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  1. Why did I not hear anything about this until today? I'm actually pretty excited for this if it's true, although I can't imagine what kind of song they would release in 2017! They didn't mention Carmit in the article but I know her and Nicole were seen at a dance workshop together earlier this year so I can definitely imagine her joining as well. Let's just hope that all of the girls have singing parts this time and we don't get another 'Pussycat Dolls (Feat. Nicole Scherzinger)'...
  2. Watch the video version of this article here! In theory, Nicole Scherzinger has everything it takes to be the world's biggest popstar. She's undeniably stunning, has a versatile voice that can belt out Whitney just as well as it can lilt over opera or spit out raps, is well known for her provocative dance skills and judging by the sheer volume of reality shows she appears on seems to have a strong work ethic. And yet since her start in the entertainment industry back in 1999, it seems as though Nicole has suffered through setback after setback. From the short-lived girl groups Eden's Crush and The Pussycat Dolls; to the three different attempts at a debut solo album; to the continuous record label contracts signed, scrapped and switched, it seems as though the stars have never quite aligned for her. And yet, Scherzinger seems to be one of those people who has a good name in the industry; for try as they might, she just won't seem to go away. Whether she's popping up on one of her many editions of The X Factor, filling in as musical talent on Neil Patrick Harris's variety show or cameoing in Men In Black, Nicole always finds a way to maintain her public presence even when her record label fails her - and apparently, it does so regularly. For since she's debuted as a solo artist, Scherzy has had at least six hits that we know of that she or her label have let slip through her fingers. Whether she was simply too "busy" to record them, was suffering from endless album delays thanks to her label or because she had crises with her public image, Nicole has regularly passed on tracks only to have them go on to be successful releases at the hands of other artists. Check our list after the jump to see just what we could be missing out on! And keep in mind that excluded from this list are all the hits Nicole could have had if she'd joined The Black Eyed Peas - it goes without saying that her versions of 'My Humps' or 'I Gotta Feeling' would have been amazing. 6. Lady Gaga - Just Dance (Feat. Colby O'Donis) Nicole and Lady Gaga were often linked both through their involvement with Interscope Records and their ongoing work with RedOne, with Gaga even opening for the Pussycat Dolls on their Doll Domination Tour in 2009. But Gaga might not have even made it that far had it not been for the success of her lead single 'Just Dance' which propelled her into worldwide superstardom. Weirdly, the song was originally offered to Nicole and the rest of the Dolls back when it was first written, but was turned down for unknown reasons. While we're sure the Dolls could have slayed the track, the possibility of a Gaga-less world is just too much for us to deal with. 5. Jennifer Lopez - On The Floor (Feat. Pitbull) This one was never officially confirmed by Scherzy herself, but around the time 'On The Floor' was released it was rumoured that it had originally been recorded as a demo by Nicole - not a totally crazy piece of gossip given how regularly she was working with producer RedOne around that time. In a weird twist, it was later rumoured that J. Lo had recorded a version of Nicole's single 'Right There', but that an issue with gaining the rights of the song had stopped her from releasing the track at the last minute. While we can't 100% vouch for the veracity of this missed opportunity, it's safe to say that Nicole could have slayed 'On The Floor' and nailed the chemistry between herself and Pitbull. 4. Christina Aguilera - The Beautiful People (From Burlesque) One song you may not have heard of is Christina Aguilera's 'The Beautiful People', a track recorded for the soundtrack to her film Burlesque back in 2010. The song itself was never released as a single, but it's accompanying soundtrack album did manage to hit #18 on the Hot 100 and #1 on the Soundtrack Albums chart, constituting a minor success. Nicole recorded her own version of the song for her debut album which later leaked, but like the rest of that album, it ultimately remained unreleased. It's not all bad, though: Nicole ended up with writing credits on the finished version of the song (along with Ester Dean and Marilyn Manson thanks to a sample oddity), so she at least would have made some coin every time the movie played in theatres or on TV. 3. Dave Audé - I'm Gonna (Feat. J Sutta) 'I'm Gonna' is a cover version of 'I'm Gonna Get You', a 1992 track released by Bizarre Inc alongside vocalist Angie Brown. Nicole recorded her version of the track in 2011 alongside DJ and producer Dave Audé, but the song was never officially released. In a strange turn of events, Audé later reworked his production of the track for release with Nicole's former Pussycat Dolls bandmate J Sutta (known during her time in the group as Jessica). While the song was hardly a commercial success, it did hit #1 on the Hot Dance Club Songs; an ironic feat given that during her time in the group Sutta often played second fiddle to Scherzinger, who later in her career was struggling to even get her album released while Sutta scored #1 hits. 2. Gnarls Barkley - Crazy Possibly the strangest of all the songs Scherzinger has turned down, 'Crazy' was the Gnarls Barkley song which won a Grammy Award in 2007 and which was at one point so successful and overplayed that the band decided to remove the single from music stores so that people would "remember the song fondly and not get sick of it." Nicole was offered the song during sessions with Cee-Lo which also spawned 'Don't Cha', but refused the song for unknown reasons. While the song was a huge hit at Gnarls Barkley's hands, we have to wonder whether a Nicole version would have been as successful: it doesn't quite fit her sex kitten image and we're not quite sure she could pull off the mysterious persona that made the song popular. 