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  1. Hey guys! I decided to share with you some of my covers, and I hope you like them. I'll be posting them in here, and if you have a request, I may try my best to do something with the little I know. I hope you like my artworks! (I've shared some before in other threads, but I may place them here too!) The first I'm sharing with you is for the unreleased debut album by British singer Florrie, presumably entitled Trouble In the Making: I can give you a link for it in HQ, as the forum won't let me upload +1MB files for some reason. This is the version I use for the files tags, so they won't be very heavy.
  2. When Britney Spears received the MTV Video Vanguard Award in 2011, she was praised for her iconic music videos like the schoolgirl-themed '...Baby One More Time', the intergalactic 'Oops, I Did It Again...', the sweaty and sexy 'I'm A Slave 4 U' and the film noirish 'Toxic'. But what went unmentioned was the multitude of music videos that Britney has planned throughout her career that have been cancelled for one reason or another. From music videos that were entirely filmed and edited before being scrapped (such as 'Make Me...') to others which were edited heavily after their themes proved to be problematic (hello, teen pregnancy in 'Born To Make You Happy') to mere concepts that never even saw a day of filming (like 'Hot As Ice'), Britney has had at least twenty four music videos in her career that have been scrapped. In this article we'll look over everything we know about these videos so far, and explore some of the iconic moments that could have been if they'd been released. 1. ...Baby One More Time '...Baby One More Time' is the song that propelled Britney into stardom, and it's music video is an undeniable part of it's appeal - but if it hadn't been for Britney herself, the video could have turned out very differently. Jive initially hired Joseph Khan - who would later go on to work with Britney on music videos for 'Stronger', 'Toxic', 'Womanizer' and 'Perfume - to direct, and he got to the storyboard stage with a sci-fi inspired concept involving 2D animation, monsters and Britney as part of a hero group alternately described as "Power Rangers" or "Transformers". "They had this really bizarre video idea, this animated Power Ranger-y thing," Britney explained in her first ever Rolling Stone cover story. "I said, 'This is not right. If you want me to reach four-year-olds, then OK, but if you want me to reach my age group...'" Ultimately, Jive scrapped the projected $800 000 Khan video and opted to go with Britney's much more simple vision which featured her as a bored schoolgirl dancing with her friends, which was made for around $250 000. Even then, Britney was continually making changes, especially when it came to wardrobe. When director Nigel Dick brought in jeans and a t-shirt for her to wear, Britney instead suggested, "'Why don't we have knee-highs and tie the shirts up to give it a little attitude?' - so it wouldn't be boring and cheesy." Britney ultimately had these pieces purchased from Kmart, and her first iconic outfit was born. 2. Born To Make You Happy Although it can't be confirmed, rumour has it that the original Billie Woodruff-directed music video for 'Born To Make You Happy' was to feature a sleeping Britney dreaming about her ex-lover, with whom she was secretly pregnant. Allegedly, once the idea was leaked to the press and received a negative reception, Jive cancelled the idea and instead went with the dance-heavy version of the video we ultimately received. Interestingly, reviewers have pointed out that the scenes that frame the beginning and end of the video feature a sleeping Britney who appears to be heavily pregnant in at least one shot. It's possible that these scenes, and others involving the same bedroom set and Britney and her lover having a pillow fight, were leftovers from the original music video. 3. When Your Eyes Say It 'When Your Eyes Say It' was originally considered as the fourth single from Oops!... I Did It Again, to the extent that a music video was shot for the song in January 2001. The video was shot by directors Jonathan Dayton and Valerie Faris, who would later go on to direct films such as Little Miss Sunshine and Battle of the Sexes. Ultimately, 'Don't Let Me Be The Last To Know' was instead chosen to be the album's last single, and no elements of 'When Your Eyes Say It' have been seen by the public since it's filming. 4. Don't Let Me Be The Last To Know After 'When Your Eyes Say It' was scrapped, a music video for 'Don't Let Me Be The Last To Know' was filmed in early 2001. Britney was inspired to choose American photographer Herb Ritts as the director following his work on Janet Jackson's 'Love Will Never Do (Without You)'. In February of 2001, however, MTV.co.uk posted a story claiming that, "Britney Spears will re-shoot the video for her next single, 'Don't Let Me Be The Last To Know' because she is unhappy with the final edit." Ultimately, it appears as if the video was not reshot, as the MTV article explicitly states that the original video was shot on a Miami Beach with Ritts in the last week of January and featured a French model - all of which is also true for the released version. Despite this, cuts were made to the music video to remove some of the raunchier scenes. Amidst reports that her boyfriend at the time Justin Timberlake was bothered by her kissing scenes in the music video, The Philadelphia Enquirer reported that Britney's mother Lynne asked for certain shots to be removed from the video to avoid some of the more explicitly sexual content, to which Britney agreed. 5. I Love Rock N Roll 'I Love Rock N Roll' was recorded for the Crossroads film in which Britney stars, before making the tracklisting for her third album Britney as the album's fourth single. Directed by Chris Applebaum, the music video was shot in New York and was one of Britney's raunchiest yet. The raunch factor was pushed to the next level in a director's cut of the video that leaked online which featured Britney licking a puddle of oil from the floor, amongst other unseen shots. These scenes was not featured in the original video, or in the alternate cut that appeared on the Greatest Hits: My Prerogative home release, but can still be found online. 6. Me Against The Music (Feat. Madonna) It's possible that 'Me Against The Music' was originally meant to be directed by Madonna's filmmaker husband Guy Ritchie, known for directing films such as Sherlock Holmes and Aladdin. After People.com first announced his involvement, IMDB confirmed this saying that Madonna will play a "kinky leather-clad dominatrix" and "scary nightclub owner with a string of luscious ladies on leashes" who "lures innocent scantily-clad Britney into a private room filled with other beauties". However, when asked about these rumours at an Italian press conference, Britney stated, "No, that isn't true"; and Madonna's representative Liz Rosenberg explicitly stated, "Guy Ritchie is not directing". Even so, MTV confirmed that there are at least some deleted scenes from 'Me Against The Music'. Describing their first look at the music video, MTV described specifics about it's plot while mentioning "cool kids, flaunting pink and purple hair while taking whiffs from an oxygen tank". While most of the scenes MTV described were present in the finished product, the oxygen tank scenes are nowhere to be found. 7. Everytime Like 'Born To Make You Happy' before it, 'Everytime' originally had a much darker video concept which was altered after it was leaked to the press and received a negative reaction. In March of 2004, MTV reported an exclusive first look at the video concept, which explicitly described Britney dying due to an overdose before being reincarnated in some form, as well as a mysterious final shot. Director David LaChapelle, who had previously shot Britney for Rolling Stone, confirmed later in 2019 that the death theme had been Britney's own idea, saying, “For the video ‘ever time’ [sic] the only direction Britney gave me for the video was that she wanted to die, that she wanted to die in the video." After the press picked up on the video and the suicide concept began to receive negative attention, Britney's team released a statement stating that there was never any intent for her character's overdose to be viewed as intentional and that she had changed the music video to make this apparent. "Britney Spears was uncomfortable with these treatments due to the potential for a fictional accidental occurrence to be misinterpreted as a suicide," said Jive representatives. "Ms. Spears revised the treatment to ensure the video for 'Everytime' will not have a scene in it that could in any way be perceived as a reference to a suicide." Ultimately, the final version of 'Everytime' plays out relatively similiar to its original treatment for it's first half, although the scene in which Britney pours wine from the gift basket was cut. In the final version, however, Britney's brush with death comes from a head trauma presumably caused by her violent interactions with the paparazzi, and all hints towards a drug overdose are removed. Furthermore, Britney walks through a hospital and witnesses a child being born in the final cut of the video, instead of walking past her boyfriend trying to revive her. The final version of 'Everytime' ends with Britney emerging from the bathtub with a smile on her face, as if her death was simply a fantasy; it is unknown if this was the final scene that was planned to appear in the original video. 