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    Scrapped: 13 Lost Mariah Carey Videos

    Watch the video version of this article here!

    With a voice like Mariah Carey's, one might wonder why she or her label bothers with any kind of imagery at all. It would have been easy to go down the Susan Boyle route and focus exclusively on Mariah's famously breathtaking vocals, to the exclusion of how she looks; and indeed, it may be that very line of reasoning that accounts for the live performances that double as official music videos for tracks like 'I'll Be There', 'Open Eyes' and 'If It's Over'.

    Luckily for us, Mariah for the most part has gone a different route, appearing to spend as much time on her film clips as she has on the songs themselves. More than showing off her acting chops or developing complex storylines within her music videos, Mariah's clips instead tend to act as a showcase for her image, visually communicating the things that she may have been unable to open up about in interviews. Through her music videos, Mariah has transitioned from an innocent girl next door with wild curly hair in 'Vision of Love' to a chic city girl in 'Anytime You Need A Friend' to a sun-kissed Malibu goddess in 'Honey' and then to an opulent Vegas showgirl in 'Infinity'; and each of these image makeovers has coalesced with pivotal moments in Mariah's life, from her difficult childhood to her abusive marriage to Tommy Mottola to her ultimate escape into adult independence to her childbirth and beyond.

    With such an emphasis on her image, it's understandable why Mariah and her various labels have displayed a level of perfectionism when it comes to her music video output. From video treatments that got to the final stages of planning before being called off to music videos that were completely filmed and edited before being unceremoniously scrapped, Mariah has had at least thirteen different film clips over the years that have been scrapped. In this list, we'll look at all we know about these videos so far, and just what our chances are of seeing them in the future.

    1. Vision of Love

    Mariah's first music video is ingrained in the minds of many who grew up during her prime - which is why it may be shocking to find out that it wasn't in fact her first. According to Rolling Stone, 'Vision of Love' was first filmed in early 1990 on a budget of $200 000, but after the first take failed to impress record label executives it was scrapped. Columbia Records then spent a further $250 000 on a second music video for the song directed by Bojan Bazelli with a brand new plot and imagery, which was released to huge success and became the classic we all know today.

    This major amount of overspending on a totally unknown artist didn't go over well internally, however. One Columbia employee called favouritism, stating that, "The special treatment really upset me" - probably not an unjustified claim given the burgeoning relationship between Mariah and Columbia top dog Tommy Mottola. To this day, no information about the original music video has leaked to the public.

    2. I Don't Wanna Cry

    'I Don't Wanna Cry' was directed by Larry Jordan in 1991 and features Mariah living out her full Tennessee Williams fantasy, exploring a midwestern ranch and running through fields of maize while she broods over her partner. Initially, the video featured several takes in which Mariah's dress creeps dangerously up her thigh, as well as multiple shots of a shirtless male posing seductively in a bed. However, following feedback from the label - who wished to continue to market Mariah as family friendly and innocent - a majority of these scenes were cut, only to be replaced with a sepia-toned setup of Mariah singing in a white dress. Record label interference such as this would later be an instrumental part of Mariah's ultimate divorce from Tommy Mottola and departure from Columbia. The original video went unreleased until eight years later with the release of Mariah's DVD #1's, where it was labelled as the 'Director's Cut'. Mariah herself has expressed her preference for this version, stating in 2015 that the original "really wasn't good" but that "the director's cut is actually a really good video".

    On the home video release The First Vision, which was released just a day after the single's official release, a shorter alternate video was featured. Despite having a similiar sepia tone to the reshot scenes, this video features all new footage of Mariah singing the song while wearing a black top in a recording studio, and features only a 1:40 portion of the full song.

    3. Anytime You Need A Friend

    Like 'Vision of Love' before it, 'Anytime You Need A Friend' is notable for having two completely different music videos: one which was shot and then scrapped, and another which was reshot and released due to Mariah's teams displeasure with the original. The first music video for 'Anytime You Need A Friend' was directed by Diane Martel, who had previously directed the music video for 'Dreamlover' the year before. Like the released music video, it featured Mariah singing in solo scenes and with a choir; but unlike the finished product, this version features a strong medieval theme, with Mariah wearing a long flowing dress while she sings in front of something she debates is a "castle or a fortress". 

    It is unknown why the original music video was scrapped, but fans have speculated that it may be due to Mariah or Columbia Records displeasure with her image in the clip. On the one hand, Mariah's dress in the original music video is quite revealing, with a low bust and a large slit, something that surely would have piqued Tommy Mottola's interest; but on the other hand, the released version is famous for being the first music video in which Mariah appears with straightened hair, in a subtle step away from her "girl next door" persona (and a behind the scenes look at the original video did feature Mariah joking about her "hideous" curly hair). With this video yet to see the light of day twenty-six years later, we wouldn't be surprised if we never got to see it at all.

    4. Underneath the Stars

    'Underneath the Stars' was released as the sixth and final single from the Daydream album in 1996, but it's lack of a music video remained a mystery until 2012. In February of that year, Mariah revealed that she had shot an official video for the track in Europe that went unreleased, with no mention of the video's concept or why it had been scrapped.

    The reasoning behind why Columbia chose not to release the 'Underneath the Stars' music video is unknown, but it's possibly related to a disagreement between the label and Mariah over the single's release at all. This would also explain why the single only received a limited amount of pressings compared to the album's previous five releases. Daydream was Mariah's first album on which she had a modicum of creative control, but the label was still famously reluctant to let her choose her single releases. Controversy over the song would reignite two years later regarding the song's inclusion on Mariah's first greatest hits album - Mariah wanted all of her favourite songs to make an appearance including 'Underneath the Stars', but Columbia only wanted to include the hits, hence their settling on the #1's concept. Mariah would even allude to a disagreement several years later when 'Underneath the Stars' appeared on her second compilation Greatest Hits, with Mariah stating that she "always kind of fought for" the song.

    5. Heartbreaker (Feat. Jay-Z)

    'Heartbreaker' is one of Mariah's most iconic songs, with many fans remembering it's Brett Ratner-directed music video fondly for it's introduction of her raven-haired alter-ego Bianca. With a complete plot, dance choreography and even fight choreography, the video seems to have everything fans could want from a Mariah clip - everything, that is, except for featured rapper Jay-Z, whose verse on the song is instead accompanied by an animated sequence of Mariah acting out his lyrics.

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    Bizarrely, Jay did actually film a relatively elaborate scene for the music video which featured him bathing in a hot tub inside a luxury mansion while Mariah strutted around behind him. However, it was soon discovered that his part in the video would have to be cut due to a contractual agreement with Epic Records, who stipulated that he would not be allowed to appear in a music video for two weeks after shooting the clip for his track 'Girl's Best Friend'. This led Mariah and and Ratner to scramble to create the animated sequence for the video, which alluded to the drama through Mariah's animated persona holding a sign saying "Jay-Z coming in 2 weeks". This version of the video would later premiere during MTV's Making the Video, and can be found online.