1. Rihanna - We Found Love (Feat. Calvin Harris) In an interview with Notion magazine, Nicole confessed the most sinful of all sins: that she'd passed on one of the biggest songs of 2011 and an iconic hit for Rihanna, the Calvin Harris produced 'We Found Love'. "I've got the demo of that song and I was busy at the time [it was sent to me]", she mentioned in the interview. "They'd sent me a few dance tracks and I wasn't able to get to them and I was like, 'Oh there's so much dance and I want to take a break from it.' That was my fault. I slept on it." Of course, she's not entirely alone with her regrets on passing on the track - fellow The X Factor UK star Leona Lewis can keep her company, after she scrapped her recorded version of the song due to a desire to release her Avicii collaboration 'Collide' as the lead single from her Glassheart album instead. It's a shame given just how badly both of these girls needed the hit. Which of these songs do you think Nicole would have slayed the most? Would they even have been as successful if she'd released them as singles? Let us know your thoughts in the comments section below!
  3. Skinny Legend

    Interview: J Sutta Takes Centre Stage

    You might not know J Sutta's name, but you almost certainly know her songs. Since her big break came in the form of The Pussycat Dolls, the burlesque troupe turned recording sensation which dominated the 2000s music scene with hits like 'Don't Cha', 'Buttons', 'Stickwitu', 'When I Grow Up' and 'Jai Ho!', Sutta - then known simply as Jessica - has travelled around the world spreading her particular brand of self-identity, confidence and love. Her solo career in music started in 2007, when she featured on two #1 dance hits - Paul Van Dyk's 'White Lies' and Dave Audé's 'Make It Last' - but after scatterings of label conflicts and occasional bops such as the hits 'I Wanna Be Bad', 'Show Me' and 'Again', she only truly came into herself last year when she relaunched herself as J Sutta and released the free mixtape Feline Resurrection for her fans. Composed of offcuts from her debut album, Feline Resurrection turned out to be merely the prelude to the main event, I Say Yes, which was released earlier this month to huge levels of hype and excitement from her fans. Backed by her biggest single yet, 'Forever', I Say Yes is a form of self affirmation for Sutta, who describes the album in two words: "determination and faith". Unsurprisingly for a woman who's spent almost two decades in the entertainment industry, Sutta is a master of her craft, something she proves not only on I Say Yes but also during her live shows, where she struts, shimmies and sings her way through a plethora of dancefloor ready hits. More unexpectedly for a girl who once appeared on stage every night singing "Don't cha wish your girlfriend was hot like me?" she's also a total sweetheart, going out of her way to express her gratitude towards her longtime fans and her devotion to fulfilling the promises she made them ever since we first reached out for an interview. In fact, the party girl persona that Sutta's explored in songs such as PCD diss track 'Feline Resurrection' and the breakthrough hit 'Forever' is offset quite beautifully in her responses which are particularly thoughtful, optimistic and kind-hearted, and backed by a sense of spiritual certainty uncommon in Hollywood. Read on to see exactly what we mean. Hey J! How are you today? Where are you chatting to us from? Hey! Thanks so much for having me. I'm here in sunny L.A! Doing great, thanks for asking. Let's start at the beginning. Most of our readers first came to know about you through your involvement in The Pussycat Dolls, one of the best-selling and most popular girl groups of all time. A few years ago, some of the Dolls started posting photos together on their Instagrams and talking about the possibility of a reunion. Is this something you'd be open to? What would have to change for the group to be functional again? It was such a blessing to be part of such a hugely successful movement. I learned so much from all of the experiences. Right now I am super focused on my solo career and establishing myself as an artist and my goal is to keep growing and getting better as an artist with every release so I can connect with more and more people through my music. It's a really fun process. I'm happy doing what I love and want to stay true to my artistry no matter what. That is what makes me the most happy so I must honor that. Following the disbandment of The Pussycat Dolls, you began working on your first solo album Sutta Pop under Interscope Records, releasing singles such as 'I Wanna Be Bad' and 'Show Me'. A few of our readers want to know what happened with the album, and were wondering if you would ever release it for your fans to enjoy? I'm humbled by the fans everyday. I hugely appreciate the fans who have stuck it out with me from all the way back then. They have witnessed my journey and I love them for their loyalty. They walk with me in every step we take together. The problem is that most of those tracks don't have complete versions and they are dated. They don't represent my best. I have grown so much and I have worked hard to improve my voice and range everyday since then so I wouldn't want anything being released that is not the best representation of who I am today, you know? I also hate letting them down so it's a conundrum! Right now, I hope that they are understanding and enjoy