring. The song was performed and promoted literally anywhere. It's been performed live 9+ times and has become Rita's most promoted body of work besides her own actual body (along with an acoustic performance uploaded to YouTube with that random writer). Slay, Rita Oral!
7. Kesha - Learn To Let Go
Submitted by @Joe
"Your past only has as much effect on your future as you want it to." - Kesha, Huffington Post. My song of the year is the one that made me feel the most emotion upon first hearing it. On July 2nd, Kesha released 'Praying', her triumphant return to music. But it’s what she followed up with that truly took my breath away. Kesha has said that 'Learn To Let Go' played a big part in Rainbow as a whole and was one of the first songs written for the album. I vividly remember waking up to the song and music video being released. I immediately broke down crying. I felt like Kesha had written the song just for me. I related to every line. She refers to the bitterness she’s held onto and that there’s this voice that’s always telling her that she isn’t strong, that’s it’s her fault. When in fact, you choose to play the victim or to be the survivor. It’s so easy to give others advice, but to follow it yourself? Not many "practice what they preach" and I’ll admit to this. This song helped me let go of the pain and the hatred I held towards myself for far to long. Back to Kesha...The music video is a collection of home movies and shots of Kesha dancing in a forest. I took the music video as Kesha reclaiming her innocence. Reclaiming who she once was. She dropped the dollar sign and came back better and more real than ever. This song is a testament to just that: accept the shit, accept that it doesn’t define you, accept that you are yourself at the end of the day, and let yourself move on.
6. Selena Gomez - Bad Liar
Submitted by @Fetish
My song of the year is, by a long shot, 'Bad Liar' by Selena Gomez. With 'Bad Liar', Selena introduced a new image, sound and style to her music and bought an alternative twist to her mostly bubblegum-pop centred discography by sampling one of the best bands of all time, Talking Heads. The song was a huge step for Selena, showing both the general public and her diehard fans that she could explore new sounds and pull them off both brilliantly and effortlessly. The stripped back production and mid-tempo flow of the song accentuates her voice, allowing her to capitalize on her infamously restricted vocal ability; while the lyrics - handled by Julia Michaels, Justin Tranter and Selena herself - are genius, featuring bizarre lines like, "But just like the battle of Troy, there's nothing subtle here." There's also no ignoring the amazing music video which paired with the song, in which Selena plays numerous characters, crafting a fun and interesting storyline while giving the song a whole other meaning. There's no denying that this was easily the catchiest song released this year, and although it was ignored by the Grammy's...It was definitely receiving attention elsewhere, as the song is now Selena's most acclaimed piece of work.
5. Dua Lipa - New Rules
Submitted by @Countess
I can't lie: before 2017, I had no idea what the hype over Dua Lipa was about or why Kendall Jenner with voice lessons was getting so much online buzz just for looking pretty and having one decent song (her breakthrough sleeper hit 'Be The One'). But then 'New Rules' came along, and everything changed. Backed by a unique production, the song is one of the best examples of the countdown chorus previously attempted by Brooke Candy and Sia and Beyoncé, and it's structured to pop perfection. The only thing that could have made it better is the music video, which with it's instantly Instagrammable scenes of flamingos by the pool and girl power hairbrushing immediately raised the song to memeable status. This one will be hard for Lipa to beat.
4. Lana Del Rey - Love
Submitted by @Speedy
"I made my first four albums for me, but this one is for my fans and about where I hope we are all headed." That's how Lana Del Rey introduced her latest album Lust For Life, and we couldn't wait to listen to the fan-devoted record. The first introduction to what seemed a new era of Del Rey's approach to music was the lead single 'Love' (initially called 'Young & In Love'), a dreamy song about the new generation of "kids" (as Del Rey calls them in the song) that are mesmerised by the past while surrounded by the future. The only thing that ties them is that feeling of dressing up just to go nowhere because they're "young and in love" - a total shift of perspective for Lana when it comes to the feelings she invests in her songs. There's no characterisation or melodrama here: just a direct approach to a basic human feeling, and a girl with a big bright smile and flowers in her hair, singing happily on the moon, because "it's enough to be young and in love with life".