8. Outrageous Possibly the most infamous of all of Britney's unreleased music videos, 'Outrageous' entered production with full storyboard, plot and choreography planned out with the assistance of director Dave Meyers, who would also direct videos for 'Lucky', 'Boys' and 'Radar' as well as the 'Curious' fragrance commercial. Reports state that filming began on June 8, 2004 and the video was scheduled to be ready for air by June 28 when it would premiere on MTV. Along with making a cameo in the music video, rapper Snoop Dogg was also intended to be featured on a remixed version of the song that would be serviced to radio stations. The song was also intended to be featured as the main theme song for the Halle Berry-fronted Catwoman film. Sadly, after one day of shooting the entire production was abruptly cancelled due to a knee injury sustained by Britney on set. Fans did see some of the scenes, however: a makeshift promotional video was spliced together from the footage that had been shot pre-injury for the Greatest Hits: My Prerogative video tape release, which included Britney walking the streets of New York in a black trench coat, performing choreography alongside her back-up dancers on a wet city street, and playing basketball with Snoop Dogg. Rumour has it that there were at least two other scenes that were initially planned for the music video, although it is unknown if either of them ever progressed past the initial planning stage. One report stated that Meyers wanted Britney to "don a replica Catwoman outfit" for the video, which Britney refused; while another said that the video was to follow Britney "being mugged in New York and Catwoman comes to the rescue". Sadly, with the video's cancellation the song also lost its status as theme song for Catwoman and Britney cancelled all remaining dates on her The Onyx Hotel Tour, marking the beginning of the downward spiral that would occur in years to come. 9. Gimme More Although the final version of the Jake Sarfaty-directed 'Gimme More' is relatively simplistic, featuring a blonde-haired Britney voyeuristically watching a brunette-haired Britney as she pole-dances in a nightclub, the music video was actually in the works for several months and shot over multiple days before being "tweaked with input from her advisers" for it's final release. Notably, the "rebirth" and "vintage"-themed video was said to have been "choreographed entirely by Britney herself," with Brit also being involved "as early as the storyboard process, all the way through to casting and production design, with Sarafty being "handpicked by Britney". Britney was also alleged by OK Magazine to have spent $30 000 of her own money on the music video, with extras being asked to volunteer their time for free so as to save on budget. Amongst the deleted scenes include shots of Britney walking down a street wearing funeral garb - some of these shots were leaked in 2011 alongside an alternate cut of the video, although yet others which feature her entering or exiting a limo in this outfit have yet to be seen outside of a leaked behind the scenes photo. Continuing the funeral theme is another behind the scenes photo that allegedly shows a casket in the middle of the nightclub. Another shot in the alternate cut of the video features Britney sitting in a bed alongside a cat - a still posted by Sarfaty on his official website following the video release confirms that there was another outfit change that was shot for this scene. Similarly, yet another still posted by Sarfaty shows Britney pole-dancing in a denim outfit that was not featured in the final cut. There are also stills online that feature Britney completely shirtless, with a rose-like design similar to the pattern on her arm (alongside the snake on her forearm) tattooed over her nipples. A star-like design was also featured on the wall on-set, although it didn't end up making an appearance in the video. Instead, the background featuring silhouettes of James Bond-esque women (who also appeared in the VMAs performance and the 'Piece of Me' video) are references to the logo of fashion brand Lisa Kline. Although it has been mostly erased in the final video, the original vision for 'Gimme More' was also meant to feature a strong Elvis Presley influence, which explains Britney's short rendition of Presley's 'Trouble' at the VMAs in the month before the video's release. Britney hired Slim K, a dancer and noted Elvis impersonator, to appear in the music video, and matching drawings of Elvis and Britney were featured on the wall. Following his removal from the video, Slim K stated on MySpace, "Britney took a direction I'm not part of.. and quite frankly got NO idea where she's heading.. not my cup of tea though ... the video is dissapointing in my opinion .." 10. Piece of Me 'Piece of Me' was filmed on November 27th and 28th, 2007 and directed by Wayne Isham, who had previously worked with Britney on 'I'm Not a Girl, Not Yet a Woman'. Before the music video was shot, actor Billy Orson (who was cast as a paparazzo in the clip) described a scene to the Spanish-language Jaleouse Magazine in which Britney walks the red carpet. "While passing on a red carpet, she walks with her dancers, poses, and suddenly begins to dance in front of us," the translation reads. "The paparazzi begin to move forward, to push her and at some point she takes out a grenade, which ends up being only a sphere of water. Her and her laughing dancers go into a building, where the video continues." It's possible that this scene was cut due to Britney's fourteen hour lateness to the set, which was confirmed by Isham in 2009. In the same 2009 interview, Isham also confirmed that the choreography Britney performs in the bathroom during the song's breakdown was a last minute addition by Spears herself. "She choreographed that last dance at the very end," he confirmed. "She did that on her own and said, 'Let's go for it.'" Additional scenes from 'Piece of Me' can also be found in the international version of the music video, which substitutes many of the opening shots with scenes of Britney wearing a short bob wig and stripping off her jacket. The improved transitions in this version between Britney dancing and the newspapers covering her suggest that this was the original cut made by Isham. 11. Hot As Ice In early 2008, several news outlets with personal connections to Britney began to report that she was planning a music video for 'Hot As Ice' and that she'd been working intensely on the choreography. On January 21st, X17Online reported that several of their photographers had been invited to a party at Britney's house and that she'd voiced her displeasure with the 'Piece of Me' music video, saying, "I don't like the 'Piece of Me' video. The stuff they show of me on TV looks old," - a sentiment she would echo later in the year in a radio interview with Z100. As a result, Britney stated that she'd be taking control of her next music video which would be "something new, something really cool", which the publication confirmed to be 'Hot As Ice'. On the same day, People Magazine reported that Britney had been seen at Millennium Dance Complex, with the dance studio's owner Robert Baker confirming "She is working on the choreography for her song 'Hot as Ice'. She rehearsed an amazing routine with a chair." While Britney's rehearsals were briefly paused by her hospitalisation on January 31st, People reported that she returned to Millennium on February 8th and 9th to continue working on the choreography for 'Hot As Ice'. The last confirmation we have of Britney rehearsing 'Hot As Ice' was by People on February 12th, who reported that she had spent around 90 minutes working on a routine for the song after teaching an hour-long dance class to six children at Millennium earlier in the day. Despite her hard work, Britney's efforts to create a music video for 'Hot As Ice' were proven to be in vain when Jive announced that they would be launching a poll on Britney's official website to decide on which single would be the third from Blackout, with 'Break The Ice' receiving 39% of the votes. It's possible that Britney's displeasure over this decision is what led to her refusal to appear in the 'Break The Ice' music video, with Jive being forced to use an animated version of the star instead. Britney's original concept for 'Hot As Ice' was never revealed, and her chair choreography for the song hasn't been seen on any tour since. 