I Say Yes enough to keep them satisfied. I am not where I want to be yet and releasing songs that are not the best of me could create stumbling blocks in my path. I will keep my promise though...one day we will figure it out. You next moved onto Feline Resurrection, a mixtape you released for free online made up of leftover tracks from your debut album. What inspired you to release the album for your fans? Which track was the hardest to leave off the album? I love my fans! I love them for real. Not just in a Hollywood bogus kind of way. I care about them and think about them and want to give to them as much as possible. Making Feline Resurrection was such a self discovery process for me. My team wanted to scrap everything I did and start over right after we recorded 'Forever' but I fought against it and wanted to share my experiences and the experimental sounds of Feline Resurrection with them. To me it was important that they got to know me better and it hurt me that I had to keep delaying the album release so I wanted to at least give them as much music as I could while they continued to support me patiently. After seven years of hard work, your debut album I Say Yes was released earlier this month to rave reviews from your fans. How do you feel now that it's finally out in the world? I am grateful, proud and excited. I know that we took our time to craft something that I can always stand by proudly. There were no compromises and no short cuts. I really wanted to create a narrative of relatable storytelling that makes you feel and makes you dance. Most artists rely on major labels to release albums, and even independent artists often use sites like Kickstarter or IndieGoGo to crowdfund their work. Why was it important to you to do this on your own? What was the most challenging part of releasing the album on a smaller label like Premier League Music? I have freedom and faith (two of my favorite George Michael songs - R.I.P.!) but I am open to partnerships as long as they in no way compromise my integrity. Maintaining that is more important to me than fame or fortune. Being on a small label with a tiny budget means that we can not market the album in the way it deserves. We can not compete with the big machines but we have a product that I believe can compete sonically and artistically. "If you build it, they will come," is one of my favorite quotes. When you do your very best and let go of things beyond your control sometimes you create a space for miracles to happen - people talk and share enough that you might not need the money to push and promote on a big scale. Whatever happens, we are having fun together and doing what we love...the rest is in God's hands. What does the album title and concept represent to you? What would you say is your favourite track on the project? The album title I Say Yes represents never ever quitting. Even when things knock you down, you keep getting up. When doors close you get up and knock again. Once you eventually get through that door it is that much more rewarding and tastes that much more sweet when you get to the other side knowing what you have been through to get there. Determination and faith is what I would sum that title up into in two words. My favorite track changes daily depending on my mood. Honestly, every single one has a special meaning to me. As well as your singing, you're also well known for your amazing choreography which you're very hands on for. Which song from the album are you most looking forward to choreographing and performing live? I can't wait to perform 'Inches Away' with just me and a piano. I've been practicing and learning piano and I'm excited for that as it is new to me. I also can't wait to perform 'Pushed Me'. I think it's going to be a lot of fun with my amazing dancers. The new album has collaborations with the likes of Pitbull, Rico Love and Liam Horne. Who do you feel you had the best artistic chemistry with when recording in the studio? Who would be your dream artist to collaborate with and why? Well Rico and I really got to know one another through this process and I have immense respect for his talent and his principles. He is undeniably a genius. I love Will [Peters] too as we spent a lot of time together and he is a great artist that you should watch out for. Liam is super authentic and has great energy - he is a musical wiz kid! I can't wait to see him put out some great music also. Fuse ODG is already very established as an artist and I love his very positive music. I love the things he stands for too. Of course I was a fan of both Pitbull and Hopsin beforehand so it was amazing to have them guest feature on the album. What can fans expect from you for the rest of the year? Will more singles be released from I Say Yes? Yes. We are working on a repackage with new songs right now so follow my socials for updates! Now that you've ticked releasing your album off your bucket list, what's next for J Sutta? Do you plan on releasing another album anytime soon? An early big break for you came in the form of Ocean Ave., a Swedish soap opera - is acting something you'd want to return to? Anything that I feel nourishes the artist in me and inspires me is on the table. I just want to connect through love and music and art. Are there any last words you'd like to say to your fans? I love each and everyone of you and you mean everything to me. YOU! You keep me going and have made me so strong. I hope I do the same and together we keep rising on this journey in life and keep spreading love. J, thank you so much for a great interview! We're loving your album and can't wait to see what's next in store for you! Thank you so much for having me and for all of your kind support. x J Sutta's debut album I Say Yes can be downloaded by clicking the album cover down below. Don't forget to keep up to date with her on Twitter, Facebook and Instagram!