    6. Can't Take That Away (Mariah's Theme)

    'Can't Take That Away (Mariah's Theme)' was released as the third single from Rainbow in June of 2000, with a video directed by Sanaa Hamri, who had previously worked on music videos for 'Thank God I Found You' and 'CryBaby'. In an early example of the crowdsourced music video, Mariah asked fans to send in clips of themselves discussing their hardships via her website, a handful of which were implemented into the finished product. The first half of the clip began with Carey lounging in front of her television watching her fan's videos, while the second half featured her throwing open the doors in her apartment to sing on her balcony while the rain poured down around her.

    When the music video was first released, it received immediate criticism from the press. A major complaint was that the captions detailing some of her fans struggles were difficult to read due to their dark colouring against dark backgrounds. Others pointed at the continuity errors in the video's second half, which alternated back and forward between showing Mariah with dry hair and a dry top and showing Mariah with wet hair and a drenched top.

    As a result of the criticism, Mariah rushed back to New York to reshoot portions of the music video with Hamri. While the majority of the footage in the first half remains the same, changes were made in editing to make the captioned text lighter and easier to read. All of the scenes involving Mariah in the rain were also completely scrapped, to be replaced by scenes in which Mariah dances in front of a closed window while the rain pours down outside. Ironically, this would lead to it's own continuity issues, as while her outfit remains the same the apartment in which Mariah dances in is completely different from the one she watched the TV in. Both versions of the video can be found online.

    7. Never Too Far

    'Never Too Far' was released as the second single from Mariah's ill-fated Glitter soundtrack, and continued the downward trend of disappointing releases for Mariah after it's parent album suffered from a release date of September 11, 2001. In large part due to the exhausting workload and disappointing response to the Glitter project as a whole, Mariah suffered a "physical and emotional breakdown" in August of 2001, leaving her in a rehabilitation centre for two weeks and unable to film a music video for the track or promote the project in any way.

    "When I was asked about the video I said, 'I can't do it today'," she would later tell Matt Lauer. "And nobody could accept that answer. And that's when I started to get mad. I was, like, look, I am too fatigued. I'm overly-tired, I can't do it as a human being. And nobody was hearing those last two words — human being. They were used to the Mariah that always says, 'Come on, let's fight, let's go'. They just weren't used to me ever saying no. I never said no before."

    While no video was filmed for 'Never Too Far' - or for the 'Never Too Far/Hero Medley' which was released as a single the month afterwards - a collection of clips from the film was compiled together to form a makeshift music video for the track. While the original treatment for the 'Never Too Far' music video is unknown, the fact that Mariah said "I can't do it today" possibly suggests that the video had a fully-fledged concept and was ready to be filmed when Mariah pulled the cord. 

    8. Through The Rain

    'Through The Rain' was directed by Dave Meyers and filmed in New York in September and October of 2002. One of Mariah's most personal music videos, the clip is loosely based on Mariah's own parents experiences with racism at the time of her conception. Originally, however, the music video was to have a totally different plot, which according to an interview Mariah gave to MTV was changed just days before the music video was shot.

    Quote

    Originally it wasn't going to have anything to do with that, but people were looking through my photo albums this year. My father and I had made some photo albums together of his relatives and different people in the family. A couple people saw [the albums] and they were like, 'This is amazing that you have this.' I guess everybody was like, 'How would you feel about this type of concept [for a video]?' So I guess I thought if someone's going to do it might as well be me.

    The change to the plot was so last minute that the actress playing Mariah's mother in the video, Jamie-Lynn Sigler, was only asked to appear in the video several days before shooting. "We just got a call a few days ago and they said, 'You know Mariah would like you to play her mom in her video,'" she told MTV. "I was like, 'What? Okay!' Not a phone call you expect to get." It's currently unknown what the original music video was intended to look like, although given how late the change was made it's likely that development for the video was in close to final stages.

    9. It's Like That (Feat. Fatman Scoop & Jermaine Dupri)

    'It's Like That' was the fourth choice of lead single from 2005's The Emancipation of Mimi. 'Stay the Night' was Mariah's first choice, but that song was shunned in favour of Snoop Dogg and Pharrell collaboration 'Say Somethin'', which in turn was leaked online and briefly replaced by the newly-recorded 'Shake It Off'. Mariah then reverted back to her original decision of Fatman Scoop and Jermaine Dupri collab 'It's Like That', a "special" song that she had a "great feeling" about. By January of 2005 Mariah confirmed to MTV that she hadn't settled on a video treatment for the song yet, but that Paul Hunter - who had previously directed music videos for 'Honey' and 'Honey (Bad Boy Remix)' - was her first choice of director.

    Ultimately, the music video that was filmed the next month was directed by 'I Still Believe', 'Heartbreaker' and 'Thank God I Found You' director Brett Ratner, who would later go on to direct X-Men: The Last Stand, where he would be accused of sexual harassment. Mariah didn't have to wait long to work with Hunter, however - he would later direct the music videos for 'Don't Forget About Us' and 'Say Somethin'' just months later.

    10. Shake It Off

    After being scrapped as a lead single, 'Shake It Off' was later chosen as the third single from Emancipation, to be followed by 'Say Somethin'' as the fourth. Prior to these releases, 'It's Like That' and 'We Belong Together' had been released as the first two singles from the project, notable for two interconnected music videos directed by Brett Ratner which featured a story involving Mariah's ex-lover played by Wentworth Miller. Both 'Shake It Off' and 'Say Somethin'' were originally meant to be directed by Ratner as well, suggesting that they could have originally been intended as extensions of the 'It's Like That' plot.

    However, Carey later chose director Jake Nava for 'Shake It Off', coming up with a new plot for 'Shake It Off' disconnected from the Wentworth Miller saga which focused on her calling out a cheating lover. It's unknown how similiar this was to the treatment that Carey had planned to develop with Ratner, who she did not work with again until three years later on 'Touch My Body'.

    11. Fly Like A Bird

    Mariah Carey - Fly Like a Bird.jpg

    'Fly Like A Bird' was released as the sixth single from The Emancipation of Mimi in February of 2006, but it was only sent to radio in March of that year, less than twenty days before seventh single 'Say Somethin''. While 'Say Somethin'' was serviced to mainstream pop radio stations, 'Fly Like A Bird' received a more limited release and was only sent to adult contemporary and gospel stations, even with critics like Billboard's Tom Ferguson stating that the song was a "classic" and the superior track.