12. Radar Due to contractual obligations with producers Bloodshy & Avant, a single release and music video for 'Radar' was always planned from the time of it's original inclusion on the Blackout album, with songwriting group The Clutch suggesting that it was at one point meant to be the album's third single. Following strong digital downloads for the song that led to it peaking at #52 on the Billboard Hot Digital Songs Chart and #7 on the Billboard Bubbling Under Hot 100 chart, Sony confirmed 'Radar' as the fourth single from Blackout and sent out CD singles to certain countries in July of 2008, including Sweden (where it peaked at #8) and New Zealand (where it peaked at #32). To supplement the song's release as a single, Britney's manager Larry Rudolph confirmed in June of 2008 that she would be filming a music video that month in England. "The theme is her and her girlfriends are going to be looking all around London trying to find a boy who she met in a club," he told the New York Post. "Every time they think they have him, it's someone else." Following reports that Britney would be directing the music video, Rudolph further clarified that she would be co-directing, saying "She will be behind the camera as much as possible; she wants to make sure it's exactly right." Despite Rolling Stone seemingly confirming that the video was in fact shot later that month, nothing more was heard from Britney's team regarding it and the 'Radar' single release was scrapped when Britney began recording Circus sooner than expected and Sony wanted to move on from the controversies surrounding the Blackout era. Ultimately, the song was remixed and added to Circus as a bonus track and a new music video was shot in May of 2009 with Dave Meyers in order to fulfil Britney's contract with Bloodshy & Avant, and no more details about the original music video have ever been released. 13. When I Grow Up Following the news that she at one point conceptualised a whole diss album about them, fans were surprised when it was announced that Britney was set to make a cameo appearance in the music video for The Pussycat Dolls' comeback single 'When I Grow Up', directed by frequent Britney collaborator Joseph Khan. "In the scene shot [Wednesday], Britney is driving in a car. They all wave at each other as they are passing in traffic — that is it," a source told Us Magazine. "Of course, Britney looks hot and blonde." Ultimately, the scene didn't make the music video's finished version, with lead Pussycat Dolls singer Nicole Scherzinger confirming that the cut was due to a continuity error. When asked about the deleted scene in a radio interview with Ryan Seacrest, Scherzinger stated, "We were on a seperate location, so we didn't even get to shoot together, so like, her eye line and our eye line were like, staring at each other's boobs and foreheads, and it just didn't, it just didn't work out." 14. Circus The 'Circus' music video, directed by Francis Lawrence, has many alternate cuts, some of which can be seen in the version of the video used in All Star Saturday Night promos. However, the most significant deleted scenes involve Britney walking a tightrope with a miniature umbrella while wearing a pink bustier and a multi-coloured skirt. While these scenes have never been officially released in HD, fans quickly spotted behind the scenes footage of her filming them in the 'Circus: Making The Video' featurette. 15. If U Seek Amy 'If U Seek Amy' was always going to make for a controversial music video, but the version that fans received in October of 2009 is actually toned down compared to the initial video concept conceptualised by 'My Prerogative' director Jake Nava. In February 2009, the video concept and storyboard stills for the song leaked were leaked by StarzLife, and detailed a party in which Britney goes from "wearing a super sexy pair of black leather underwear and dancing around provocatively with “all of the boys and all of the girls”, to putting on a new face and looking like a primp and proper conservative upper class housewife". The leak described the apple pie scene in detail, before claiming that the video was meant to end with Britney winking into the camera. While the final version of the video loosely follows this setup, Britney was more covered up throughout the opening half of the final version, and her transformation into Stepford Wife-ney was sudden rather than gradual. Furthermore, the Fox News-esque scenes which bookmarked the beginning and end of the finished product went unmentioned, suggesting that these were later additions. In a more minor change, X17Online reported that the front door of the house that Britney emerges from at the end of the video allegedly originally displayed a red heart reading "I Love You" in large letters. It is unknown why this was removed from the final cut. 16. 3 Following the release of the directors cut of '3', Rolling Stone writer Daniel Kreps commented that the original version "was essentially filmed and edited in the matter of days to coincide with The Singles Collection release", and that the directors cut "seems to find a better cadence with the music". It's possible that the rushed nature of the original video is the reason for several deleted scenes featuring Britney with her hair in a bun and alternating between two all black outfits which were not shown in the original video. These scenes were restored in the director's cut version of the music video. 17. Hold It Against Me 'Hold It Against Me' was directed by Jonas Åkerlund in early January 2011, and features at least one deleted scene. In teasers released before the video's February 17 premiere, eagle-eyed fans can spot a shot of Britney wearing a white shirt with black and red hot pants surrounded by backup dancers. While some scenes from this set-up do appear in the final music video, they are displayed only in extremely quick cuts and only in black and white. It's unknown why the majority of these scenes were cut from the final version. Prior to the video's release, choreographer Brian Friedman also teased several details from the music video in an interview with MTV which did not make the video's final cut. Along with confirming that the music video was initially meant to feature ten male backup dancers (the finished product featured only six), Friedman also simply stated "I love nudity," when asked what his favourite part of the video was. Ultimately, there was no nudity from either Britney or her dancers in the final cut of the video. 18. TBA (David LaChapelle Directed) David LaChapelle, who had previously worked with Britney for 'Everytime', mentioned in an interview in January 2011 that he wanted to work on the music video for the second single from Femme Fatale and that he planned to use designs from Heidi.com as outfits. While Heidi.com designers were excited about this prospect, it was also specifically mentioned that, "There's still a lot of administrative stuff to be done," and that "David LaChapelle has to send his concept for the video to Britney's managers." 19. I Wanna Go The music video for 'I Wanna Go' was filmed in LA and directed by Chris Marrs Piliero. Several hours ahead of the music video's premiere, Britney posted two images of her in a red dress on her Facebook page, along with the caption, "So excited for you all to see the music video for ‘I Wanna Go’ tonight at 12am PST!" Ultimately, the scenes involving the red dress were not included in the final music video, despite Britney's official website confirming that they were stills from the shoot. It's unknown why these scenes were scrapped. 20. Work Bitch Like 'Don't Let Me Be The Last To Know', the Ben Mor-fronted 'Work Bitch' originally had a raunchier cut that was scrapped in favour of a less mature version. This time, however, it was Britney herself who was pushing for a more tame video. “Oh my god, we showed way more skin and did way more stuff for the video then what is actually there," Britney stated in an interview with The TJ Show. "Like, I cut out half the video because I am a mother and because, you know, I have children, and it’s just hard to play sexy mom while you’re being a pop star as well. I just have to be true to myself and you know, feel it out when I do stuff.” While a raunchier cut of 'Work Bitch' would be more than welcome, it was later confirmed that the sexier scenes that were cut from the final music video didn't actually involve Britney at all. In an interview with MTV, Mor stated that anything that Britney found too racy didn't involve her or her costuming, and said that "It was easy to make a racier cut only because of the extras and the cutaways". 