  4. As the music industry has expanded internationally over the past decade, and the growth of the Internet and it's accompanying ability to bring together fans of niche artists has allowed musical fixations to flourish communally, it's become harder and harder to decipher the true level of an artists fame. Singers who blow up on the underground pop scene by releasing a critically acclaimed EP or co-writing a song for a star can just as easily be dropped from their record label as they can blow up to be the next big thing; and meanwhile, an relative unknown can swoop in from left of field and blow up out of nowhere. Bouncing between B list, C list and D list is former Pussycat Doll Jessica Sutta, whose small but dedicated followings in an assortment of fields has lead to a surprisingly large amount of online hype. While most would know her from the PCD franchise (which included not only hit albums and worldwide tours but also reality TV shows, cosmetics, lingerie and, naturally, a line of dolls), others know her from her EDM hits with Dave Audé and Paul Van Dyk, or from her appearances on shows such as America's Next Top Model. But through it all, from the first note of 'Don't Cha' to the last beat of her new single 'Forever', Sutta's eyes have always remained squarely on the prize as she pushes forward in making a name for herself as a solo artist. Unlike her fellow Dolls Nicole Scherzinger and Melody Thornton, Sutta's music career has never officially taken a true break, instead choosing to drizzle out singles sporadically as she settles on a cohesive and mainstream sound. Amidst rumours of a debut called Sutta Pop, 'I Wanna Be Bad' was released just eight months after The Pussycat Dolls officially disbanded in September 2010; and 2011 brought Sutta's biggest hit to date, 'Show Me', released under the nightmarish Disney-owned Hollywood Records. A RedOne produced single 'Make It Loud' was scrapped after Sutta left the record label, but every cloud has a silver lining; and Sutta's dismissal served to make way for 2013's EDM-tinged jams 'Again' and 'Lights Out', both of which were released under Citrusonic Records. And that's not to mention the collaborations. Of all the ex-PCD singers, Sutta has to have had the most successful line up of features, starting with her two EDM bangers released during her time in the group - 'Make It Last' with Dave Audé and 'White Lies' with Paul Van Dyk. Later, in 2011, she featured on Erick Morillo's single 'Pin-Up Girl' and a pre-'Summertime Sadness' Cedric Gervais' track 'Where Ever U Are', both of which were underground club hits. But it was only with her first release of 2016, 'Forever', that Sutta seemed to be ready to truly break out. Backed by what was a no doubt pricy YouTube-based marketing campaign and her catchiest hook since 'Show Me', 'Forever' is already shaping up to be her biggest hit yet, amassing over a million views on YouTube in the month since it's release - a far cry from the couple of hundred thousand views that precursors 'Feline Resurrection' and 'Let It Be Love' gained. And judging from what Sutta's said on social media, 'Forever' is only the start. Since breaking out as a solo artist, Sutta has recorded over two albums worth of material which has been eagerly anticipated by those following her career - and her fans are about to be rewarded. Unlike most other girls in the flop-pop genre, Jessica is actually following through on the promises she's made, with two projects set to be released in the coming months. Feline Ressurection, which was originally the title of her debut album, has now been reworked as a mixtape to house all the previously released singles and the songs that don't quite make the cut for her album, and Jessica is releasing a new song every week for her fans to enjoy. So far, we've bopped too 'I Tried', a sultry R&B slow jam; 'Miracle', a Cyhi The Prince-assisted synth-pop ballad; and 'FWYH', a bolshy dose of sass in which Sutta tells haters to "fuck what you heard". But Feline Ressurection isn't all fans have to look forward to. Later in the year, fans can expect Sutta's first ever debut album, I Say Yes, which 'Forever' serves as the lead single for. It's a genius and surprisingly generous way of giving long-time diehard fans what they want from her back catalogue while still keeping all her official releases fresh and polished. Sutta may not have made it to the A list quite yet, and it's a stretch to say that she's quite reached the level of a household name. But her dedication to giving her fans what they want and the prolific nature of her tunes allows her to stand out in contrast against other singers who've let fans pay for a non-existent album which has been promised to be released soon for several years. In the midst of artists who simply complain about the pressures of a record label or the difficulties of going indie, Jessica is making a name for herself her own way: and from the sounds of it 2016 is definitely her year.

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