3. Lorde - Green Light
Submitted by @Countess
Lorde took a break after the release of her 2013 breakthrough album Pure Heroine, and her absence was sorely obvious to some in the pop music world. But when she returned with the resounding 'Green Light' this year, it made the four year wait completely worth it. The perfect comeback single, 'Green Light' begins with a series of bizzarely personal, vulnerable lyrics such as "I know about what you did and I wanna scream the truth/She thinks you love the beach, you're such a damn liar". The build is up gradual, but it makes that explosive moment when the chorus first drops all the more glorious. Channeling the likes of Coldplay and Florence + The Machine, 'Green Light' is a slice of euphoric pop perfection which sees Lorde dancing through the sadness of a breakup, and it's orchestrated to perfection. If you've been looking for a new workout song, I think you might have found one.
2. Kesha - Woman
Submitted by @victorxcx
The last few years have been a crazy journey for Kesha, and as fans we naturally wondered how all these events would influence the sound of her third studio album (the first without Dr. Luke’s production). 'Praying', the first single, is for sure an epic song and a triumphant return; but 'Woman' is the bop that we were all waiting for, and the song that shows that while Kesha has grown a lot she still has that sassy attitude that made us fall in love with her back in the Animal days. Given her background, I'd guess that the meaning of 'Woman' is even more powerful than we can imagine just listening to it on the radio or at the clubs. After all the ups and downs, Kesha is stronger and more independent than ever and I’m definitely here for it. The production is pretty amazing as well: I love how laid-back it is, and my favorite part is the laugh before the second chorus and how it evolves to the flawless bridge. 'Woman' was also confirmed as the second official single from Rainbow so I'm hoping it will get the success it deserves (I’ll be definitely streaming and watching the music video all year long!).
1. Rita Ora - Anywhere
Submitted by @Cypher
A gem from 2017's pop catalogue, Rita Ora sings about finding gem locations "a million miles from LA" with a cherished friend. The beauty of the track is that the subjects referred to could very well be about non-romantic friends. With the world having been through a year of turmoil and natural disasters, this song gives the hope of freedom to the listener for 3 minutes and 42 seconds. The glitched vocals in the chorus give free-range interpretation and emotional fluidity for people seeking a temporary space away from reality. Without having to take a physical vacation, this song takes the listener on a ride through a journey of "fun, a little less fun", and "crowds of empty faces." Running through the woods of Estonia, climbing to a peak in the Alps, roaming the streets of New York, or swimming with sharks off the coast of Cape Town, South Africa, this song has the potential to forever bring you back to those locations long after the trip is over. Take a listen to the song and let your mind roam free.
What was your favourite song of 2017? Let us know in the comments below! And for a trip down memory lane, check out the best songs of 2016 and 2015.
Every year, PHF publishes it's annual list of the best albums of the year; and every year, it becomes a little harder to scrape together enough albums to fill out the list. Over the past decade, the music industry has undergone a period of intense change, thanks in large to the trend of illegal downloads blowing up more than anyone could ever have imagined. Thanks to illegal downloads, as well as streaming services like Spotify, music lovers can now pick and choose the songs they want to listen to without committing to a full album. And with an entire world of music at their fingertips that they must consume, most listeners are now less likely to listen to albums as they are watch music videos and digest tours.
Still, there's always gems if you know where to look for them, and this list has five of the best. Special mentions have to go to Charli XCX's Number #1 Angel and Pop 2, which aside from being mixtapes are just a little too messy and experimental to be included on this list; as well as Aly & AJ's Ten Years EP, which just isn't long enough to be considered an album. Without any further ado, let's go through our list!
5. Demi Lovato - Tell Me You Love Me/Miley Cyrus - Younger Now
This is the first time we've had a tie in one of our Album of the Year lists, and it speaks to the lack of visionary albums that we suffered from in 2017. This year, singles reigned supreme while most artists struggled to create enough pop anthems to form an engaging album experience. Demi Lovato and Miley Cyrus both suffered from this plague in different ways; both had clean, cohesive albums with strong visions, and yet the shtick of each sound wore out after only a few tracks, and neither had any real standouts to allow the albums to rise their albums to legendary status. That's not to say that either of them are entirely bad. In fact, these are the best complete works you'll hear from Demi and Miley, with the former finally finding a blue eyed soul sound that she can channel naturally and clearly, and the latter rejecting the shock tactics of yesteryear for a loving ode to her country roots. What they're missing is, for lack of a better word, that 'X Factor' - that air of spontaneity that can make a good album a great one. Far be it from me to suggest a jazz interlude or a dub-step drop in these traditional-leaning albums, but both could use a little pepping up by a master producer like Max Martin.