21. Perfume The 'Perfume' music video was directed by Britney mainstay Joseph Kahn and filmed over three days from November 19th to 21st in 2013 in the California desert. It depicts Britney as one of two women vying for the attention of their lover, played by Alexander Kjellevik. Prior to it's release on December 10, Kahn Tweeted that the released video was "extremely different" from his original edit, further stating that Britney's performance in it was "unbelievable". He would later say that the original cut was a minute longer, and that it featured a "shocking" ending. Following several months of pressure from fans to release the original 'Perfume' music video, including an online petition addressed to RCA, the music video's original concept was leaked in July of 2014 on Britney fan-site Exhale. Kahn himself would later confirm the validity of this concept, but remarked that he changed the shots of Britney disintegrating towards the end during filming to keep the music video "more grounded". It is currently unknown what the "shocking" ending Kahn alluded to would have entailed. He further confirmed that the song would have stopped playing at the moment Britney realises that she is being asked to kill her lover, most likely accounting for the one minute of additional runtime that Kahn's cut would have had. While it can't be confirmed, it's probable that the wire ring described in the original concept is the same one Britney gave to her partner in the final cut. The released version of the video also features a shot of Britney in the bathroom reacting to a phone (implied to be her lovers) as it receives a message from someone named Cindy. It's likely that the original context of this shot was Britney learning about her next assassination, and that the contents of the message were changed in post-production. Although RCA never gave a reason for their cancellation of the music video, Kahn speculated that it had to do with Britney's upcoming Vegas residency and her label's desire to shy away from the dark subject matter. The source which leaked the video's original concept further stated that the label was worried mostly about the killing scenes, possibly due to the negative reaction that 'Criminal' received internationally for it's gun violence. While there are no announced plans to release the director's cut anytime soon, fans did receive some leaked stills which feature a battered and bruised Britney from towards the end of the video in mid-2016. 22. Alien During her I Am Britney Jean documentary, Britney confirmed that she planned for 'Alien' to be released as an upcoming single from the album, but this never came to fruition. It's unknown if a music video was ever conceptualised for the track. Similarly, 'It Should Be Easy' and 'Tik Tik Boom' both serviced official remixes and were serviced to nightclubs, but it was later confirmed that neither were considered as singles from the album; it is unknown if they ever were or if music videos were envisioned. 23. TBA (Chris Applebaum Directed) Following their discussion of the original concept for 'Perfume', the same source also mentioned that Britney was planning to release a new "big budget" music video in "late summer/early fall" of 2014. The music video was intended to be directed by Chris Applebaum, who also worked on film clips for 'Overprotected' and 'I Love Rock N Roll'. Ultimately, no other music video ever eventuated in 2014, with Britney's next music video for 'Pretty Girls' in 2015 being directed by Cameron Duddy. 24. Make Me... (Feat. G-Eazy) On June 2nd of 2016, E! News reported that Britney was in the midst of filming the music video for her comeback single 'Make Me...' and that it was set to be directed by former 'Everytime' collaborator David Lachapelle. Britney also posted behind the scenes photos of her making the video on her Twitter, including a shot of her with guest rapper G-Eazy, a photo set of her with an unidentified male model, and a final photo of her surrounded by sixteen half-naked male backup dancers. A low-quality minute long clip of the music video would also go on to leak in mid-July, featuring Britney and her dancers performing choreography in a warehouse-like scene and shots of Britney in a cage covered in sparkly red body paint. Despite this, when Britney spoke of the music video to Australian radio station 104.1 2DayFM later that month, she described a video that seemed to be entirely different from the one teased to fans. "The video that I just shot is me and all my girls. We're making guys audition for us," she stated. "The whole theme is us basically playing with them. It's really kind of fun and it's interesting." When the video was finally released in early August, almost all traces of the original David LaChapelle concept were nowhere to be seen and the new director was confirmed to be Randee St. Nicholas. While there was never any official confirmation, multiple fan theories exist as to why the LaChapelle version of the video was scrapped. Early reports simply stated that Britney thought the video was "too sexy"; while Britney's manager Larry Rudolph responded to a fan petition to release the music video by saying "The video just didn’t work", a sentiment echoed by LaChapelle in 2019 when he commented, "The video/song wasn’t released because Britney didn’t like it." Some fans have suggested that the music video was scrapped due to a disagreement between Britney and LaChapelle, due to a behind the scenes video from the set of his cut that featured Britney calling the director an "asshole" and saying "I don't like it" (although it's impossible to tell whether or not this was in jest). Still, allegations of Britney being unhappy with the video's concept or raunchiness seem strange given how involved she was in the concept. In particular, Britney specifically requested that LaChapelle shoot her in the cage to create one of the video's most explicit moments, a possible nod to her ongoing conservatorship. "The only direction Britney ever gave me for this video is for me to film her in the cage," LaChapelle stated when discussing his support for the #FreeBritney movement. "At the time I didn’t understand why would you want to be filmed in a cage? At first I envisioned to film her as a tigress, but she wanted to be filmed more timid, like a kitten. For everyone on my team, at least, we could tell something was off.” A version of the music video containing scenes shot by LaChapelle leaked in 2019 and extensively featured this scene. The video also featured a loosely biblical plot which followed Britney and her lover leaving a music video shoot to drive through the desert and arrive at their home, only to find an eviction notice on the door from "Eden Jurisdiction #1" for "Adam" and "Eve". After resuscitating her lover after a near-death experience, he and Britney demolish the house using a crane. Despite the fact that it utilised the scenes he shot with Britney, however, LaChapelle would later confirm that this leaked version of the video was not the full extent of his original concept, but a cut created by RCA. "This is some of my footage, this is not my edit," he stated, before insinuating that her record label had released the leak as something of a distraction for fans. "I find it very suspect that the video was ‘leaked’ while Britney was 'away.'" LaChapelle's statement adds credence to the idea that the video was scrapped after relationships between himself and RCA broke down, an idea first suggested by fans when they noticed that he had refused to give the label his footage with G-Eazy, forcing them to use watermarked copies in the official video. Fans have further speculated that the original cut of the video was over ten minutes long and featured scenes that still have yet to leak. In their exclusive behind the scenes look at the LaChapelle version of 'Make Me...', E! also posted a video interview with Britney in which she wore black boots and a nude leotard with black detailing, which was not depicted in the leak. The next day, a video leaked from the set which depicted Britney in the crane with backup dancers on top of it, another scene which didn't appear; and the Lachapelle-shot single cover, which features Britney wearing white in the desert, is also rumoured to be taken from a scene in the video. Given the tense relationships between all parties involved, it's unlikely that LaChapelle's original length cut will ever be seen. Which scrapped music video would you most like to see from Britney? Let us know in the comments section down below!
  3. Hello everybody, hope you all fine Just asking if anyone have this tape/songs from this CD. We know that only you'll stay leaked and yesterday Frozen Demo leaked but was removed from SoundCloud
  4. Now that 2016 has finally arrived - and any hopes of a surprise release ala Beyoncé have been completely dashed - we thought it was the perfect time to look back at what made last year in music great. Although the bigger names in pop such as Gaga, RiRi and Katy all took unexpected hiatuses for the majority of 2015, these breaks only made room for newcomer artists and previously unpolished gems to dominate the charts. Read on below to find out how! In fifth place... In fourth place... In third place... In second place... And in first place... What do you think of PHF's official list of the five best albums of 2015? Have we covered all the bases, or are you ready to hunt us down for not including your favourite project? Let us know in the comments section down below!