    Despite being released as a single before it, the music video for 'Fly Like A Bird' had still not been shot by the time Mariah was in Paris to work on the clip for 'Say Somethin'' in March of 2006, although MTV confirmed that it would be shot later that month in New York. By early April, however, the video had still not been filmed, with Mariah still actively working on a concept which she was "hoping to keep basic with the main guest stars being her pastor and church choir". "We don't have a lot of time to do it," she said at the time. "It's not a big-budget thing. But it doesn't need to be. It just needs to be about the song, capturing the song and the emotion of it."

    Ultimately, a music video for 'Fly Like A Bird' was never released, and there's no evidence to suggest that any footage for the clip was ever actually filmed. That didn't stop the track from becoming a fan favourite, with Mariah performing it on every concert tour up until 2019's Caution World Tour.

    12. Say Somethin' (Feat. Snoop Dogg & Pharrell)

    'Say Somethin'' had several false starts as a single before it was ultimately released as the album's seventh in April of 2006. At one point, the track was planned to be released in November of 2004 as the lead single from Emancipation, with planning already having begun on a music video. However, after being postponed to January of 2005, the song leaked around it's original release date of November, and ultimately the entire release was cancelled.

    Later, 'Say Somethin'' was scheduled to be released as the fourth single from the album. Like 'It's Like That' and 'We Belong Together', it was meant to be shot alongside third single 'Shake It Off' as a double video directed by Brett Ratner. However, Mariah replaced Ratner with Jake Nava for 'Shake It Off' shortly after planning begun, coming up with a concept for the track which involved her leaving Voicemail messages to a cheating lover in front of futuristic, stylised visuals. A treatment for 'Say Somethin'' was also developed, with Mariah saying that the two videos included some "really technical" but "cool concepts". Before shooting began, Mariah also confirmed that like the album's first two singles, these music videos would be linked in some way; and that while she was hoping for a "cohesive narrative storyline", she predicted that the videos might end up "having a 'slight' link that only comes across on a subliminal level".

    Ultimately, however, the release of 'Say Somethin'' as the fourth single was scrapped. When it was later released as the album's seventh single a year later, the music video was directed by Paul Hunter, and predominantly featured Mariah seducing duet partner Pharrell in different locations throughout Paris, before he ultimately takes her back to his room. While it's possible that this was one of the "double video" treatments Mariah developed alongside 'Shake It Off', the lack of any real "subliminal" connection between these two videos suggests that this was a new concept entirely. It's currently unknown what any of the other three 'Say Somethin'' music videos could have looked like.

    13. #Beautiful (Remix) (Feat. Miguel & Young Jeezy)

    Mariah Carey waearing a cast.jpg
    Mariah Carey wearing a cast after her rib and shoulder injury at the premiere of The Butler

    While it's not uncommon for many of the videos on this list to feature two versions, '#Beautiful' is one of the rare exceptions which has three. The original and most well-known music video for the track was directed by Joseph Kahn on April 21st and 22nd, 2013, and debuted the next month on the Carey-judged American Idol. In June, a totally different music video was filmed for the Spanglish version of the song, which features Mariah and Miguel rollicking around Capri, Italy.

    The third and most "elusive" of the '#Beautiful' videos was intended to be for the "urban" remix of the track featuring Young Jeezy. Again shot a month later by Carey's husband Nick Cannon, the music video was filmed at Avenue and Artichoke Pizza in Chelsea, New York. Midway through the shoot, Carey suffered an injury which put production of the clip temporarily on hold. "She was in this nice, beautiful gown, heels on and everything, and was kind of on this platform and reached and slipped and fell on her whole side," said Cannon later. "It was pretty serious. Not only did she dislocate her shoulder, she actually cracked a rib, and chipped her shoulder bone". Despite the injury, Mariah continued to shoot the music video.; and even after eventually going to hospital to have her shoulder realigned, she returned to the set early the next morning to complete filming.

    Despite all the hard work and suffering that went into completing the music video, however, no clip was ever released for the '#Beautiful' remix. Mariah confirmed on the 23rd of July that editing on the video had been completed, so it's likely that a final cut does exist; but there has been no word on the video ever being released, or on why it was scrapped in the first place.

    Which scrapped music video would you most like to see from Mariah? Let us know in the comments section down below!