4. Kelela - Take Me Apart
Kelela is an artist who has yet to quite hit her stride in terms of public recognition, but it's basically a given at this point that within the next twelve months she'll be well and truly mainstream. It's a feat that's all the more impressive given Kelela's artist bio - the 34 year old singer, who co-wrote all the songs on her debut album Take Me Apart, slaved away for years singing jazz at small cafes before building online hype through her remixes of tracks from the predominantly EDM Fade to Mind and Night Slug labels. Jazz and dance do play a big part in her album, but the most obvious reference in the album is by and large Janet Jackson's The Velvet Rope, which is evoked through the unique fusion of experimental R&B danceable sounds and vibey, emotive vocals. Even if not a total revelation, the album is at the very least a much-needed second coming of the synthy R&B sound popularised in the 90s, and we get the feeling that Kelela will have a lot more to offer in her future endeavours.
3. Lana Del Rey - Lust For Life
Lana Del Rey's first album Born To Die was every hipster's dream for about a week after it was released - but it's follow ups (the too-short Paradise, the inconsistent Ultraviolence and the homogenous Honeymoon) had many wondering whether she would ever recapture the magic she explored on that debut. Thankfully, after years of waiting Del Rey managed to come through with Lust For Life, which borrows from all of her past projects in sound while exploring new territory courtesy of guest artists like The Weeknd, A$AP Rocky, Stevie Nicks and Sean Ono Lennon. The result is somewhat of a mixed bag, as the album jumps around in style between pretty much every track - but it also leads to a great deal of variety and keeps the listener guessing at every turn. Most interestingly, Del Rey also manages to move away from her "sad girl" persona into something somewhat more lively and optimistic, showing real growth in her character and music. We can't wait to see what her next album has in store for us.
2. Lorde - Melodrama
I have to confess that I was never the biggest fan of Lorde when she first broke onto the scene with 2013's Pure Heroine. To me, it seemed as though the public was excusing her lack of ability to craft a decent melody with her age, while simultaneously placing her on a misguided pedestal for her youth. Thankfully, Lorde seems to have grown up quite a bit since 2013, and her music has evolved too. Despite the title, Lorde keeps the overly poetic metaphors and strained vocal snarls to a minimum on Melodrama, opting instead for bizarrely vulnerable anecdotes ("She thinks you love the beach, you're such a damn liar"), anthemic, joyful bursts of confidence ('Green Light') and heavier, simplistically beautiful journal entries ('Liability'). There's still a little too much posturing for my tastes (case in point: where she damns her entire generation in 'Loveless' - "We're L-O-V-E-L-E-S-S Generation" - but Melodrama is a real step in the right direction for the 20 year old, and a long-awaited expression of the potential we've been promised by her record label for years.
1. Kesha - Rainbow
Prior to Rainbow, Kesha hadn't released an album since 2012's Warrior, thanks in large part to an all-consuming lawsuit with her producer and manager Dr. Luke. Even as a fan, I have to confess that I wasn't sure if she'd ever get an album out again at all, if anyone would care when she did, and if it would be as brilliant without the influence of hitmaker Luke. Thankfully, Kesha managed to prove me wrong on all counts - Rainbow doesn't just exist: it's Kesha's best album yet, encompassing all that we love about her poppy party girl persona while also throwing back to her Nashville country roots. Drawing on her very personal experiences with abuse, Kesha explores trauma (the anthemic 'Praying'), forgiveness ('Learn To Let Go') and a reclamation of her own power ('Woman'), with plenty of the fun good time songs she's known for ('Boots') thrown in there for good measure. It's this perfectly struck balance of honouring her past music and persona while still striking forward with a newfound outlook on life which makes Rainbow such an authentic and genuinely affecting album. Rainbow proves that Kesha can do bad all on her own, and that she was right to pursue her long-awaited dreams of making a rockabilly album all along - it just took the rest of the world a little while longer to see it.
What was your favourite album of 2017? Let us know in the comments below! And for a trip down memory lane, check out the best albums of 2016 and 2015.