  5. In some ways, 2008 was pretty similiar to 2018. A shock candidate had just entered the White House, bypassing Hillary Clinton who people thought was a sure thing. The worldwide economy was still at breaking point, there were still tensions in the Middle East, and global warming was still hugely under-recognised. Betty White was still popular, and O.J. Simpson was still headed straight for priosn. But in other ways, 2008 was a completely different time from the one we're now living in. Politically, things were much more liberal - we had Barrack Obama in office instead of Donald Trump - and musically, we were still exploring the genres of folk and rock concurrent with the R&B revival taking place. Trap wasn't even a thing, and Cardi B was swinging on a pole somewhere without a dollar to her name. In this list, we'll be looking at fifteen of the biggest songs of ten years ago. Some of them are probably still played at whatever New Year's Eve countdown you listen to, but others will definitely be forgotten gems. Check them out below and let us know what you think in the comments! 15. Natasha Bedingfield - Pocketful of Sunshine I'd always assumed that 'Pocketful of Sunshine' only became a hit in 2010 after it was memorably featured in Easy A; but it turns out the song actually first found it's success back in 2008, when it charted at #5 on the Billboard Hot 100. As Easy A's Olive remarks, 'Pocketful of Sunshine' really is the "worst song ever", but like most of the singer-songwriter style songs released in 2008 it's also incredibly catchy. Prepare for this to be stuck in your head for the next week. 14. Jazon Mraz - I'm Yours Speaking of annoying singer-songwriter songs, let's take a look back at the breakthrough single from one hit wonder Jason Mraz. Along with Colbie Caillat's 'Bubbly', 'I'm Yours' led the charge for summery, acoustic pop songs to offset the overproduced dance pop on the radio, and it found huge success among the "middle aged women who post Minion memes" crowd. Even though it only hit #6 on the Hot 100, it stayed on the charts for an insane 76 weeks, becoming the longest charting song at the time; and it now holds the honour of being the tenth best-selling digital song of all time in the US. It's easy to understand why, but that doesn't make the song any better. 13. Jordin Sparks & Chris Brown - No Air Remember when people still admitted to listening to Chris Brown songs instead of playing them in their wireless headphones in dark alleys and dead-end streets? 2008 was definitely Brown's year, and he found success not only as a solo artist with 'Kiss Kiss', 'With You' and 'Forever' (all of which have to be strong contenders for the most annoying song ever - this is becoming a trend, 2008), but also with his duet with American Idol alum Jordin Sparks. The song is bang on trend for the year, featuring the same R&B beat which had blown up in 2007 and the icy synths that Timbaland had been pushing for the past few seasons. 12. Mariah Carey - Touch My Body It might be unfair to refer to Mariah Carey as the female Chris Brown, but it's obvious her star has fallen quite a bit in the decade since she released 'Touch My Body'. Back then, MiMi was praised for her frank take on sexuality and her funny self-parodies - such as in the video above, where she seduces her Wi-Fi installation man - but now it seems that she's criticised for trying too hard to be sexy and taking herself way too seriously. Mariah could definitely learn something from the success she back in 2008. 11. T.I. - Whatever You Like 'Whatever You Like' is actually the name of two T.I. songs - one Nicole Scherzinger attempt he featured on which was a huge flop, and one solo effort which blew up internationally and effectively launched his career. 'Whatever You Like' was the song of the summer back in 2008, and went on to be the sixteenth most successful song of the decade. It's stood up relatively well over the years, although we have to say that our personal favourite version of the song is Anya Marina's chilled out cover. 10. P!nk - So What Although R&B and hip-hop was huge back in 2008, the power-pop vibe mastered by stars like Kelly Clarkson and Hilary Duff was still grasping on to it's last moments in the sun. Case in point: 'So What', which was the first single from P!nk's Funhouse album, and which marked a huge return to the US charts for the singer after she failed to sell in the country during her I'm Not Dead era. It's sad given that 'So What' is actually incredibly trashy and a shameless cash grab compared to that previous album, with some of the laziest songwriting including lines like, "So what/I'm still a rockstar/I've got my rock moves/And I don't need you tonight". That said, the song is still a P!nk and Max Martin collaboration, which means that it's as super catchy and feelgood as you'd expect from the team that brought you 'U + Ur Hand'. 9. Flo Rida - Low (Feat. T-Pain) There was a time back in 2008 when you couldn't turn on any radio station, visit any shopping mall, or tune into any episode of whatever trashy MTV reality show you were trying to watch without having to endure yet another spin of Flo Rida's 'Low'. Rida has vanished into obscurity in the last few years, but up until then he had a penchant for writing incredibly catchy songs, and 'Low' is no exception. Bolstered by a placement in Step Up 2: The Streets (yes, it was that long ago), 'Low' was such a huge hit when it was released that it went on to become the highest selling single of the 2000s decade. If only someone could explain what "apple bottom jeans" actually are. 8. Rihanna - Disturbia Rihanna was telling us she was a "good girl gone bad" from the time 'Umbrella' was first released, but it wasn't until 'Disturbia' dropped that we actually believed her. 'Disturbia' follows in the footsteps of 'Thriller' in presenting an image of mental anguish, paranoia and anxiety which is nevertheless surprisingly fun to dance to - and in a weird coincidence, it was even penned by future ex-boyfriend Chris Brown, who clearly had is own issues with mental anguish. With one of the catchiest executions of "bum bum be dum" ever created, 'Disturbia' also happens to have one of the best music videos Rih's ever released, featuring tarantulas, wolves and S&M eyepatches. It's a total classic that still makes our Halloween playlists to this day. 7. Madonna - 4 Minutes (Feat. Justin Timberlake) Madonna is one of the few artists who's probably had a hit no matter how many decades back you go, but back in 2008 it had been a while since she'd released a true chart topper. Everything changed with '4 Minutes', a Justin Timberlake and Timbaland collaboration which launched her back into the public's consciousness. Featuring a call and response chorus and some vague lyrics about the apocalypse perfect for the increased talk of global warming, the song was the perfect way to bring Madge into the future. We just wish she'd been able to be as successful with any of her singles since then. 6. Sara Bareilles - Love Song Following in the trend of Bedingfield and Mraz is Sara Bareilles's 'Love Song', a laidback folky bop which made the perfect easy listening for 2008. The story behind the song is that Bareilles was becoming frustrated with her label's refusal to release her music, so she wrote an archetypal "love song" dedicated to her executives in a passive aggressive attempt to impress them. Regardless of the feud, it seems that both parties won in the end because 'Love Song' ended up spending 19 weeks in the top ten and becoming one of the biggest hits of 2008. 5. Timbaland - Apologize (Feat. OneRepublic) 'Apologize' was actually first released as the first single from OneRepublic's debut album Dreaming Out Loud, but when it failed to make waves the band hit up Timbaland for a remix (and an impressive name check) to blow up the radio. The only real thing Timbo added was a much-parodied line of "eh eh, eh eh" background vocals, but that didn't stop the public from eating the new version of the song up - it stayed in the top ten for twenty five weeks which made it the longest song to hang in there so long since 1999. 