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      9. Gimme More

      Although the final version of the Jake Sarfaty-directed 'Gimme More' is relatively simplistic, featuring a blonde-haired Britney voyeuristically watching a brunette-haired Britney as she pole-dances in a nightclub, the music video was actually in the works for several months and shot over multiple days before being "tweaked with input from her advisers" for it's final release. Notably, the "rebirth" and "vintage"-themed video was said to have been "choreographed entirely by Britney herself," with Brit also being involved "as early as the storyboard process, all the way through to casting and production design, with Sarafty being "handpicked by Britney". Britney was also alleged by OK Magazine to have spent $30 000 of her own money on the music video, with extras being asked to volunteer their time for free so as to save on budget.
      Amongst the deleted scenes include shots of Britney walking down a street wearing funeral garb - some of these shots were leaked in 2011 alongside an alternate cut of the video, although yet others which feature her entering or exiting a limo in this outfit have yet to be seen outside of a leaked behind the scenes photo. Continuing the funeral theme is another behind the scenes photo that allegedly shows a casket in the middle of the nightclub. Another shot in the alternate cut of the video features Britney sitting in a bed alongside a cat - a still posted by Sarfaty on his official website following the video release confirms that there was another outfit change that was shot for this scene. Similarly, yet another still posted by Sarfaty shows Britney pole-dancing in a denim outfit that was not featured in the final cut. There are also stills online that feature Britney completely shirtless, with a rose-like design similar to the pattern on her arm (alongside the snake on her forearm) tattooed over her nipples. A star-like design was also featured on the wall on-set, although it didn't end up making an appearance in the video. Instead, the background featuring silhouettes of James Bond-esque women (who also appeared in the VMAs performance and the 'Piece of Me' video) are references to the logo of fashion brand Lisa Kline.
      Although it has been mostly erased in the final video, the original vision for 'Gimme More' was also meant to feature a strong Elvis Presley influence, which explains Britney's short rendition of Presley's 'Trouble' at the VMAs in the month before the video's release. Britney hired Slim K, a dancer and noted Elvis impersonator, to appear in the music video, and matching drawings of Elvis and Britney were featured on the wall. Following his removal from the video, Slim K stated on MySpace, "Britney took a direction I'm not part of.. and quite frankly got NO idea where she's heading.. not my cup of tea though ... the video is dissapointing in my opinion .."
      10. Piece of Me
      'Piece of Me' was filmed on November 27th and 28th, 2007 and directed by Wayne Isham, who had previously worked with Britney on 'I'm Not a Girl, Not Yet a Woman'. Before the music video was shot, actor Billy Orson (who was cast as a paparazzo in the clip) described a scene to the Spanish-language Jaleouse Magazine in which Britney walks the red carpet. "While passing on a red carpet, she walks with her dancers, poses, and suddenly begins to dance in front of us," the translation reads. "The paparazzi begin to move forward, to push her and at some point she takes out a grenade, which ends up being only a sphere of water. Her and her laughing dancers go into a building, where the video continues." It's possible that this scene was cut due to Britney's fourteen hour lateness to the set, which was confirmed by Isham in 2009.
      In the same 2009 interview, Isham also confirmed that the choreography Britney performs in the bathroom during the song's breakdown was a last minute addition by Spears herself. "She choreographed that last dance at the very end," he confirmed. "She did that on her own and said, 'Let's go for it.'" Additional scenes from 'Piece of Me' can also be found in the international version of the music video, which substitutes many of the opening shots with scenes of Britney wearing a short bob wig and stripping off her jacket. The improved transitions in this version between Britney dancing and the newspapers covering her suggest that this was the original cut made by Isham.
      11. Hot As Ice
      In early 2008, several news outlets with personal connections to Britney began to report that she was planning a music video for 'Hot As Ice' and that she'd been working intensely on the choreography. On January 21st, X17Online reported that several of their photographers had been invited to a party at Britney's house and that she'd voiced her displeasure with the 'Piece of Me' music video, saying, "I don't like the 'Piece of Me' video. The stuff they show of me on TV looks old," - a sentiment she would echo later in the year in a radio interview with Z100. As a result, Britney stated that she'd be taking control of her next music video which would be "something new, something really cool", which the publication confirmed to be 'Hot As Ice'. On the same day, People Magazine reported that Britney had been seen at Millennium Dance Complex, with the dance studio's owner Robert Baker confirming "She is working on the choreography for her song 'Hot as Ice'. She rehearsed an amazing routine with a chair."
      While Britney's rehearsals were briefly paused by her hospitalisation on January 31st, People reported that she returned to Millennium on February 8th and 9th to continue working on the choreography for 'Hot As Ice'. The last confirmation we have of Britney rehearsing 'Hot As Ice' was by People on February 12th, who reported that she had spent around 90 minutes working on a routine for the song after teaching an hour-long dance class to six children at Millennium earlier in the day. 
      Despite her hard work, Britney's efforts to create a music video for 'Hot As Ice' were proven to be in vain when Jive announced that they would be launching a poll on Britney's official website to decide on which single would be the third from Blackout, with 'Break The Ice' receiving 39% of the votes. It's possible that Britney's displeasure over this decision is what led to her refusal to appear in the 'Break The Ice' music video, with Jive being forced to use an animated version of the star instead. Britney's original concept for 'Hot As Ice' was never revealed, and her chair choreography for the song hasn't been seen on any tour since.
      12. Radar
      Due to contractual obligations with producers Bloodshy & Avant, a single release and music video for 'Radar' was always planned from the time of it's original inclusion on the Blackout album, with songwriting group The Clutch suggesting that it was at one point meant to be the album's third single. Following strong digital downloads for the song that led to it peaking at #52 on the Billboard Hot Digital Songs Chart and #7 on the Billboard Bubbling Under Hot 100 chart, Sony confirmed 'Radar' as the fourth single from Blackout and sent out CD singles to certain countries in July of 2008, including Sweden (where it peaked at #8) and New Zealand (where it peaked at #32).
      To supplement the song's release as a single, Britney's manager Larry Rudolph confirmed in June of 2008 that she would be filming a music video that month in England. "The theme is her and her girlfriends are going to be looking all around London trying to find a boy who she met in a club," he told the New York Post. "Every time they think they have him, it's someone else." Following reports that Britney would be directing the music video, Rudolph further clarified that she would be co-directing, saying "She will be behind the camera as much as possible; she wants to make sure it's exactly right."
      Despite Rolling Stone seemingly confirming that the video was in fact shot later that month, nothing more was heard from Britney's team regarding it and the 'Radar' single release was scrapped when Britney began recording Circus sooner than expected and Sony wanted to move on from the controversies surrounding the Blackout era. Ultimately, the song was remixed and added to Circus as a bonus track and a new music video was shot in May of 2009 with Dave Meyers in order to fulfil Britney's contract with Bloodshy & Avant, and no more details about the original music video have ever been released. 
      13. When I Grow Up
      Following the news that she at one point conceptualised a whole diss album about them, fans were surprised when it was announced that Britney was set to make a cameo appearance in the music video for The Pussycat Dolls' comeback single 'When I Grow Up', directed by frequent Britney collaborator Joseph Khan. "In the scene shot [Wednesday], Britney is driving in a car. They all wave at each other as they are passing in traffic — that is it," a source told Us Magazine. "Of course, Britney looks hot and blonde."
      Ultimately, the scene didn't make the music video's finished version, with lead Pussycat Dolls singer Nicole Scherzinger confirming that the cut was due to a continuity error. When asked about the deleted scene in a radio interview with Ryan Seacrest, Scherzinger stated, "We were on a seperate location, so we didn't even get to shoot together, so like, her eye line and our eye line were like, staring at each other's boobs and foreheads, and it just didn't, it just didn't work out."
      14. Circus
      The 'Circus' music video, directed by Francis Lawrence, has many alternate cuts, some of which can be seen in the version of the video used in All Star Saturday Night promos. However, the most significant deleted scenes involve Britney walking a tightrope with a miniature umbrella while wearing a pink bustier and a multi-coloured skirt. While these scenes have never been officially released in HD, fans quickly spotted behind the scenes footage of her filming them in the 'Circus: Making The Video' featurette.
      15. If U Seek Amy
      'If U Seek Amy' was always going to make for a controversial music video, but the version that fans received in October of 2009 is actually toned down compared to the initial video concept conceptualised by 'My Prerogative' director Jake Nava.
      In February 2009, the video concept and storyboard stills for the song leaked were leaked by StarzLife, and detailed a party in which Britney goes from "wearing a super sexy pair of black leather underwear and dancing around provocatively with “all of the boys and all of the girls”, to putting on a new face and looking like a primp and proper conservative upper class housewife". The leak described the apple pie scene in detail, before claiming that the video was meant to end with Britney winking into the camera. While the final version of the video loosely follows this setup, Britney was more covered up throughout the opening half of the final version, and her transformation into Stepford Wife-ney was sudden rather than gradual. Furthermore, the Fox News-esque scenes which bookmarked the beginning and end of the finished product went unmentioned, suggesting that these were later additions.
      In a more minor change, X17Online reported that the front door of the house that Britney emerges from at the end of the video allegedly originally displayed a red heart reading "I Love You" in large letters. It is unknown why this was removed from the final cut.
      16. 3
      Following the release of the directors cut of '3', Rolling Stone writer Daniel Kreps commented that the original version "was essentially filmed and edited in the matter of days to coincide with The Singles Collection release", and that the directors cut "seems to find a better cadence with the music". It's possible that the rushed nature of the original video is the reason for several deleted scenes featuring Britney with her hair in a bun and alternating between two all black outfits which were not shown in the original video. These scenes were restored in the director's cut version of the music video.
      17. Hold It Against Me