4. Alicia Keys - No One Alicia Keys' 'No One' is probably the quintessential song of 2008, combining the Timbaland style of R&B, the OneRepublic style of acoustic rock and the Jordin Sparks brand of irritation into one fusion of a track. The fact that everyone in the world thought they could hit the high notes that Alicia masters just made matters worse. Nevertheless, 'No One' became the most listened-to song on US radio in 2008 with over three billion listeners, while also becoming one of the best-selling singles of all time. 3. Katy Perry - I Kissed A Girl It's weird to think that just ten years ago nobody knew who Katy Perry was, and that the world's first introduction to the heretofore Christian pop star was a song all about flirting with bisexuality (something we're sure she'd be too "woke" to do now). 'I Kissed A Girl' has to be one of the most manipulative, disingenuous and trashy songs ever written, but thanks to the stylings of super producer Dr. Luke (there's another sentence that just wouldn't be written in 2018) it managed to become a hit anyway, topping the charts for seven weeks in a row. If nothing else, it launched the career of Perry (who, after all, brought us 'Teenage Dream') and it added to the conversation surrounding LGBTQ rights, so it can't be all bad. 2. Leona Lewis - Bleeding Love If you've ever had a break up, you'll be all too intimately familiar with this song and the precise playthrough during which your tub of ice cream begins to run out. 'Bleeding Love' is the quintessential heartbreak song - heartfelt and wrenching, and with a climactic note which no one can actually hit during karaoke but which everyone tries to. There's clearly a lot of sad people in the world, too, because the song hit #1 in 35 countries. Sadly, it's a success Leona has never quite been able to match - while the follow up 'Better In Time' was moderately well received, every single since has been a flop, at least outside of her home country of the UK. 1. Coldplay - Viva La Vida Before Coldplay was being unnecessarily bashed for their Super Bowl Half Time Show performance in 2016, they actually enjoyed a successful career which largely climaxed with the release of 2007's Viva la Vida or Death and All His Friends. The titular single from the album was 'Viva La Vida', a rousing, grandiose statement of glorious intent for the rest of the album which never fails to put a smile on people's faces or a tear in their eye. With references to love, death and war, 'Viva La Vida' really has it all, and it succeeded not just as a onetime popular single but as an enduring testament to the band's legacy. What was your favourite song of 2008? Let us know in the comments! And for a trip down memory lane, check out the ten biggest hits of 2007 here.
  6. Pop icon Madonna's thirteenth studio album, and best project in a decade, Rebel Heart is officially out in just four days now, and it's safe to say that we're all pretty overwhelmed with not only the quality, but also the quantity, of tracks she recorded this time around. Along with the twenty-eight songs the album boasts on its various incarnations, over fifty demos - some of which have ended up on the final cut, some of which haven't - have leaked over the past few months, pushing Madonna fans into pandemonium mode and providing for some of the most interesting, if not entirely consistent, listening from the past couple of years in music. But how do we make sense of what can often be a rather confusing batch of leaks? Some songs have up to five different demos attributed to them available on the web (we're looking at you, 'Wash All Over Me'), while some are only available in demo form. Some have undergone massive transformations from their leaked demo form to their album version, not that these transformations are always for the best; and yet others are nowhere to be found on the album at all (like the impeccably shady '2 Steps Behind Me' - didn't this deserve a spot as at least a Japanese bonus track, Madge?). That's why we've created this list. Think of it as a fast ticket to the leaks that have been pouring out of Camp Madonna lately - you can skip the incredibly dodgy demo vocals on 'Holy Water' and the redundant vibe of the Pharrell-produced 'Back That Up', and jump right into the good stuff. You're gonna love this. 12. Living For Love(Album Version)I'll be the first to say it - 'Living For Love' is nowhere near my favourite song from the Rebel Heart sessions. It's definitely not the strongest on the album, and nor is it the best representation of the project overall. That said, it did make a good comeback single with it's predictably uplifting message of self-belief (who's reductive now, Madge?), danceable beat and catchy, sing-along ad-libs. It also lends itself to some great choreography which is basically Madonna's greatest strength at this point, and which she served us with not only in the song's music video but also during her Grammy's performance (let's ignore that tragic BRITS showing, shall we?). At last sight, however, the song was only at #108 on the Billboard Hot 100 - a somewhat disappointing feat given how much promo and work went into the single release. Let's hope the weeks to come will see it's chart position improve. 11. Bitch I'm Madonna (Feat. Nicki Minaj)(Album Version)Listen: Madonna - Bitch I'm Madonna (Feat. Nicki Minaj) The title alone will probably betray the fact that this is the album's most irreverent, ridiculous song, but in case you needed more proof, see what items in the following criteria you can check off: Lyrics about "pouring beer into my shoe". Is that a thing? Sound effects that include a bed squeaking, a police siren, what sounds incredibly like a Legend of Zelda NES sample, and an enraged Madonna yelling "Who do you think you are?" An impressively schizophrenic production courtesy of Diplo himself, which stretches the song along genres from trap to electro-pop to hip-hop. Nicki Minaj being Nicki Minaj. Are we done here? 10. Hold Tight(Album Version)Listen: Madonna - Hold Tight This album is really at it's best when Madge is working in the realm of the high-energy, powerful and lyrically superior mid-tempo, as proven by exhibit #1, 'Hold Tight'. Singing along to mid-tempo tracks keeps the high pace of the album out while still providing for an interesting and unique listen, and showing that Madge doesn't have to buy into the up-tempo craze that's infecting radio stations at the moment. 'Hold Tight' has a vaguely reggae, slightly tribal feel, but it's kept modern by a nice post-chorus in which the queen stutters "Everything's gonna..." interspersed with sound effects of some African man screaming. Is this how Akon makes money nowadays? 10. Rebel Heart (Feat. Avicii)(Demo Version)Listen: Madonna - Rebel Heart (Demo) (Feat. Avicii) As the title track from the album, 'Rebel Heart' was always going to have a lot to live up to, and for the most part it succeeded - at least in demo form. Our guts tell us that the demo version of this song was originally meant to be the opening track on the album, given the atmospheric vocoder during it's intro and the slow build-up into amazingness which we've come to associate exclusively with Avicii (keep reading for more on this). Bizarrely, though, Madonna ended up scrapping the incredible production from the DJ to make way for a newer, more acoustically-based version of the song on the final album. The lyrics are just as introspective and nostalgic on the final version, but the excitement just isn't quite there. 9. 2 Steps Behind Me(Demo Version)Listen: Madonna - Two Steps Behind Me We first heard about '2 Steps Behind Me' way back in early 2014 when it was listed by an insider source as a Lady Gaga diss track, and one of the first recorded for the album. Madonna may deny the fact that the song is aimed at her fellow pop princess, but the lyrics don't lie: check out lines like "Did you study way hard enough, trying to be a bust?/Yeah that's cool and all now get in line/Tickets are gonna cost". Sis has clearly done her research on those Born This Way Ball tour deals. Despite that, the song is actually pretty great; there's not too much sonical development throughout the whole thing, with just one simple relenting beat keeping the whole thing going, but the melody is super catchy and the synths are giving us disco realness. In a weird way, though, we're actually kind of happy it didn't make the album. Madge seemed to put an end to the infamous Gaga feud early this year when she praised an Instagram photo of her peer, and officially releasing the song on an album would definitely have started up another round of endless shade throwing between the artists and their fanbases. Somehow, this song was released in just the way it was meant to be. 8. Addicted (The One That Got Away)(Demo Version)Listen: Madonna - Addicted It was a close call between the album and demo version of 'Addicted', and to be fair they're pretty similar for the most part. The only noticeable differences come in the hazy, echoey synths present in the demo version which are quite a bit sharper in the album version (somewhat of a mistake given how tinny they sound), and the glorious quasi-disco vocoder in the chorus of the demo you don't get in the final song. Really though, any version of this track is bound to impress, with both featuring the same punchy chorus, electric guitars, and dance break. It may not be quite on par with the Avicii productions, but it's definitely not far from them either. 7. Body Shop(Album Version)Listen: Madonna - Body Shop Remember that scene in 'Big Girls Don't Cry' where Fergie is prancing around a car in a barn and wearing only a cowboy hat, a tied up flannel and daisy dukes? Well, 'Body Shop' successfully manages to take that one scene and make a song out of it. Basing an entire song around car metaphors may seem kind of overdone, but the production manages to make the somewhat cliched, kitschy lyrics less Rihanna's 'Shut Up And Drive' and more Shakira's 'Gypsy'. Out of all the slower, folky songs on the album, this one has to be our favourite; there's a simplistic sweetness and tenderness to it that's hard to dislike. And for once, Madge's admittedly thin vocals aren't actually ill-suited to one of her slower songs. We're officially in love. 6. Joan of Arc(Album Version)Listen: Madonna - Joan of Arc 'Joan of Arc' is probably the best down-tempo song Madonna has recorded in years - yards better than 'Miles Away' and worth much more than 'Masterpiece'. She's always been at her best when exploring and subverting religious imagery, and she's at her best here with lyrics dedicated to the world's foremost feminist icon such as "I don't wanna talk about it right now/Even hearts made out of steel can break down./I'm not Joan of Arc, not yet/I'm only human, oh yeah." 'Joan of Arc' keeps up the bass-heavy gypsy pop we heard in 'Body Shop' but with a slightly more defined beat, matching perfectly with the themes of soldiering on heard in the lyrics. For an even slower change of pace, try the leaked acoustic version - you won't regret it. 5. Holy Water(Album Version)Listen: Madonna - Holy Water It's safe to say that 'Holy Water' had a lot to live up to, after Q.O.P.'s (that's Queen Of Pop for the uneducated peasants among you) continuous teasing of the track on Instagram, often accompanied by a provocative picture of herself and her modern day narcissistic, attention grabbing counterpart, Natalia Kills. It's even more well established that the first leaked demo of the song disappointed somewhat, with incredibly weak vocals and a very Kills-esque refrain of the tacky and tryhard "bitch, get off my pole". Luckily, the song had much more to give than this lackluster first attempt, and the album version improved on the demo in every way possible. Importantly, there's an impressive middle eight built up to throughout the whole song in which Q.O.P. self references with a sample of the perpetually danceable 'Vogue' - a little cocky, sure, but who's complaining about an excuse to hear that jam again? It's the kind of narcissism that's good for a glass of wine, a snigger, and a whole lot of dancing. 4. Illuminati(Album Version)Listen: Madonna - Illuminati Even in it's first admittedly messy inclusion in the first batch of leaks a few months ago, 'Illuminati' always stood out as a total jam. Influenced by those ridiculous comments you see on YouTube which call everyone with a nose a devil worshipper ("Noses are shaped like triangles! Triangles are similar to pyramids! Aliens created pyramids! Aliens are evil! The devil is evil! Everyone with noses is a devil worshipper!"), Madonna channels her 'Erotica' incarnation here with a serve of some tongue in cheek spoken word realness that simultaneously mocks and educates said YouTube trolls. The only thing that could ever have improved the song was some cleaner vocals and a harder beat, both of which were brought to the table in the final album version with a restructured production courtesy of Kanye West and long-time collaborator Mike Dean. What more could you want? 3. Devil Pray(Album Version)Listen: Madonna - Devil Pray Here's one Avicii collaboration that actually did make the album, and we're incredibly glad it did. 'Devil Pray' is a nice meeting point between the irreverent, mindless dance tunes on the album; the rebellious, often religious, gypsy-like slow jams; and the uplifting acoustics that have all fused together here to form Chemical X. The song begins with some chilled-out, percussive guitar strumming, before a surprise twist in the form of one of the most random lines on the album, "We could do drugs and we could smoke weed and we could drink whiskey". But it's not until the pre-chorus beat that things start getting really interesting, and it's not until the chorus that nirvana is achieved. It starts with a simplistic beat overlaid with a pitched refrain of "Oooh, save my soul" which is then again layered with some extra atmospheric beats and Madonna's own vocals. We dare you not to grind to this. 2. Wash All Over Me (Feat. Avicii)(Demo Version)Listen: Madonna - Wash All Over Me (Demo) (Feat. Avicii) As our first unofficial taste of the album when it became the first track to leak, 'Wash All Over Me' was always in prime position to impress - and that it did. Offering us a brand new sound from the Queen, totally detached from the repetitive trance beats of 'Celebration' or the rather irritating, tinny synths present throughout much of MDNA, the song instead serves us with great production courtesy of Avicii and a surprisingly deep message about submitting to whatever life has in store for you. By now, I think we've established that Avicii is basically the master of a perfect build-up and an epic post-chorus breakdown, and he proves it here with an impeccable post-chorus that consists of Madonna repeating "let it wash all over me" and an ultimate moody yet movable dance break that is bound to get your heart racing. It's pretty close to pop perfection. 1. Borrowed Time (Feat. Avicii)(Demo Version)Listen: Madonna - Borrowed Time (Demo) (Feat. Avicii) Here's another scrapped Avicii collaboration whose ultimate rejection on the album broke everyone's heart. Despite positive fan reaction to the tune, Madge decided to opt once again for a more acoustic version of the track on the final release, a choice we can't help but think of as a mistake. Remember how we said that Avicii was king of the breakdown? Well, he's in fine form here with a break that sounds like the best summers of your life distilled into musical form. The synths are fun and airy, the lyrics are just deep enough to believe in and yet not too deep as to be depressing, and queen's vocals have never sounded better. Are Avicii's publishing fees just too high, or what? We honestly can't think of any other reason as to why this total jam would be left off the album. What's your favourite song on Rebel Heart? Are there any standout tracks you think we missed? Let us know in the comments below or over at the forum!