      'Hold It Against Me' was directed by Jonas Åkerlund in early January 2011, and features at least one deleted scene. In teasers released before the video's February 17 premiere, eagle-eyed fans can spot a shot of Britney wearing a white shirt with black and red hot pants surrounded by backup dancers. While some scenes from this set-up do appear in the final music video, they are displayed only in extremely quick cuts and only in black and white. It's unknown why the majority of these scenes were cut from the final version.
      Prior to the video's release, choreographer Brian Friedman also teased several details from the music video in an interview with MTV which did not make the video's final cut. Along with confirming that the music video was initially meant to feature ten male backup dancers (the finished product featured only six), Friedman also simply stated "I love nudity," when asked what his favourite part of the video was. Ultimately, there was no nudity from either Britney or her dancers in the final cut of the video.
      18. TBA (David LaChapelle Directed)
      David LaChapelle, who had previously worked with Britney for 'Everytime', mentioned in an interview in January 2011 that he wanted to work on the music video for the second single from Femme Fatale and that he planned to use designs from Heidi.com as outfits. While Heidi.com designers were excited about this prospect, it was also specifically mentioned that, "There's still a lot of administrative stuff to be done," and that "David LaChapelle has to send his concept for the video to Britney's managers."
      19. I Wanna Go
      The music video for 'I Wanna Go' was filmed in LA and directed by Chris Marrs Piliero. Several hours ahead of the music video's premiere, Britney posted two images of her in a red dress on her Facebook page, along with the caption, "So excited for you all to see the music video for ‘I Wanna Go’ tonight at 12am PST!" Ultimately, the scenes involving the red dress were not included in the final music video, despite Britney's official website confirming that they were stills from the shoot. It's unknown why these scenes were scrapped.
      20. Work Bitch
      Like 'Don't Let Me Be The Last To Know', the Ben Mor-fronted 'Work Bitch' originally had a raunchier cut that was scrapped in favour of a less mature version. This time, however, it was Britney herself who was pushing for a more tame video. “Oh my god, we showed way more skin and did way more stuff for the video then what is actually there," Britney stated in an interview with The TJ Show. "Like, I cut out half the video because I am a mother and because, you know, I have children, and it’s just hard to play sexy mom while you’re being a pop star as well. I just have to be true to myself and you know, feel it out when I do stuff.”
      While a raunchier cut of 'Work Bitch' would be more than welcome, it was later confirmed that the sexier scenes that were cut from the final music video didn't actually involve Britney at all. In an interview with MTV, Mor stated that anything that Britney found too racy didn't involve her or her costuming, and said that "It was easy to make a racier cut only because of the extras and the cutaways".
      21. Perfume

      The 'Perfume' music video was directed by Britney mainstay Joseph Kahn and filmed over three days from November 19th to 21st in 2013 in the California desert. It depicts Britney as one of two women vying for the attention of their lover, played by Alexander Kjellevik. Prior to it's release on December 10, Kahn Tweeted that the released video was "extremely different" from his original edit, further stating that Britney's performance in it was "unbelievable". He would later say that the original cut was a minute longer, and that it featured a "shocking" ending.
      Following several months of pressure from fans to release the original 'Perfume' music video, including an online petition addressed to RCA, the music video's original concept was leaked in July of 2014 on Britney fan-site Exhale.
      Kahn himself would later confirm the validity of this concept, but remarked that he changed the shots of Britney disintegrating towards the end during filming to keep the music video "more grounded". It is currently unknown what the "shocking" ending Kahn alluded to would have entailed. He further confirmed that the song would have stopped playing at the moment Britney realises that she is being asked to kill her lover, most likely accounting for the one minute of additional runtime that Kahn's cut would have had.
      While it can't be confirmed, it's probable that the wire ring described in the original concept is the same one Britney gave to her partner in the final cut. The released version of the video also features a shot of Britney in the bathroom reacting to a phone (implied to be her lovers) as it receives a message from someone named Cindy. It's likely that the original context of this shot was Britney learning about her next assassination, and that the contents of the message were changed in post-production.
      Although RCA never gave a reason for their cancellation of the music video, Kahn speculated that it had to do with Britney's upcoming Vegas residency and her label's desire to shy away from the dark subject matter. The source which leaked the video's original concept further stated that the label was worried mostly about the killing scenes, possibly due to the negative reaction that 'Criminal' received internationally for it's gun violence. While there are no announced plans to release the director's cut anytime soon, fans did receive some leaked stills which feature a battered and bruised Britney from towards the end of the video in mid-2016.
      22. Alien
      During her I Am Britney Jean documentary, Britney confirmed that she planned for 'Alien' to be released as an upcoming single from the album, but this never came to fruition. It's unknown if a music video was ever conceptualised for the track. Similarly, 'It Should Be Easy' and 'Tik Tik Boom' both serviced official remixes and were serviced to nightclubs, but it was later confirmed that neither were considered as singles from the album; it is unknown if they ever were or if music videos were envisioned.
      23. TBA (Chris Applebaum Directed)
      Following their discussion of the original concept for 'Perfume', the same source also mentioned that Britney was planning to release a new "big budget" music video in "late summer/early fall" of 2014. The music video was intended to be directed by Chris Applebaum, who also worked on film clips for 'Overprotected' and 'I Love Rock N Roll'. Ultimately, no other music video ever eventuated in 2014, with Britney's next music video for 'Pretty Girls' in 2015 being directed by Cameron Duddy.
      24. Make Me... (Feat. G-Eazy)

      On June 2nd of 2016, E! News reported that Britney was in the midst of filming the music video for her comeback single 'Make Me...' and that it was set to be directed by former 'Everytime' collaborator David Lachapelle. Britney also posted behind the scenes photos of her making the video on her Twitter, including a shot of her with guest rapper G-Eazy, a photo set of her with an unidentified male model, and a final photo of her surrounded by sixteen half-naked male backup dancers. A low-quality minute long clip of the music video would also go on to leak in mid-July, featuring Britney and her dancers performing choreography in a warehouse-like scene and shots of Britney in a cage covered in sparkly red body paint.
      Despite this, when Britney spoke of the music video to Australian radio station 104.1 2DayFM later that month, she described a video that seemed to be entirely different from the one teased to fans. "The video that I just shot is me and all my girls. We're making guys audition for us," she stated. "The whole theme is us basically playing with them. It's really kind of fun and it's interesting." When the video was finally released in early August, almost all traces of the original David LaChapelle concept were nowhere to be seen and the new director was confirmed to be Randee St. Nicholas.
      While there was never any official confirmation, multiple fan theories exist as to why the LaChapelle version of the video was scrapped. Early reports simply stated that Britney thought the video was "too sexy"; while Britney's manager Larry Rudolph responded to a fan petition to release the music video by saying "The video just didn’t work", a sentiment echoed by LaChapelle in 2019 when he commented, "The video/song wasn’t released because Britney didn’t like it." Some fans have suggested that the music video was scrapped due to a disagreement between Britney and LaChapelle, due to a behind the scenes video from the set of his cut that featured Britney calling the director an "asshole" and saying "I don't like it" (although it's impossible to tell whether or not this was in jest).