  7. Madonna - an international icon who extended her record as the highest-grossing female touring artist of all time in 2016, was honoured as Woman of the Year at Billboard's Women In Music 2016 event last Friday (December 9th). During her acceptance speech, she was...well...she was Madonna. The icon started her speech with a joke: "I always feel better with something hard between my legs," Madonna said, straddling the microphone stand. "I stand before you as a doormat. Oh, I mean, as a female entertainer," she continued. "Thank you for acknowledging my ability to continue my career for 34 years in the face of blatant sexism and misogyny and constant bullying and relentless abuse." She then went on to detail some of the more shocking life experiences that shaped who she is today. "People were dying of AIDS everywhere. It wasn’t safe to be gay, it wasn’t cool to be associated with the gay community. It was 1979 and New York was a very scary place. In the first year I was held at gunpoint, raped on a rooftop with a knife digging into my throat and I had my apartment broken into and robbed so many times I stopped locking the door. In the years that followed, I lost almost every friend I had to AIDS or drugs or gunshots." After that she praised one of her biggest inspirations who happened to be David Bowie: "I was of course inspired by Debbie Harry and Chrissie Hynde and Aretha Franklin, but my real muse was David Bowie. He embodied male and female spirit and that suited me just fine. He made me think there were no rules. But I was wrong. There are no rules - if you're a boy. There are rules if you're a girl," Madonna said. She went on to spill more brewing tea: "If you're a girl, you have to play the game. You're allowed to be pretty and cute and sexy. But don’t act too smart. Don’t have an opinion that's out of line with the status quo. You are allowed to be objectified by men and dress like a slut, but don’t own your sluttiness. And do not, I repeat do not, share your own sexual fantasies with the world. Be what men want you to be, but more importantly, be what women feel comfortable with you being around other men. And finally, do not age. Because to age is a sin. You will be criticised and vilified and definitely not played on the radio." Madonna, teary-eyed, also opened up about the time when she felt "like the most hated person on the planet." "Eventually I was left alone because I married Sean Penn, and not only would he would bust a cap in your ass, but I was off the market. For a while I was not considered a threat. Years later, divorced and single - sorry Sean - I made my Erotica album and my Sex book was released. I remember being the headline of every newspaper and magazine. Everything I read about myself was damning. I was called a whore and a witch. One headline compared me to Satan. I said, 'Wait a minute, isn't Prince running around with fishnets and high heels and lipstick with his butt hanging out?' Yes, he was. But he was a man." Then she stated that that was the first time she had realised how unequal women are to men. Madonna also recalled that at one point in her life, during all the public vitriol, "I remember wishing I had a female peer I could look to for support. Camille Paglia, the famous feminist writer, said I set women back by objectifying myself sexually. So I thought, 'Oh, if you're a feminist, you don't have sexuality, you deny it.' So I said 'fuck it. I'm a different kind of feminist. I'm a bad feminist.'" Madonna also recalled all the legends which were gone too soon: "I think the most controversial thing I have ever done is to stick around. Michael is gone. Tupac is gone. Prince is gone. Whitney is gone. Amy Winehouse is gone. David Bowie is gone. But I'm still standing. I'm one of the lucky ones and every day I count my blessings." Closing out her speech, Madonna offered thanks to her haters and advice to other women in music: "What I would like to say to all women here today is this: Women have been so oppressed for so long they believe what men have to say about them. They believe they have to back a man to get the job done. And there are some very good men worth backing, but not because they're men -- because they're worthy. As women, we have to start appreciating our own worth and each other's worth. Seek out strong women to befriend, to align yourself with, to learn from, to collaborate with, to be inspired by, to support, and enlightened by. It's not so much about receiving this award as it is having this opportunity to stand before you and say thank you," Madonna said, closing out her speech. "Not only to the people who have loved and supported me along the way, you have no idea... you have no idea how much your support means," she said, tearing up for the second time. "But to the doubters and naysayers and everyone who gave me hell and said I could not, that I would not or I must not - your resistance made me stronger, made me push harder, made me the fighter that I am today. It made me the woman that I am today. So thank you." Now we only wait for the queen to deliver more bops!
  8. Almost three decades after Sean Penn was accused of heinous physical abuse against Madonna, the pop singer has been forced to deny the allegations in the face of a pending court trial between Penn and filmmaker Lee Daniels. First reported way back in the 80s, Penn has two serious allegations of domestic abuse against his former partner. In one incident, he allegedly caused Madonna to be hospitalised after beating her across the head with a baseball bat. According to unconfirmed reports, however, Madonna refused to press charges as Penn as already facing sixty days in jail for assaulting a film extra and she did not wish to exacerbate his sentence. In another reported incident, Penn was accused of breaking into his Shanghai Surprise co-star's Malibu home in 1989 during a drunken rampage and telling her that he owned her "lock, stock and barrel". Reportedly, when Madonna tried to leave her bedroom, he attempted to bind her hands with the cord of an electric lamp; and when she escaped this, Penn chased her into the living room, and bound her to a chair with heavy twine. Threatening to cut off her hair, he allegedly smacked and "roughed up" the singer, before leaving her bound and gagged as he went to purchase more alcohol. He only untied her after she agreed to "perform a degrading sex act on him", after which time she fled the house and drove to the sheriffs office. “I hardly recognized her as Madonna,” said Lieutenant Bill McSweeney. “She was weeping, her lip was bleeding and she had obviously been struck.” The whole incident lasted nine hours. Penn was apparently charged by the DA with domestic assault, but Madonna asked for all charges to be dropped, and Penn ended up with just a misdemeanour. But in a new statement released today, Madonna denies that Penn ever struck her at all. Through her lawyer, she states that claims to the contrary are “completely outrageous, malicious, reckless and false”, calling Penn “a caring, compassionate individual, as well as an extremely talented actor, creative artist, and philanthropist, including in connection with his work as CEO of the J/P Haitian Relief Organization.” Referring to the alleged incident with the baseball bat, Madonna stated: “I know the allegations in those and other reports to be completely outrageous, malicious, reckless and false.” Allegations of the abuse have made the news again recently due to a new defamation lawsuit made against Empire showrunner Lee Daniels by Penn's legal team. In the lawsuit, Penn requests $10 million USD from Daniels, claiming that such remarks have injured his credibility and reputation in his personal life, occupation and philanthropic activities, and that he has never been arrested or charged on domestic abuse charges. Such comments were made during an interview Daniels gave to The Hollywood Reporter, during which he called racism while comparing legal troubles faced by Empire star Terrence Howard to those faced by Penn. "[Howard] ain’t done nothing different than Marlon Brando or Sean Penn, and all of the sudden he’s some fuckin’ demon. That’s a sign of the time, of race, of where we are right now in America,” said Daniels. “Daniels, who was on notice of the falsity of his statements and who could have easily checked on the veracity of his false statements before making them, upon information and belief, made defamatory statements with actual malice, reckless disregard for the truth, and for improper purposes, with full knowledge that the statements would be prominently published and repeated throughout and outside of the United States,” stated Penn's lawsuit. While all legal matters playing out in the public eye tend to be messy, this one is even more confusing. Despite their 1989 divorce, Madonna and Penn are clearly still close, with the latter appearing at her #secretprojectrevolution launch event back in 2013 and rumours of a rekindled relationship persistently circulating. It's possible that Madonna is falsifying the claims as a favour to her ex-husband; but if what Penn says is true, and he has never been arrested or charged on domestic abuse charges (something that would presumably be easily disproven), then it's possible she's telling the truth. Either way, given the prominence of the abuse rumours, it seems like Daniels should perhaps be given a free pass if he did indeed get his facts wrong this time.

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