      Still, allegations of Britney being unhappy with the video's concept or raunchiness seem strange given how involved she was in the concept. In particular, Britney specifically requested that LaChapelle shoot her in the cage to create one of the video's most explicit moments, a possible nod to her ongoing conservatorship. "The only direction Britney ever gave me for this video is for me to film her in the cage," LaChapelle stated when discussing his support for the #FreeBritney movement. "At the time I didn’t understand why would you want to be filmed in a cage? At first I envisioned to film her as a tigress, but she wanted to be filmed more timid, like a kitten. For everyone on my team, at least, we could tell something was off.”
      A version of the music video containing scenes shot by LaChapelle leaked in 2019 and extensively featured this scene. The video also featured a loosely biblical plot which followed Britney and her lover leaving a music video shoot to drive through the desert and arrive at their home, only to find an eviction notice on the door from "Eden Jurisdiction #1" for "Adam" and "Eve". After resuscitating her lover after a near-death experience, he and Britney demolish the house using a crane.
      Despite the fact that it utilised the scenes he shot with Britney, however, LaChapelle would later confirm that this leaked version of the video was not the full extent of his original concept, but a cut created by RCA. "This is some of my footage, this is not my edit," he stated, before insinuating that her record label had released the leak as something of a distraction for fans. "I find it very suspect that the video was ‘leaked’ while Britney was 'away.'" LaChapelle's statement adds credence to the idea that the video was scrapped after relationships between himself and RCA broke down, an idea first suggested by fans when they noticed that he had refused to give the label his footage with G-Eazy, forcing them to use watermarked copies in the official video.
      Fans have further speculated that the original cut of the video was over ten minutes long and featured scenes that still have yet to leak. In their exclusive behind the scenes look at the LaChapelle version of 'Make Me...', E! also posted a video interview with Britney in which she wore black boots and a nude leotard with black detailing, which was not depicted in the leak. The next day, a video leaked from the set which depicted Britney in the crane with backup dancers on top of it, another scene which didn't appear; and the Lachapelle-shot single cover, which features Britney wearing white in the desert, is also rumoured to be taken from a scene in the video. Given the tense relationships between all parties involved, it's unlikely that LaChapelle's original length cut will ever be seen.
      Which scrapped music video would you most like to see from Britney? Let us know in the comments section down below!
    • By Skinny Legend
      “I don’t know her.”
      It was the throwaway sentence - delivered with seeming sincerity, a simpering smile and an innocent nod of the head that was either sarcastic or supportive depending on interpretation - that went on to become one of the Internet’s first real memes. Mariah Carey’s simple proclamation, in response to an interviewer's question about Jennifer Lopez, is one of the finest textbook definitions of shade that anyone could ever ask for.
      And yet, behind those four words is a world of pain, heartbreak and jealousy that most people know nothing about. It’s a world that reads like something straight out of a telenovela, populated by characters like a long-suffering wife, a controlling patriarch, and a young ingenue who tears them apart. This is the real story behind the infamous Mariah Carey and Jennifer Lopez feud.
      Our story starts with an 18 year old Mariah Carey, who with her classically trained operatic voice and long tousled curls had big dreams of being a superstar. In 1988, Carey found her way into a record label executive's gala, where she handed her Ben Margulies-produced demo tape over to the head of Sony Records Tommy Mottola. Carey and Margulies would later go on to have a meeting with Mottola, who, believing that Margulies was Carey’s boyfriend, made it his mission to push him out of the picture as he signed her to a $350 000 recording deal for ten albums.
      Mottola quickly took a large hand in Carey’s career, to the extent that it was said that the two were barely ever seen without each other. Later in life, Mottola would admit that he was “obsessive” when it came to Carey, but with the caveat that “that was the reason for her success”. Rumours of a romance began to fly about the 39 year old married man and his 18 year old muse, and it wasn’t long before they were proven to be true; Mottola proposed Carey in 1992, two years after her first album release and only shortly after the dissolution of his nineteen year marriage.

      Carey and Mottola at their $500 000 wedding ceremony in 2003
      Sadly, the marriage was not to be a happy one. Carey suffered from non-stop reports of favouritism, with more than one reporter suggesting that she had married Mottola only for his connections. Even more troubling was the fact that Carey, who had never been in a serious relationship prior to Mottola, was facing emotional abuse almost daily by her husband that left her "miserable, crying, and alone" and dreaming that someone would "kidnap" her. Carey would later recount that she was forced to remain "sequestered" from the outside world by Mottola, and that she had to "get permission to leave" the house. “He didn't even know why I always had my bag with me,” she would say years later. “But in my mind I thought, 'If something jumps off...I'm ready.'”
      Although Carey finally managed to escape her marriage to Mottola in 1997, that wouldn’t be the end of their relationship. After all, Mottola was head of Sony Records, and still wielded great power over her career. After some conflict over the direction Carey's career would take, Butterfly was released in late 1997, introducing the sexy image and breathy vocals that would become her signature in later years. But by the time Rainbow - the last album Carey would record for Sony - was released in 1999, her relationship with the label had completely deteriorated. The label wanted a big pop song to be released as the third single to heat up the lukewarm radio play for the album, but fittingly Mariah wanted 'Can't Take That Away (Mariah's Theme)' - a ballad about finding your inner strength based on her seperation from Mottola - to be released instead. She told her fans about the dispute and instructed they request the song on radio to force Sony into an official release, which they eventually did only half heartedly and with a limited promotional budget.
      Carey would soon sign a record-breaking $100 million contract with EMI, but money couldn’t buy her happiness. By 2001, Carey had begun work on a semi-autobiographical film called Glitter, and the film and it’s accompanying soundtrack had created a workload that she couldn’t sustain. After breaking up with her boyfriend of three years Luis Miguel, Carey began posting disturbing voice messages on her official website announcing that she would quit music. An erratic appearance on Total Request Live in which Carey handed out ice cream and performed a striptease for Carson Daly did nothing to help her public image. And meanwhile, Mottola back at Sony was doing everything he could to destroy her.
      Mottola had first discovered Jennifer Lopez in 1997, when she was fresh off the heels of her star turn in Selena and sending Spanish-language demos to various record labels. By this point, Mottola had recently separated from Carey, and it seemed his self-proclaimed “obsession” with her had been transferred to Lopez. Mottola sent J. Lo to the top of the charts with On the 6 and the international smash hit 'Waiting for Tonight', but he wasn’t done yet.
      Lopez’s sophomore album J. Lo was released in 2001, and it featured a song entitled ‘I’m Real’. The song sampled Yellow Magic Orchestra’s ‘Firecracker’ - a song which strangely hadn’t been requested for sample at all up until three weeks before it's recording, when Mariah Carey had requested to use it for her song ‘Loverboy’.
      This was a deliberate ploy by Tommy Mottola to sabotage Carey’s ‘Loverboy’ release, which was already scheduled to be the first single from the Glitter soundtrack and an instrumental part of the film itself. Unable to reshoot the scenes containing 'Loverboy', Mariah scrambled to find a new sample to base it on, settling on Cameo’s ‘Candy’. However, she would go on to release a single remix of 'Loverboy' with Da Brat which utilised ‘Firecracker’ in the melody, with Da Brat rapping, “Hate on me much as you want to/You can't do what the fuck I do/Bitches be emulating me daily.”
      This wasn’t the only way in which Mottola undercut Mariah’s Glitter campaign. Mariah had recorded a track called ‘If We’ for the project with Ja Rule, which was his first foray into R&B. Irv Gotti would later recall that shortly after the record was finished, he was contacted by Mottola “obscenely early” in the morning and instructed to make a collaboration for Jennifer and Ja Rule "in the same style" of 'If We'.
      “He calls me because he found out that me and [Ja] Rule cut a record with Mariah Carey,” Gotti would later say. “And at the time he hated Mariah Carey. So he was pumping Jennifer Lopez to compete.” Mottola even loaned Gotti the company jet to ensure that Ja Rule, who was on tour at the time, would be able to film scenes for the music video for this collaboration. Gotti worked with Ashanti and Ja Rule to craft ‘I’m Real (Murder Remix)’, which was released shortly after to huge success and which sounded more than a little similar to ‘If We’.
      While J. Lo topped charts, Mariah began a downward spiral which started with the lukewarm reception to ‘Loverboy’ and only continued when the Glitter soundtrack was released on September 11th, 2001 (yes, that September 11). Matters only got worse when her father, who she had had little contact with since childhood, died of cancer, and she was bought out of her contract with EMI for $50 million.
      Despite this, Carey didn’t speak about the situation between her, Mottola and Lopez publicly until some time later. Speaking to MTV about the ‘Firecracker’ fiasco in 2002, Carey stated “Let's just say they did me a favor. And they know who they are. And thank you, sweetie. And your friend who did it with you!" The infamous “I don’t know her” remark wasn’t uttered until an interview on the shoot of 'Bringin' on the Heartbreak' in 2003, when Carey had clearly moved from sadness onto pettiness; and since then it’s been reiterated many times in many different ways.

      Which leaves us wondering: will this story ever have a happy ending for Carey and Lopez? Carey’s annoyance towards her manipulative ex-husband’s new plaything was understandable at the time, but this many years on it seems obvious that Lopez was only a pawn in Mottola’s game, and that he was the only one to blame for her career downfall. Lopez, who for her part has alternated between supportive and shady when asked about Mariah, is still on top years later, and we’re sure that Mariah could use some girl power to help her image recover from that New Year’s Eve fiasco. Here’s hoping that in the age of #MeToo and #TimesUp, the two will someday put this feud to rest and come out with an anti-Mottola duet of their own. ‘I Never Knew Him’, perhaps?
    • By Skinny Legend
      In some ways, 2008 was pretty similiar to 2018. A shock candidate had just entered the White House, bypassing Hillary Clinton who people thought was a sure thing. The worldwide economy was still at breaking point, there were still tensions in the Middle East, and global warming was still hugely under-recognised. Betty White was still popular, and O.J. Simpson was still headed straight for priosn.
      But in other ways, 2008 was a completely different time from the one we're now living in. Politically, things were much more liberal - we had Barrack Obama in office instead of Donald Trump - and musically, we were still exploring the genres of folk and rock concurrent with the R&B revival taking place. Trap wasn't even a thing, and Cardi B was swinging on a pole somewhere without a dollar to her name.
      In this list, we'll be looking at fifteen of the biggest songs of ten years ago. Some of them are probably still played at whatever New Year's Eve countdown you listen to, but others will definitely be forgotten gems. Check them out below and let us know what you think in the comments!
      15. Natasha Bedingfield - Pocketful of Sunshine
      I'd always assumed that 'Pocketful of Sunshine' only became a hit in 2010 after it was memorably featured in Easy A; but it turns out the song actually first found it's success back in 2008, when it charted at #5 on the Billboard Hot 100. As Easy A's Olive remarks, 'Pocketful of Sunshine' really is the "worst song ever", but like most of the singer-songwriter style songs released in 2008 it's also incredibly catchy. Prepare for this to  be stuck in your head for the next week.
      14. Jazon Mraz - I'm Yours
      Speaking of annoying singer-songwriter songs, let's take a look back at the breakthrough single from one hit wonder Jason Mraz. Along with Colbie Caillat's 'Bubbly', 'I'm Yours' led the charge for summery, acoustic pop songs to offset the overproduced dance pop on the radio, and it found huge success among the "middle aged women who post Minion memes" crowd. Even though it only hit #6 on the Hot 100, it stayed on the charts for an insane 76 weeks, becoming the longest charting song at the time; and it now holds the honour of being the tenth best-selling digital song of all time in the US. It's easy to understand why, but that doesn't make the song any better.
      13. Jordin Sparks & Chris Brown - No Air
      Remember when people still admitted to listening to Chris Brown songs instead of playing them in their wireless headphones in dark alleys and dead-end streets? 2008 was definitely Brown's year, and he found success not only as a solo artist with 'Kiss Kiss', 'With You' and 'Forever' (all of which have to be strong contenders for the most annoying song ever - this is becoming a trend, 2008), but also with his duet with American Idol alum Jordin Sparks. The song is bang on trend for the year, featuring the same R&B beat which had blown up in 2007 and the icy synths that Timbaland had been pushing for the past few seasons.
      12. Mariah Carey - Touch My Body
      It might be unfair to refer to Mariah Carey as the female Chris Brown, but it's obvious her star has fallen quite a bit in the decade since she released 'Touch My Body'. Back then, MiMi was praised for her frank take on sexuality and her funny self-parodies - such as in the video above, where she seduces her Wi-Fi installation man - but now it seems that she's criticised for trying too hard to be sexy and taking herself way too seriously. Mariah could definitely learn something from the success she back in 2008.
      11. T.I. - Whatever You Like
      'Whatever You Like' is actually the name of two T.I. songs - one Nicole Scherzinger attempt he featured on which was a huge flop, and one solo effort which blew up internationally and effectively launched his career. 'Whatever You Like' was the song of the summer back in 2008, and went on to be the sixteenth most successful song of the decade. It's stood up relatively well over the years, although we have to say that our personal favourite version of the song is Anya Marina's chilled out cover.
      10. P!nk - So What
      Although R&B and hip-hop was huge back in 2008, the power-pop vibe mastered by stars like Kelly Clarkson and Hilary Duff was still grasping on to it's last moments in the sun. Case in point: 'So What', which was the first single from P!nk's Funhouse album, and which marked a huge return to the US charts for the singer after she failed to sell in the country during her I'm Not Dead era. It's sad given that 'So What' is actually incredibly trashy and a shameless cash grab compared to that previous album, with some of the laziest songwriting including lines like, "So what/I'm still a rockstar/I've got my rock moves/And I don't need you tonight". That said, the song is still a P!nk and Max Martin collaboration, which means that it's as super catchy and feelgood as you'd expect from the team that brought you 'U + Ur Hand'.
      9. Flo Rida - Low (Feat. T-Pain)
      There was a time back in 2008 when you couldn't turn on any radio station, visit any shopping mall, or tune into any episode of whatever trashy MTV reality show you were trying to watch without having to endure yet another spin of Flo Rida's 'Low'. Rida has vanished into obscurity in the last few years, but up until then he had a penchant for writing incredibly catchy songs, and 'Low' is no exception. Bolstered by a placement in Step Up 2: The Streets (yes, it was that long ago), 'Low' was such a huge hit when it was released that it went on to become the highest selling single of the 2000s decade. If only someone could explain what "apple bottom jeans" actually are.
      8. Rihanna - Disturbia
      Rihanna was telling us she was a "good girl gone bad" from the time 'Umbrella' was first released, but it wasn't until 'Disturbia' dropped that we actually believed her. 'Disturbia' follows in the footsteps of 'Thriller' in presenting an image of mental anguish, paranoia and anxiety which is nevertheless surprisingly fun to dance to - and in a weird coincidence, it was even penned by future ex-boyfriend Chris Brown, who clearly had is own issues with mental anguish. With one of the catchiest executions of "bum bum be dum" ever created, 'Disturbia' also happens to have one of the best music videos Rih's ever released, featuring tarantulas, wolves and S&M eyepatches. It's a total classic that still makes our Halloween playlists to this day.
      7. Madonna - 4 Minutes (Feat. Justin Timberlake)
      Madonna is one of the few artists who's probably had a hit no matter how many decades back you go, but back in 2008 it had been a while since she'd released a true chart topper. Everything changed with '4 Minutes', a Justin Timberlake and Timbaland collaboration which launched her back into the public's consciousness. Featuring a call and response chorus and some vague lyrics about the apocalypse perfect for the increased talk of global warming, the song was the perfect way to bring Madge into the future. We just wish she'd been able to be as successful with any of her singles since then.
      6. Sara Bareilles - Love Song
      Following in the trend of Bedingfield and Mraz is Sara Bareilles's 'Love Song', a laidback folky bop which made the perfect easy listening for 2008. The story behind the song is that Bareilles was becoming frustrated with her label's refusal to release her music, so she wrote an archetypal "love song" dedicated to her executives in a passive aggressive attempt to impress them. Regardless of the feud, it seems that both parties won in the end because 'Love Song' ended up spending 19 weeks in the top ten and becoming one of the biggest hits of 2008.
      5. Timbaland - Apologize (Feat. OneRepublic)
      'Apologize' was actually first released as the first single from OneRepublic's debut album Dreaming Out Loud, but when it failed to make waves the band hit up Timbaland for a remix (and an impressive name check) to blow up the radio. The only real thing Timbo added was a much-parodied line of "eh eh, eh eh" background vocals, but that didn't stop the public from eating the new version of the song up - it stayed in the top ten for twenty five weeks which made it the longest song to hang in there so long since 1999.
      4. Alicia Keys - No One
      Alicia Keys' 'No One' is probably the quintessential song of 2008, combining the Timbaland style of R&B, the OneRepublic style of acoustic rock and the Jordin Sparks brand of irritation into one fusion of a track. The fact that everyone in the world thought they could hit the high notes that Alicia masters just made matters worse. Nevertheless, 'No One' became the most listened-to song on US radio in 2008 with over three billion listeners, while also becoming one of the best-selling singles of all time.
      3. Katy Perry - I Kissed A Girl
      It's weird to think that just ten years ago nobody knew who Katy Perry was, and that the world's first introduction to the heretofore Christian pop star was a song all about flirting with bisexuality (something we're sure she'd be too "woke" to do now). 'I Kissed A Girl' has to be one of the most manipulative, disingenuous and trashy songs ever written, but thanks to the stylings of super producer Dr. Luke (there's another sentence that just wouldn't be written in 2018) it managed to become a hit anyway, topping the charts for seven weeks in a row. If nothing else, it launched the career of Perry (who, after all, brought us 'Teenage Dream') and it added to the conversation surrounding LGBTQ rights, so it can't be all bad.
      2. Leona Lewis - Bleeding Love
      If you've ever had a break up, you'll be all too intimately familiar with this song and the precise playthrough during which your tub of ice cream begins to run out. 'Bleeding Love' is the quintessential heartbreak song - heartfelt and wrenching, and with a climactic note which no one can actually hit during karaoke but which everyone tries to. There's clearly a lot of sad people in the world, too, because the song hit #1 in 35 countries. Sadly, it's a success Leona has never quite been able to match - while the follow up 'Better In Time' was moderately well received, every single since has been a flop, at least outside of her home country of the UK.
      1. Coldplay - Viva La Vida
      Before Coldplay was being unnecessarily bashed for their Super Bowl Half Time Show performance in 2016, they actually enjoyed a successful career which largely climaxed with the release of 2007's Viva la Vida or Death and All His Friends. The titular single from the album was 'Viva La Vida', a rousing, grandiose statement of glorious intent for the rest of the album which never fails to put a smile on people's faces or a tear in their eye. With references to love, death and war, 'Viva La Vida' really has it all, and it succeeded not just as a onetime popular single but as an enduring testament to the band's legacy.
      What was your favourite song of 2008? Let us know in the comments! And for a trip down memory lane, check out the ten biggest hits of 2007 here.

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Since our start as a blog called #PopHatesFags in 2012, PHF has consistently provided you with the latest pop culture news and hottest new releases. Join us as we analyse everything pop culture, build new friendships, and discuss the latest news and tracks exclusive to #PopHatesFlops!

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